I’ve been trying to watch these cartoons in the order of their release. And that I get from Wikipedia’s page about Talkartoons. Some individual cartoons have their own Wikipedia pages. Many of the earliest don’t, but as the series shifts from “any old thing with a song” to “Bimbo” and finally “Betty Boop Cartoons” fewer entries lack pages. This week’s hasn’t got a page and I’m surprised by that. It’s talked about in Leslie Cabarga’s The Fleischer Story in the Golden Age of Animation, the book on the studio’s history. Not much, but think of all the cartoons that don’t get even that.
Wikipedia does credit this as the first appearance of Bimbo in his “canonical” form. And as the first sound cartoon appearance of Koko the Clown, the character that made the Fleischer Studios and star of extremely many cartoons about him being drawn, getting into a fix, and then being poured back into an inkwell. Would really have thought those two points noteworthy enough for a page to be made. Anyway, the credited animators are Shamus Culhane (then listed as “Jimmie”; when he went into business for himself he took on a more distinctive-to-Americans name) and Al Eugster. Both have already had cartoons in this series before. Originally released the 26th of June, 1931 — more than a month after Silly Scandals — here’s The Herring Murder Case.
Quick content warning: there’s a pansy-voice character and a couple lines approaching (Jewish) ethnic humor. I don’t think they spoil the cartoon (one could even say the ethnic-humor bits are just characterization). But they are there.
So, for the record, the first words spoken aloud by Koko the Clown — at the time, a character a dozen years old and the flagship character of the studio — were “[ stammering gibberish ] my come — come on, the poor — poor herring- herring was sh- sh- shot, oh my, come on, help”. Not an auspicious start. But it is plot-appropriate, for the rare Talkcartoon that has a clear and direct plot.
That friend you have who doesn’t quite like anything however much he likes it has a complaint about Who Framed Roger Rabbit. And, like your friend at his most irritating, he kind of has a point. Toontown looks like a great place. But it has an inauthenticity to it. Actual cartoons of the Golden Age of American Animation weren’t so frantic and busy and packed as the Toontown sequence was. It’s defensible artistically. For one, the daily lives of each Toontown citizen is their life story with themselves as protagonist; that we normally only have to take six minutes of a character at once doesn’t mean the rest of their days aren’t like that. But it does mean there’s much more stuff happening visually than an actual cartoon of around 1947 would have.
Most of the time. Some cartoons do get that dense and packed with weird activity. And here, from 1931, is one that’s like that. Especially right after the Herring’s murder: the scenes of the city are full of everything happening, including buildings come to life and writhing in a panic. And then special effects get in the way. After Koko comes on, in animation I assume is swiped from an older Out of the Inkwell cartoon, he runs through a city street haunted by ghostly cat heads for the reasons. It’s one of a lot of showy bits of animation technique in the cartoon.
Another: Bimbo following footsteps up the stairs. It’s a walk cycle, yes, but it’s one that moves in very slight perspective. It’s well-done, and a bit hypnotic. They’ll do a similar walking cycle on steps in the next cartoon, one with more amazingly done animations. But there are a lot of extreme perspectives and stuff moving in on the camera and tricky camera moves throughout the short. In ranking of animation ability the studios have always been Disney first, and everybody else behind. But the Fleischers were often second, and this is one of those times they were a close second.
Among my favorite cartoon motifs is doing simple stuff in complicated ways. The short offers plenty of that, starting with the gorilla’s shooting a gun that itself shoots out a bird that does the shooting. Koko putting his head through the window twice while trying to lead Bimbo to the crime scene. Koko running ahead of his “shadows” and having to go back to get them. The elevator opening up to a set of stairs.
Did you blink and miss that the level indicator makes two full circuits while getting the stairs down to ground level? That’s my favorite quick little joke. But there’s plenty to choose from, such as the moon being blown along by the heavy winds as Bimbo and Koko get to the house. The secret panel offering Bimbo a short beer is too well-established to be a blink-grade joke. But it gets a little more charge when you remember the short was made in 1931, still during Prohibition.
