It’s been nearly a week or so, so here’s some more mathematics comics. No pictures over there, so let me give you one here. This installment of Little Denny Mud was run as part of Peter Maresca’s Origins of the Sunday Comic feature at Gocomics.com recently.
As Maresca’s caption says, the strip was carved as a relief sculpture and photographed. It’s a strange and innovative idea. It wasn’t long-lasting, though. It ran from the 16th of January through the 8th of May, 1910. I can imagine the concept being artistically successful in a high-quality print magazine, or as something distributed on the web. But newspaper publication with the technology available in 1910? I guess it came through tolerably or we wouldn’t have the panels that look as good as they do. But it still seems like a neat concept done in the wrong medium. (The strip itself, well, that’s any comic strip from 1910 and if it weren’t for the medium I don’t know I’d have worked my way through the captions.)
The Stripper’s Guide offers some more information about Charles Beaty, including samples of his pre-1910 artwork. Beaty would produce a clay-portraits panel for Universal Press Syndicate. The earliest The Stripper’s Guide had was a January 1912 production of then-Governor Woodrow Wilson. Some other figures for the Great Men In Common Clay series include Orville Wright, Andrew Carnegie, Mark Twain, and Kris Kringle.
I tend to be impressed by the attempt at doing a comic strip in an unusual medium. Mo Willems’ Sketchbook is often photographs of stuff doodled on placemats. Terry Border’s Bent Objects is panel cartoons enacted in sculpture. But often that amounts to admiring the effort involved rather than the emotional appeal of the final product. Still, you can’t get a good artistic medium going without experiments and novelties and offbeat projects like this. I’m glad to know things like this exist.