Are you interested in the current storyline in Francesco Marciuliano and Mike Manley’s Judge Parker? Are you reading this in or near early October 2017? Because if your answer to both is ‘yes’ then great, glad to have you here. If your answer to the first is ‘yes’ and the second ‘no’, the comic strip might have gotten on to some completely different storyline. So this essay might be true enough but not helpful. If I’ve written a successor it should be at or near the top of this page. If your answer to the first question is ‘no’ I’ll try to be interesting anyway but I admit I feel a little hurt you’d be so blunt.
My last update on Judge Parker storylines came suspiciously close to a change in the plots. This keeps happening with my What’s Going On In updates, by the way. I’m definitely not arranging stuff with Comic Strip Master Command to make these recaps come within a week or so of one story yielding to the next. It’s still weird.
Also, if you like comic strips that talk about mathematics, and all of which ran on the same day last week, you might be interested in my mathematics blog. I get to thinking very hard about something a squirrel said to Broom Hilda, but it’s not all that high-level a discussion.
3 July – 30 September 2017
I had said last update that it looked like the one major storyline dormant since Marciuliano took over writing the strip — the whereabouts and activity of April Parker, Super-Secret Spy Person — seemed to be heating up. Current Judge Randy Parker was falling apart with his wife and by-now-born child missing somewhere in one of those foreign countries where the CIA is always sending Super-Secret Spy Persons. Retired Judge Alan Parker was visiting, trying to help him through this. And he brought a guest.
It was April Parker, along with a picture she said was their daughter Charlotte. Who’s somewhere “safe” and “in the country” that she gives Randy. She gives Alan an audio cassette. And then gives herself to the CIA-types who appear at the door, as foretold in the Thursday strip the week before. The CIA types let Alan and Randy keep their tape and the picture, which seems criminally negligent of them, so it’s plausible.
There’s an SD card taped to the back of Randy’s picture. Randy pops over to Sam Driver’s farm and plays April’s tale of entrapment and betrayal. April’s supervisors had been testing her on make-work assignments, and now she’s invited to join a secret sub-unit of the CIA, “patriots who just go that extra step”, the sort of thing that never goes wrong, ever, except for every time, ever. She’s revolted by the rogue agency, even before hearing about the “profit-sharing” potential, and horrified that by going on enough of what she now knows were nonsense assignments she’s been coopted into their group.
Norton, her father, pops in. He’s a faintly Dr Strangelove-esque figure with segmented cigar and the ability to kill any number of off-panel henchmen, so he’s well-suited to gun down the agent trying to recruit April. He promises that he can get April to safety, shelter her child when it’s born, and get word back to Randy Parker by way of his contacts.
So that’s what led to the situation as unfurled: April was in hiding long enough to give birth, and prepare her recordings and messages and all that and to wait for the collapsed-clothing-factory and the kidnapped-Sophie stories to reach a quiet patch. And he brings the infant Charlotte Parker to Alan, who’ll have to keep the child in secret until the heat’s off.
Over to Toni Bowen, the reporter who was on the scene when the deranged clothing factory storyline imploded. She’s not had much success since the factory collapse and the kidnapping of Sophie Spencer; her boss points out that the embezzling-stalker truck driver story went nowhere, which is unduly harsh on Marciuliano. It was a weird complicated side thread, but I liked that everyone in a soap opera universe is going through some crazypants events. Anyway, April’s sent her all the news about the rogue CIA agents, which shows that the Parker-Spencer-Davis clan does indeed forgive and bestow blessings even on those who’ve antagonized them, sometimes. Alan Parker, figuring the heat’s off somehow, brings Charlotte to Randy.
So. Three-month jump ahead in time. April Parker’s in jail, promising that between her testimony and her planned excellent behavior she’ll be released in under three years. Randy and Charlotte are as happy as could be. Alan’s wife, Katherine, is still furious enough about all this secret agent nonsense that she’s taken the flash forward as chance to leave, possibly from the strip altogether.
And that’s three months mostly spent explaining what April was up to. The story was mostly about characters learning what was, to them, in the past. But it’s not like the strips being flashbacks mean we weren’t watching tense stuff happen. Also we got some idea of who the mysterious figure sending Alan Parker cassette tapes with needlessly cryptic instructions was. (This might have been established before, but I don’t remember it.) And, after a bit over a year of this, I believe Marciuliano has finally taken all the plot threads left over from Woody Wilson’s writing tenure and done something with them. Mostly that’s been tamping them down to involve less unceasing praise of the Parker-Spencer-Davis clan. That’s involved a lot of blowing up the status quo, including another set of people being gunned down. There’s plenty of room to develop the stories from here. Most of the directions involve a lot of things families can quite correctly argue about. Should be quite some potential there.
You know what’s a comic strip that seems very close to wrapping up its current storyline? Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man. Please join us in Spider-Man’s natural habitat, the cavernous tunnels underneath Los Angeles, where a Roman Emperor with his own Fountain of Youth hopes to launch the conquest of the surface world and also break up Aunt May’s romance with Melvin the Mole Man. I realize I sound like I’m joking about what a Silver Age comic book would do, but no, this is what’s happening.