The female herring gets Mae Questel’s voice this short, so there’s no figure who can at all be credited as a proto-Betty-Boop. A shame, since Betty’s involvement however fleeting would probably have got this cartoon more notice. Its got a clear story, quite a density of jokes, a soundtrack that clearly ties to the action, and even a sensible ending. I like 30s cartoons, especially from the less-than-Disney studios, but recognize that as one of my eccentricities. This is one I don’t think an ordinary person would understand as funny.
There’s another of those mice popping in, one with Happy Feet at about 5:21, and then possibly a different one fleeing the gorilla at about 5:50. I trust that “They shot me! Holy mackerel, is this the end of the Herring?” is an imperfect quoting of Little Caesar, which opened in January of that year and made Warner Brothers all the money in the world. Can’t blame the Fleischer studios for riffing on that.
Yes, I am very aware of the past week’s developments in Mary Worth (21 more panels, 13 with explicit muffin content, bringing the year to a total of 61 muffin panels out of 154 possible) only to interrupt all the wonderful goofy muffin content with actual assault.
Yes, poinsettia that’s still technically going from Christmas is probably in its last days and spending them waiting until it’s quiet in the house so it can drop a shriveled leaf in exactly the way to make the biggest, loudest rustle possible. So yes, our poinsettia is a drama queen is what I’m saying.
Yes, Funky Winkerbean has spent two weeks and counting establishing the fact that Wealthy Comic Book Collector Chester Hagglemore Yes That Is Too His Name wanting to talk with former comic book guy Mopey Pete without saying what he wants to talk about. (I’m guessing it’s Hagglemore Thank You The Theoretical Lead Of The Strip Is Named “Funky Winkerbean” So Let’s Just Carry On And Get Through This Quick As Possible is figuring to restart the whole Batom Comics lineup and he wants Mopey Pete to write them all so we can see all kinds of strips where Mopey Pete can’t finish stuff on deadline.) Also yes, it is a retcon to say Mopey Pete used to write for Batom Comics, since he was previously shown to write for Marvel and then DC. And the strip sure had been running like Batom Comics was a long-gone publisher brought back to memory by one of its properties being made into a movie.
Yes, niacin was first synthesized in the 1860s, decades before anyone even suspected vitamins were a thing and long before anyone would imagine it had any nutritional value. It was used as a photographic chemical under the name “nicotinic acid”.
The Phantom offers to break The Rat out of prison — for the night, at least. To lead him to The Rat’s ex-partner, “a cop killer”. Afterwards he still gets returned to jail, maybe with time off his sentence. The Rat takes the deal, weak as it may be. His reasoning: well, once he’s out of the prison he can stay out. He has delusions of killing The Phantom, but you can’t blame someone new to the strip for imagining that.
The Phantom blindfolds him, and leads The Rat on a long, long walk through the prison. Up the spiral tower. Through the old execution chambers. Into the old dissection room. Through the secret cabinet behind the old surgical tools. Down the tower walls. Past the Abbé Faria’s physiology lesson with Edmond Dantès. Into the sewers, although The Phantom insists “I’m not saying we are in the sewers” as part of his headgames with The Rat. Past Jean Valjean hauling Marius Pontmercy’s body around. And then back up into the Batcave, until they find the tracks of an old mine cart.
So this has not been one of the most plot-dense sequences of The Phantom. It’s been very heavy in atmosphere, and in showing off all sorts of great shadowy corners of the Boomsby Prison. Jeff Weigel has gotten to show off his ability to compose these detailed, deep pictures with a lot of light and shadow and moody color choices, most of them in the purples.
Where we haven’t got is particularly close to The Rat’s ex-partner; heck, we’re barely out of prison. The story began the 8th of October, so it’s now reached twenty weeks. Most Phantom Sunday stories have run about 26 weeks the last several years. The last-but-one story, “The Wiseguy”, did run 41 weeks, although that story of crime syndicate scion Mickey D’Moda and the people who put up with him, just barely, had a couple major phases that kept it from seeming that long. I’m guessing that something like that will be at work this story. It would be a bit odd to spend twelve Sunday strips sneaking out of Boomsby Prison and then deal with the ex-partner in two.
Comics art forgeries! Highly adoptable orphans! Old people peeking in on you at the mall! Estranged family members! And, might Terry Beatty be setting up the craziest of all possible things, Rex Morgan, M.D. doing some medical care of some kind? Well, no, probably not that. But come around next Sunday, if all goes to plan, and we’ll see.
