So, International Film Service and then Bray Productions took shots at adapting George Herriman’s great yet obscurant comic strip Krazy Kat to silent animation, with results that I would describe as successful cartoons but not really Krazy Kat. And yet a third series of cartoons based on the never-all-that-popular comic strip was created in the mid-to-late 1920s, still before the successful introduction of sound to motion pictures. This one ran at least 97 pictures, if Wikipedia’s filmography hasn’t got errors in it.
This installment, “The Stork Exchange”, was originally released the 17th of December, 1927, something you might have guessed from the Charles Lindbergh joke in it. I think it’s a reasonably solid silent cartoon: Krazy wanders into the Stork Factory where babies get made, is for faint reasons put in charge of it, and struggles to do so. To add to the historic interest this was a “lost” film, believed destroyed sometime around 1948 when its producer, Margaret J Winkler, disposed of old nitrocellulose-based film stock of stuff people weren’t watching anyway. A copy was found in 2004 at a British Film Institute archive.
The version I have embedded here, from YouTube, features a generic soundtrack featuring what sound to me like Les Paul-ish strumming around songs I can’t really name. The opening one I think of as “Mother Gooseland” because of a Betty Boop cartoon, and the closer seems to be “Listen To The Mockingbird”, for what that’s worth.
But as an adaptation of the comic strip? The example here doesn’t give much reason to think anyone involved with it knew there was a comic strip. Why even bother calling it Krazy Kat? The answer that seems obvious to me involves two facts. One: the first of this series of Krazy Kat cartoons, animated by Charles Mintz’s studios and distributed by M J Winkler, was released on the first of October, 1925. Two: “Felix Dopes It Out”, the last Felix the Cat cartoon distributed by Winkler, was released on the 15th of August, 1925, with the most successful silent cartoon star going to Educational Pictures from the week after that.
With that, suddenly, a lot of the cartoon makes more sense, starting with why there should be a third string of Krazy Kat cartoons at all, and then why they should be about a plucky character with a certain drive that I just don’t see in the comic strip character, and why they should embrace silent-cartoon conventions like everything in the world being animate or potentially so, and why something like the fable of storks bringing babies should bring someone to a cloud-based factory where raw ingredients are ground together into babies. As a Felix the Cat cartoon — well, I admit I’m not a connoisseur of Felix, and a more serious fan might have stronger feelings. But as a Felix cartoon this feels to me like a pretty decent installment, interesting and well-paced and even plotted better than the average silent. I wonder if Ignatz Mouse appears in any of the cartoons.