I wanted to bring to people’s attention the Krazy Kat comic strip of the 15th of November, 1943, which was rerun among DailyInk.com’s “Vintage” comic strips on the 15th of May. It’s a fine example of the sort of logical paradoxes that tickle me, at least.
George Herriman’s Krazy Kat is often cited by comics connoisseurs as the greatest of all the greats. I think that’s overrating it, because it is often a pretty cryptic comic strip. The fundamental gag that the strip kept coming back to is Ignatz Mouse throwing a brick at Krazy Kat, who interprets this as an act of love, and getting arrested by Officer Pupp, who longs to protect Krazy. The permutations of how the brick-throwing is set up and done and responded to were thoroughly explored over the strip’s decades. By 1943 these had been done so many times the strip’s readers — and there were few of them; it never really caught on with the mass audience, though Harriman’s boss (William Randolph Hearst) loved it — that these points would often be done in shorthand, a brick tossed off, as it were, in the sidelines and the inevitable pattern alluded to. That’s bound to happen in any long-running story franchise, but it makes the strip harder for a newcomer to approach. Mark Leiknes’s Cow and Boy has a similar problem, as I see it: there are many running gags, summoned without warning for the day’s punch line, and a new reader is justifiably lost trying to understand what’s supposed to be funny, at least until some time is put into the reading.
Still, this Krazy Kat is emphatically not cryptic. It’s even one that could be drawn and run in the comics pages today without seeming to come from another era. It’s just amusing.