And in what is going to be my very last calendar update until the next one I would just like to say …
So what happened is after Amazon cancelled my order on the grounds they didn’t know how to get me the calendar they ordered, I followed the link they provided to the page on Amazon for ordering calendars. And that, through I think the company that sets up those kiosks in the malls from like October through the 26th of December selling calendars, got me this inside a week. Not clear why Amazon couldn’t think of that. But then my understanding is that in the earliest days of the English East India Company, each successive voyage to India was organized as its own venture, and because of the travel times there’d be overlapping periods when one year’s ship hadn’t yet left and the next year’s ship had arrived, and they’d be rivals for trade prospects, sometimes getting so heated that rival trading crews would open fire on one another despite theoretically all working for the same company. I assume Amazon is like this still, and the “ordering calendars” division and the “delivering calendars” division are particularly fierce rivals and routinely launching raids on one another, taking hostages, and holding them for ransom, and between that and the miasma, scurvy, and the Horse Latitudes there’s nobody left who can actually do anything calendar-related.
So anyway I’m glad to have this and to have everything back in order and not have to worry about …
You know, there’s no way the aspect ratio on that comic is right. I know the classic four-panel era of Peanuts and those panels look wrong. But if they cropped the panels then the word balloons wouldn’t fit. Unless they completely rejiggered the word balloons, cutting and pasting text around so that … what, they could make the panels a little bit taller but also completely wrong? But who would do that?
This is the most baffling comics-related bit of reworking stuff since earlier this week in the Bud Sagendorf Popeye rerun.
I’m soggy about all this. No, I’m not being apologetic while spelling poorly. I’m surrounded by even more water than usual. You maybe heard about Michigan getting an unusually large shipment of rain in. If you didn’t that’s because you couldn’t hear it over the rain hitting the roof. But from about Monday evening through Wednesday morning we had a lot of rain. And then another lot of rain on top of that. I’m not sure the precise mechanism of this, but as I understand it we had twenty different rainstorms all one on top of the other. The bottommost twelve layers of rainclouds couldn’t add any of their own water. They were busy passing on the rain that was falling on top of them. The storm at the bottom felt bullied, smothered underneath its uncaring but higher-up rainclouds. It started crying and nobody could even tell.
The rainfall gauge at the Capital Region International Airport washed downriver to Grand Ledge. The guy they sent out to replace it forgot he left a sponge in his pocket that morning and it bloated up to the size of a minivan, throwing him completely off his game. I know, some of you are thinking I’m making this up: why would a trained airport person have a sponge in his pocket? Joke’s on you. This is a lifehack for people with posture problems caused by sitting on overstuffed wallets in their back pockets. The sponge balances you out, see? But only if you put it in the other back pocket from your wallet. Still think I’m making this up? Call up and ask the National Council of Teachers of Mathematics about this. Don’t mention my name.
So this was a lot of rain. And it was a lot of rain while it was warm. It was in the 60s (Fahrenheit) before the water washed away the thermometer’s numbers and the concept of temperature. And this was a lot of rain and a lot of water after we’d got in several good-sized snowstorms the previous couple weeks. I mean, most of them were your simple three- and four-inch things, with an eight-inch storm tossed in. It let me shovel and feel all smug about how much better I shovel our sidewalk than certain other people on the block do. I’d stop every night, before going to bed, and admire how our sidewalk was clear and bone dry. So nice to go to bed feeling smug. I’m not joking about this.
Point is between the rain, the snow, and the warmth, they’ve issued a flood watch. Or a flood warning. Whatever it is they issue when they’re putting places under Voluntary Evacuation Orders and publish maps of the city covered in blue. This area of mid-Michigan is, geologically speaking, a marsh with too little self-esteem to get swampy. But drop enough water on top of it and the area will feel more embarrassed by not going along with the flooding. So that’s when you get pictures of people paddling a canoe to the bar off 127.
We’re nowhere near an evacuation zone, if by “nowhere near” you mean “it’s like two blocks to the east, and goes from there to the bar off 127”. I’m hunkering down waiting for them to squeegee our street. We’re on a minor street so I figure it’s going to be a couple days. The sump pump’s been running, not just filling up all normal time with its sump work but reaching out into new avenues of complex- and quaternion-valued time to shove water from the basement out to … the … yard, I guess? Somewhere.
