Popeye: Swee’Pea Soup


Previously:


OK, this is an odd one. It features King Blozo, another character who’d been in the Popeye comics since the 1930s but who’d somehow not gotten an appearance in the theatrical shorts, as well as O G Wotasnozzle in a surprisingly villainous role. King Blozo rules Spinachovia with a semi-competent, perpetually worried, often faltering hand. (Indeed, King Features’s current comic strip offering is a rerun of a story in which Blozo loses his rule to a homemade computer.) About all that eased Blozo’s worry in the comic strips was getting American comic strips delivered to him, although Popeye could help by telling jokes or, when he got around to it, straightening out Blozo’s ridiculous issues.

So the premise of this cartoon, Blozo losing control of the country when the population finds it thinks Swee’pea is just too cute, is really not far off something that might happen in the original source. The cartoon beginning in media res is a striking one; it starts the action off with some energy and vitality that pretty well mask how the cartoon takes three minutes before anything really, properly speaking, happens, and how it really only has the two scenes. I don’t know why Wotasnozzle is so villainous in this one, though; he was well-intentioned if impish in the comic strip and the 1960s cartoons in which he sends Popeye through time are … well, he’s a jerk to do it, but that’s a different kind of thing from trying to cook Swee’Pea. (Seriously, how is this even supposed to work? Go back to making Sappo’s wife a young woman again so he thinks he’s cheating on her with her, O G.)

You might guess the animators behind this from the drawing style and the pacing, although I spotted it by listening to the sound effects, especially of the shattered vase. It’s the same sound used for some shattered objects in the Tom and Jerry cartoons made in the early 60s by Gene Deitch for William L Snyder’s Rembrandt Films. We saw Deitch directing some of those 1960s Krazy Kat shorts, too.

While the cartoon’s pretty good at steadily presenting funny pictures, I don’t think Rembrandt Films manages to be as good at that as Gerald Ray Studios were. Individual shots are surprisingly long (though they do pan side to side quite a bit), and they don’t try to be silly as still frames. Of course, it is animated and if you watch with the sound off, you get to a funny part soon enough. That’s pretty satisfying.

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Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there.

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