My love asked if I planned to keep doing comic strip reviews now that I don’t have Apartment 3-G to fill a weekly essay. And if I’m not, then what am I going to do instead? They’re good questions. I don’t know just what I’ll do yet, although I don’t figure on regularly snarking on another comic strip.
There’s plenty to snark about. And there are many fine, quality comic-strip snark blogs, and Usenet group rec.arts.comics.strips. RACS is a bit more likely to talk up the good side of comics, and the business and other sides, I should say. It isn’t all the making fun of any one comic strip, not since the glorious fiasco of Lynn Johnston’s For Better Or For Worse‘s end, an event known throughout all comic-strip commentary communities as the Foobocalypse. We still look back on it with glee. (“Here’s the strip where Johnston warns Elizabeth that if she doesn’t give up her life and marry Granthony soon then she’s going to start killing supporting characters, starting with Grandpa Jim.”) And a bit of snark is a healthy thing. It deflates self-importance, it melts pomposity, and it binds disappointed audiences in giddy consolation.
I came by my Apartment 3-G coverage honestly, when I was entertained by how baffled the comic strip left me. There hadn’t been anything so engagingly dadaist since the last years of Dick Locher’s run on Dick Tracy, when very few plot points were endlessly repeated and abstractly illustrated. There isn’t anything like it now. Even the stodgiest story strip (Mary Worth, by my lights) or the slowest-moving strip (Rex Morgan, in which June Morgan’s 27 months of pregnancy have just ended with her delivering a way overdue baby elephant) are relentlessly understandable. Apartment 3-G I was trying, honestly, to work out what was happening and why it was happening. And I meant to try understanding what was going on both on-panel and behind-the-senes. The jokes were flavoring used to make that more palatable.
So while I’m certainly going to toss jokes off in the direction of misfired comic strips (mostly in RACS, I figure), I don’t expect to make that a regular feature here. There’s nothing going on in Judge Parker that needs earnest explanation. Compu-Toon maybe. But I fear there’s something uncharitable in searching out a target for evisceration. If I’m going to put too many column-inches into ridiculing something, it should be with the hope that something useful will come of it. It should be for a better understanding of the bad, or to share with an audience that wondrous sense of strange outsider-art that true ineptness has. Sneering is an individual right, as quirky and as personal as the set of things we delete from our search histories. Nobody needs to be told to sneer at things. We need it to be at least a bit celebratory.
That said, yes, Mary Worth is getting a little creepy lately, and the dialogue reads ever-more like spies passing messages. (Mary Worth: “We can be more aware of how we affect each other and the environment.” Eight-year-old Olivia: “I like to think that change for the better … and not just the worse … can happen very quickly, too!”)