Still, I’m doing my part. Like the Mayor asked, I’m helping out by drinking as much water as possible so the river levels go down. Lansing gets its water from an aquifer. There are three major rivers that converge in the Lansing area — the Red Cedar River, the Other One, and the Grand River — and we drink the water we have to mine. We got a new mayor in last month and it’s hard to catch up on everything you should know in any new job. I didn’t know about the aquifer thing until I was here like four years. So drinking as much as we can is pointless. But the important thing is being part of the process.
So now the mystery. We had 36 hours straight of it being in the 50s and 60s while all the rain in the world fell on us. It’s been above freezing all during the day and most of the night since then. Why does the house across the street still have heaps of snow in the yard?
So, first, I found that Twitter bot that spoofs that HGTV show about people buying the second house they’re shown. Well, someone else found it and tweeted it where I could see it, but that still counts. An example of its work:
WIFE: I run a startup for weasels HUSBAND: And I sell underwear for squirrels WIFE: Our budget is $1.8 million
Also I was poking around deep in the Comics Kingdom archives of Bud Sagendorf’s Popeye to try working out why the lettering in the last couple days’ reprints were strange, because that’s the result of many decisions I’ve made in my life. And it’s always dangerous to read a single installment from a story strip because without context anything looks unnecessarily baffling but then how do you respond to this?
And the answer is, of course: Popeye is absolutely correct. There shouldn’t be argument about this point.
There’s some more stuff to talk about, but I promised only a “couple” of things so I’ll have to hold off some.
I’ve looked at this Talkartoon before. It was part of my sequence of Betty Boop firsts. This is credited as the first cartoon in which Betty Boop is named, and that’s half right. She’s named Betty, at least, which is a step up from what she’s been before. And it’s animated by Grim Natwick, at least according to Wikipedia; the animator goes unnamed by the actual credits. From the 23rd of May, 1931 — two and a half weeks after Twenty Legs Under The Sea — here’s the next Bimbo cartoon, Silly Scandals.
So in 1930 everyone who was capable of making a sound recorded a version of Walter Donaldson’s You’re Driving Me Crazy. I’m up for that. It’s a solid, catchy song about the sense of obsession with a lost love. And the singer avoids sounding terrible about their obsession. I’m surprised it hasn’t been used more in cartoons. But perhaps its use was limited by how the song doesn’t make sense unless there’s a credible target for this obsession in the cartoon. And once you get past Betty Boop there’s a shortage of female cartoon characters who are, at least in-universe, supposed to be sexy. Desirable, perhaps, but someone who could appear on stage with a racy song and not seem at least a bit ridiculous for doing it? Might have to wait for Jessica Rabbit there.
This is listed as one of the early Betty Boop cartoons. There’s good reason to call this Early Betty: she’s nearly reached the canonical character design. She’s got Mae Questel’s voice. She’s doing Betty Boop things: singing and receiving a male’s gaze. She’s not the lead of the cartoon; rather as in Dizzy Dishes, she’s just something that Bimbo stares at for the middle third of the picture. (Also as with Dizzy Dishes, someone else gets her “Boop-oop-a-doop” line.)
But it’s a Bimbo cartoon. He gets some nice business early on trying to sneak into the vaudeville theater. The best business is also the first bizarre visual gag here, his pulling up his own shadow to disguise himself as an umbrella. I like that sort of endlessly-morphing world joke in cartoons. They were more common in silent cartoons, which also tended to be high-contrast black-and-white stuff. Without having to worry about grey value or, worse, actual colors you could turn one shape into another with a minimum of distractions. After sneaking in there’s Betty’s song, and a bunch of standard someone’s-in-the-way-at-the-theater jokes. They’re done well enough, they’re just ordinary. And yeah, there’s a couple iterations of Betty’s dress falling down and revealing her bra. It’s not a very racy joke, but it is the sort of thing they’d never do after the Motion Picture Production Code got serious in 1934.
