Greetings, fans of Francesco Marciuliano and Mike Manley’s Judge Parker who aren’t just reading Marciuliano’s blog in the first place. If you’re interested in my working out the last couple months of plots, and it’s around July 2017 when you read this, good. Otherwise, the stories probably will have developed some. At or near the top of this link I hope to have my most recent Judge Parker recaps. Thanks, reader in the future. Good luck finding what you need.
8 April – 2 July 2017.
When I last checked in on the Parker/Spencer/Davis clan, Marciuliano had not just gotten the kidnapped Sophie Spencer back home, but her bandmates had been rescued too. They told a harrowing tale of kidnappers, a mysterious woman who sounded like Abbey, and a lot of gunshots and violent endings that would leave anyone pretty well-traumatized.
Sam Driver, having got nowhere with his Crazy Evidence Wall, chose to meet up with Totally Legitimate Non-Suspended Non-Crazy Not-An-Ex-Cop Sean Ballenger. He’s the father of one of the other kidnapped teens and wants Sam’s help finding any booby traps and remaining homicidal gunmen at the kidnappers’ hideout. On the way there Ballenger mentions that, oh yeah, he’s been suspended from the force and isn’t handling a really severe trauma any better than Sam is and oh yeah, here’s the booby traps, right where the homicidal Woman Who Sounds Like Abbey left her webcam pointed. Sam starts to suspect a trap, but Ballenger’s so enthusiastic about it he gets himself severely wounded even before the Woman Who Sounds Like Abbey can shoot them.
While Ballenger distracts the Woman Who Sounds Like Abbey by bleeding profusely, Sam discovers her wall of Off-Model Spencer Family Photos, plus her time bomb. He grabs Ballenger and runs him right out into waiting police with drawn guns ordering them not to move. Sam’s not even able to explain that he’s both rich and white before the bomb explodes, destroying the compound and what’s left of Sean Ballenger’s career. With this mess on their hands the police give the whole kidnapping investigation a serious escalation, moving it into the hands of some guy with a much darker suit jacket.
Back home, Sam shares with Abbey some evidence he’d been withholding from the police. The Off-Model Spencer Family Photo he’d taken just before the bombing leads to the discovery Abbey’s father had a whole second family. It’s a good juicy bit of gossip, and a nice proper soap-opera development. It does make me wonder, though, like, was Abbey’s father already an established character back in the day? What would Nicholas P Dallis, or whatever later author introduced Abbey’s father, think of this wrinkle being added to his life? I suppose they don’t really have a say, what with being dead or retired from the strip or whatnot, and maybe they’d like having something juicy and exciting like that added to the character’s story.
It makes me realize among the reasons I shouldn’t write a story comic is that I’d be afraid of breaking someone else’s universe by doing something like that. That’s not to say I think Marciuliano is breaking anything; the development’s a fine enough one. It’s about my worries about how ineptly I’d do something like this. I mean, ask me to write about the week Captain Kirk spent falsely accused of a jewel heist on Rocket Raccoon’s planet? I could probably whip that one out. Ask me to write something that changes our ideas of what drives Captain Kirk as a person? No way. Something mentioned a good deal in how-to-write texts is that there’s a certain arrogance in writing. The writer has to assume that she has something worth reading. It seems like it requires a certain greater arrogance to do your writing with someone else’s work. At least it takes self-confidence.
Sam shaves off his Crazy Beard and takes down his Crazy Evidence Wall, to restart it with a perfectly rational and appropriate thumbtacking up of the Off-Model Spencer Family Photo. And Sophie Spencer, released from full-time psychiatric care, goes to her (biological; she was adopted by Sam and Abbey) grandfather’s grave in search of reassurance. Abbey follows, and can give a hug, in a scene that is touching.
So with that done Sophie offers some more information about the Woman Who Sounds Like Abbey. The Woman — named Senna Lewiston, it transpires — believed Abbey’s father was going to leave her mother and marry Senna’s mother. In revenge for the “stolen” life Senna had Sophie kidnapped and was trying to gain her sympathy and support in destroying Abbey’s life and place in life.
Meanwhile, one can’t help but notice we haven’t actually seen the body of the Woman Who Sounds Like Abbey. So, you know, soap opera rules. Plus, Senna Lewiston, the police had worked out, somehow bought the kidnapping compound in cash, despite the lack of visible means of supporting massively complicated, expensive revenge schemes. How to explain this? Good question and possibly related to a plot thread that’s been dormant for months, possibly since Marciuliano took over the strip last fall. April Parker, wife of the current Judge Randy Parker, and sometime CIA … person, was sent off on a mission to one of those foreign countries the CIA is always sending people off to in soap opera stories like this. She hasn’t been head from since. And Randy suspects his wife “may have betrayed this country, and she certainly betrayed our marriage with secrets upon secrets”, since she’s gone missing and the CIA won’t stop asking him where she went. So he’s been letting the house get disarrayed enough that the Judge (ret) Alan Parker has noticed, and he’s thinking about putting together his own Crazy Evidence Wall.
Caught up? Good. The strange thing to me about all this is how much there’s been both a lot happening and yet it’s only been one story. And, for that matter, only a couple of days of action within that story. It’s not so breathtaking and baffling as immediately after Marciuliano took over. And basically all the crazy stuff has been explained in ways that pass an initial reading. There may be implications that don’t make sense, but the emotional tone and course of stuff has been believable enough. And with the April Parker storyline heating up I’m looking forward to this fictional CIA fiasco almost as much as I’m looking forward to our next real-life CIA fiasco. Can’t wait.
Next week: a hopefully fiasco-free look into the life of Gil Thorp. See you then, I hope.