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When last I talked about Judge Parker, new writer Francesco Marciuliano had finished his round of thoroughly blowing up the Parker and Spencer families’ incredible streak of fantastic good luck and fortune’s favor. Judge (Retired) Alan Parker’s movie deal had stalled and his new book was going nowhere. Sophie Parker had reappeared after months missing, with the rest of her band still gone, abducted by strange parties unknown. And Parker Sr had received a mysterious bouquet and message from shadowy intelligence-types, and made a promise to “have it done for you soon”.
Blowing up plots is fun and, relatively speaking, easy. How has Marciuliano handled putting things back together?
1 January – 8 April 2017
Sophie Spencer, returned just in time for Christmas, has as rough a time of it as you might figure. Finding her father’s Crazy Evidence Wall, full of clippings thumbtacked in around circled notes (no strings of yarn connecting stuff, though) sends her into a rage which she takes out on her room, setting off a potentially-fatal-to-their-marriage fight between Sam Driver and Abbey Spencer. But Sam persists, setting back up his Crazy Evidence Wall, growing out his beard to Not Obviously Unhinged levels, and finally (this week) agreeing to go to Ambush Ridge with Sean Ballenger, father of the first abducted teen to have been released. That should turn out well. He can still get his beard out to Riker In The Borg-Are-Everywhere Timeline levels, if need be.
Sophie, understandably still traumatized, gets into therapy. It played as a belated move, but just because even when stuff is happening swiftly there’s only a few panels per day and a lot was going on. In-story it was clearly set up within days of her release. This might still be late, but after all, nobody expected her tolerably safe return. She reveals that the only thing she knows of her kidnapper is that she soundd “so much like Abbey”, calling her adopted mother “a cheat” who “doesn’t deserve what she has”. It’s hard not to see this as teasing the fourth wall, or smashing right past it, given the years during which the Parker-Spencer-Drivers were in fortune’s favor. Marciuliano had a more literal, and classically soap-operatic, idea in mind.
The other kidnapped kids reappear with their own harrowing tales. They had been kept in a remote shack, fed occasionally, waiting for any sign they might be able to escape, or any hint about what this was all about. They don’t get much. Some kind of ransom, some kind of torture to make Sophie Spencer “fall in line”. And then the gradual and then sudden collapse of the kidnapping scheme, as the woman in charge — the one who sounded so much like Abbey — has a fallout with another woman, “the only one who ever helped” her. The One Who Sounded Like Abbey shoots her partner, and then starts shooting the guards. The kids escape when she comes around to kill them, injuring but not killing The One Who Sounded Like Abbey.
So who is The One Who Sounded Like Abbey? The clear implication is that she’s Abbey’s sibling, or some other person with a claim to the Spencer family (and fortune), denied for reasons not yet revealed. Or at least someone who believes she has a claim.
Not yet resolved: who the mysterious intelligence-type guy was that phoned Judge Parker Senior, or what he was promising to do.
I say Marciuliano’s succeeded in both blowing up the old status quo and putting things together into a plausible, credible, and intriguing new storyline. I’m looking forward to the next couple months of this.