Bimbo once more ends up helpless and caught in a bizarre, surreal environment. It’s a good story shape. And it lets the cartoon close with a minute of weird body-morphing gags, hands and feet growing to weird shapes. And then 25 seconds of pure special effects, dancing circles and spirograph shapes and all that. It’s the sort of close that unimaginative people are joking about when they say the animators must have been on drugs back then. But it’s also structurally weird. The story has got the structure of “Bimbo transgresses/is caught/is thrown into a wild, surreal punishment” that he’s been through several times already. But the transgression — sneaking into the theater — isn’t one that the magician could have known about. Unless the transgression is just meant to be laughing at the flower trick not going according to plan. But that’s not a lot of transgression; if the magician can’t take someone giggling when a flower sasses him back, he’s in the wrong line of work.
There’s two blink-and-you-miss-it gags. The first, that I like better, is the curtain lifting to reveal two janitors shooting dice and getting the heck off stage fast. The other is just the curtain lifting again to show the tattered, ugly base. There is a solid bit of body horror, in the magician (meant to be the Faintly Mickey Mouse character this cartoon? He hasn’t got the ears but the snout and nose are evocative) terrifying a dog into becoming two strands of sausage links. Creepy stuff.
I don’t want to make my readers feel any older than they already do. But sometimes you just have to pause and marvel at how quickly time passes no matter what we do about it. Consider: the last Tyrannosaurus Rex lived closer in time to the J J Abrams Star Trek reboot movie (2009) than to us today (2018). Really gives you pause. Also paws, if a Tyrannosaurus Rex has paws, and is stomping you.
Do you have no idea why I should be giddy about the concepts of muffins? Yet you’re interested in what the heck the current storyline is in Karen Moy and June Brigman’s Mary Worth? That might be because it’s not February or maybe March 2018 when you’re reading this, and the story’s moved on. If it has, please check this link. If I’ve written another essay describing the plot since this one, it should be at or near the top of that page.
My last essay on the events in Mary Worth came at an exciting moment. Wilbur Weston, travelling the world to ask survivors of disasters how they felt about not being dead, had found his girlfriend Fabiana in the arms of her “cousin”. He stormed out of the dance studio. I thought it was too early in the storyline for his relationship with her to have collapsed. She’d only been introduced a few weeks before. Right as Wilbur told his on-hiatus girlfriend Iris that he’d met someone else and it was after all Iris’s idea to go on hiatus. Not so, though. He flies back home and shows no sign of ever wishing anything to do with Fabiana ever again.
Wilbur strolls back into his home life. He calls Iris with all the confidence of a balding, sandwich-based newspaper advice columnist who wears a bathrobe made of the curved fabric of spacetime itself. And he’s shocked to learn that she’s got plans with a guy named Zak that she hooked back up with right after he dumped her. Wilbur takes this well. I mean that he spends a couple weeks crouching in bushes to figure out how much of a rebound this guy is. And just how temporarily Iris will be interested Zak. He’s a young, rich, generically attractive man who owns his own game company and a car and chin stubble that looks like it’s on purpose and not that he’s incompetent at shaving. Wilbur figures to win Iris back, and gets the first step — roses — ready to deploy when he hears Iris and Zak telling each other “love you”. And that convinces him it’s all over.
This takes us to the 1st of January. And something I could not have appreciated at the time. In the midst of cleaning up Wilbur’s emotional mess, Mary Worth points out that she’s made muffins.
I do not think I am the only reader of Mary Worth blindsided by the strip’s turn to muffins. But let me give you this to consider: the 18th of February was the 49th day of the year. Since the 1st of January, 2018, Mary’s Muffins have either been shown or been named in no less than 48 separate panels. That’s not counting panels in which the characters are talking about Mary Worth’s muffins. Or discussing the implications of the fact that these muffins exist in the Worthyverse. This is literally just the panels in which a muffin is shown or the word “muffin” appears in text. And yes, this is in no small part because Mary’s Muffins have somehow transmogrified from an alliterative phrase that sounds like it might be naughty into a plot to rival CRUISE SHIPS. But that’s also with the first several weeks being devoted to getting Wilbur to stop his nonsense about how he’s through with love. Of the 133 panels the strip presented from the new year through to Sunday, more than one in three has focused on muffins. I don’t believe that Karen Moy and June Brigman are creating drinking games for the snark community. But I can’t rule it out either.
