For this Saturday morning I’d like to offer Pat Sullivan’s Felix in Fairyland. Felix the Cat is one of those cartoon stars who managed to become so famous in his prime that he’s been kind of remembered ever since even though there hasn’t really been a lot to remember him for in a lifetime. There’ve been revitals in the 1950s and 1990s, and a direct-to-video movie in 1991 that featured some staggeringly ugly computer animation, but I can’t say any of it since the 1930s has been all that interesting. Nevertheless, he’s still somewhat recognizable, and gets rated as among the top cartoon characters of all time, so, why not look to one of the originals?
This nine-minute short, as promised, sends Felix to a fairy-tale land after an act of kindness, and once there he stands up for Little Miss Muffet and then comes to the aid of the Little Old Woman Who Lives In A Shoe. Cartoons would do a lot of fairy-tale fracturing and recombining in decades to come, and I’d be surprised if this were the first cartoon to do that, but it must be among the earlier ones since cartoons were only something like two decades old at this point.
The cartoon shows its age, in ways besides being silent. The worst of these ways is the pacing, as it takes its time establishing stuff and making sure everyone knows the setup. Felix doesn’t even get to Fairyland until two and a half minutes in. But the best of these ways is in the loose way that anything can be anything else, given a moment to change. Reality could be a very fluid thing before animation got very good at telling stories, and before sound and color added a kind of heavy reality to objects. When it was all black ink and white background, a spider could be a witch and Felix could climb a ladder of his own question marks with dreamy ease.
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Another Blog, Meanwhile 
Vanquishing villains with tangible punctuation seems like a very 20s, or even early 20th century, concept.
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It does to me, too. It feels like the sort of fourth-wall play that for some reason has been let to slip out of the grammar of cartoon humor. Characters can talk easily about how they know they’re characters in a comic strip or cartoon, but it’s a rare event when they use the drawings as props, if you see what I mean.
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Like John Lennon defeating the Glove with the words to “All You Need Is Love” in “Yellow Submarine.”
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Oh yes. That’s some of my favorite kind of cartoon play.
So in the https://gumroad.com/lostdailies collection of post-Segar Popeye strips, there’s one where the characters collect some word balloons from the Sea-Goon (the merman Goon threatening them) and that’s just delightful.
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