I don’t wish to spend too much time doing snarky humor on this blog — not because it can’t be fun, but because there is so much of it already around — but I realized I’ve spent so much time giggling about this particular comic strip that I really ought to share it. The web site Dailyink.com runs, besides a bunch of the King Features Syndicate comic strips you can’t quite believe are still running (The Katzenjammer Kids Somehow Because It’s 2013, Right?), some classics from the old days (The Katzenjammer Kids Slightly Less Somehow Since It Was 1940 I Guess).
Among them is Stan Drake’s The Heart Of Juliet Jones, the long-running soap opera strip about how Juliet Jones does not get married. In a strip rerun just a couple days ago, originally printed the 28th of December, 1955, her engagement with Johnny the Civil Engineer certainly appears to have wrapped up its mild complications (Johnny was so into the chic of building bridges he hasn’t minded that he’s under-paid and under-promoted at work) when, well, here. You don’t really need even that much introduction to follow it.
The ruthlessness with which the potentially happy ending is crushed makes me laugh in a way that can’t have been meant — or could it?
I’ve listened to quite a few old-time radio mystery and suspense shows, with the arch, melodramatic acting and loud organ stings at every carefully highlighted moment building to the twist Rod Serling would later rip off; they can manage to be both tolerably suspenseful and utterly unbelievable at once, and I wonder if the original audiences were listening with the same mix of suspense and incredulity that I have. Remember that one of the great radio suspense shows of all time, really and truly, was — exactly as the Bill Cosby routine had it — an episode of Lights Out about a scientist whose biochemical experiments caused the beating heart of a chicken to grow until it consumed the East Coast. Scary? Yes. Too ridiculous to be scared by? Yes. (Unfortunately only truncated versions of the original radio broadcast seem to be available.)
How long have they coexisted? And were the great soap opera strips of the past living in the same intersection of reality and disbelief?