Anyway. Plot. Wilbur declares he is through and will live the rest of his life without love. Mary points out that’s ridiculous: he may have lost Iris as a girlfriend. But he still has mayonnaise. And here’s a large pile of muffins that aren’t going to eat themselves. And he’s got a daughter he kind of waved to between coming home from Colombia and creeping on Zak and Iris. Plus, this is the Worthyverse so he will pair-bond with some appropriate heterosexual partner and they will be happy together or else. He takes a bag of muffins to his daughter Dawn. They have a heart-to-heart that’s uncomfortably close to how my every phone call with my mother goes (“How’ve you been?” “Pretty good, and you?” “Good. … Uhm … so … guess I’ll catch you next week?”). He walks through a couple sunrises and figures, hey, he’s not dead. That’s doing pretty good these days.
The 22nd of January the current wonder of a storyline gets going. It includes a panel that does not explicitly feature muffins. It does have clear muffin-related content since it’s got a bag of flower, and a bowl with more flour in it, and a stirring spoon. Jeff’s old friend Ted Miller is in town, and Mary’s happy to treat him to dinner. Ted Miller loves dinner. He loves even more the muffins that Mary serves as appetizer while the rib roast finishes. He’s a former salesman, so he knows ways of the business world, such as how to keep his face open to the exact same wide-eyed smile for days on end.
Ted’s sure that Mary Muffins could become a major success in the bread-adjacent food products line. And that could just be the start of a whole Mary Worth Food Universe of in-principle consumable matter. He plies her with the idea of fame. She’s enchanted by the idea, but in the way any of us are, not enough to do something. He tells her of how she could make a fortune. She’s got dreams of immense wealth, again as we all do, but she’s comfortable as she is. He finally deploys generically positive aphorisms like “Nothing in life is guaranteed! Does that mean we shouldn’t live it?” and “Don’t let fear stop you from doing something great!” and “Don’t be afraid of risk!”. Ted’s found her weak point. She goes to work making test muffins.
By the time that muffins became two-thirds of all the words spoken by all the characters in Mary Worth the ordinary reader had one question. I don’t know what it is. I know the question that the alert, partly-ironic reader had. That was: what’s Ted’s deal, anyway? He mentioned a couple times how Mary Worth would have to put up an investment to get Mary Muffins going. And that she’d really have to do work in making the stuff while he dealt with marketing and “details”. Could it be as simple as Ted Miller scamming a woman who could be flattered into believing the world needs to know how well she bakes?
Possibly. It seems a bit odd to have an old friend of Jeff’s turn out to be a scam artist. But the strip had Jeff back down on how well he did know Ted, saying (on the 17th of February) that he knew him “casually, a long time ago”. And also this past week we’ve had Ted declare how he and Mary Worth will be a great team, and go in for a hug that he doesn’t go out of for several days of strip action. Not until Mary warns she’s got an appointment and shoves him into the linen closet. Is it possible he’s a masher?
Could be. I admit I am not sure what Ted’s deal is. A confidence scam based on Mary Worth’s cooking abilities would be a believable development. Let’s remember that she introduced the comics snark community to salmon squares. I remember them as a plate of material the color of a Macintosh Performa 6115. She also did innovative work with shrimp scampi. The strip’s had confidence men pulling scams before, although not on Mary so far as I know. An attempt by Ted to flatter his way into a personal relationship would also fit. Jeff mentioned on the 17th that Ted was divorced. And, heck, a dozen years ago the strip even sustained a stalker plot, the famous Aldo Keldrast story. The Comics Curmudgeon made his name in the snark community covering that one. Could be a story like that coming around again. Or maybe it’ll be something more bizarre yet. I refuse to make a guess about whether Mary Muffins will turn into the next great baffling food thing or whether they’ll be forgotten as the Ted plot unfolds. Also I refuse to guess whether we’re ever given any hint what kind of product Ted ever sold. If you’d like to guess, please, leave a comment and we’ll see if we can make the text support any or all of them!
Dubiously Sourced Quotes of Mary Worth Sunday Panels!
“Life is full of surprises.” — John Major, 26 November 2017.
“You’ve got to learn to leave the table when love’s no longer being served” — Nina Simone, 3 December 2017.
“Above all, don’t lie to yourself” — Fyodor Dostoyevskky [sic], 10 December 2017.
“Love has reasons which reason cannot understand” — Blaise Pascal, 17 December 2017.
“No one wants advice — only corroboration.” — John Steinbeck, 24 December 2017.
“Love is the only gold.” — Alfred, Lord Tennyson, 31 December 2017.
“Gratitude is riches. Complaint is poverty.” — Doris Day, 6 January 2018.
“The best thing to hold onto in life is each other.” — Audrey Hepburn, 13 January 2018.
“Those who dwell among the beauties and mysteries of the Earth are never alone or weary of life.” — Rachel Carson, 21 January 2018.
“You begin with the possibilities of the material.” — Robert Rauschenberg, 28 January 2018.
“Your big opportunity may be right where you are now.” — Napoleon Hill, 4 February 2018.
“The risk of a wrong decision is preferable to the terror of indecision.” — Maimonides, 11 February 2018.
“Enthusiasm is everything” — Pele, 18 February 2018.
I get to practically relax and take it easy. I have three months of Sunday strip continuity to catch up on, as we’re set to revisit Tony DePaul and Jeff Weigel’s The Phantom, Sunday strips. Does the Rat get out of jail? Does he get put back in jail? Is The Phantom just screwing with everybody? Come back and find out, or, actually, you could read the comic yourself at least as easily. But I’ll put it together in like a thousand words, there’s that.
London [except for figure staking at the 1908 Games]
Onion Valley, California
Gotham City probably but who can really keep track
Source: Big Cotton: How a Humble Fiber Created Fortunes, Wrecked Civilizations, and Put America on the Map, Stephen Yafa.
The Toontown one is a particular shame since their application was so strong. It’s just that when the International Olympic Committee members turned the last page of the last binder of Toontown’s proposal these giant creme pies on springs popped out and smacked them in the face. And the Salt Lake City proposal’s binders did the same thing, but their pies were filled with cash money and Mitt Romney reminded the IOC that they could get all kinds of pies with that much money, and then he bought them even more pies, and so Salt Lake got the 2002 games.
But their e-mail wasn’t a complete pit of Funky Winkerbean-esque hopeless despair. They suggested that it might just be available yet, if I wanted to try ordering it on Amazon. For example, they figure there’s calendars on hand here:
At this point I’m torn between actually trying to order a calendar or just taking 2007 out of storage and working with that again. But, you know, Amazon’s got this list of sellers on Amazon that they figure I can negotiate with that they can’t, what with their just being Amazon or whatever their issue is. I don’t know.
Still no idea what those used calendars were used for.
The call is scheduled for 2:00 Friday. PM, the office manager sent out a follow-up e-mail about, as though AM were up for discussion. It’s the same joke sent out every time. But we must respect the rituals of the Conference Call. To leap in without the assurance that everyone was not getting together at 2:00 AM would be unthinkable. And it would bring about the ambiguity about whether they meant the 2:00 AM reached by staying up late on Thursday or staying up late on Friday.
The subject is the M’Gregor Project. The M’Gregor Project has been going on for so long and gotten discussed so well that it has achieved organizational Nirvana. There is no task on it, however minor, which can be completed by any known means. The attempt to establish how to complete any part of any task on it results in the task splitting, like a free neutron, into three smaller tasks and administrative neutrinos. And yet these smaller tasks are no more completable. And yet call for as much discussion. It is not that anyone is avoiding work. They put reasonable, responsible efforts into their tasks. It’s just that everyone needs something someone else does before they can finish, and there is nothing that can be finished first.
Thus the need to set a careful agenda. There should be time to review outstanding tasks. This is all of them. There will not be time to review outstanding tasks. The group will get through about ten minutes of this and then ask whether there’s anyone falling behind. Everyone feels themselves falling behind. Even without trying to subdivide tasks two or three new ones have appeared to everyone. Tasks are like feral kittens scratching at the break room door. After consideration most everyone accepts these newly subdivided tasks. They set them up in the least-used corner of their workspace with a small bowl of kibble and bedding made of shredded printer instructions. There is special time given to the person who’s found five new tasks. Two of them are given away to people who think they could whip that out Monday. Monday’s when the printer is set to explode, but that isn’t on the agenda and so is not considered.
There is no one at the company who remembers the M’Gregor Project’s start. There is no one at the company who will be there when it ends. There is no one at the company who can explain why it’s not MacGregor. There is no one at the company who can convince those separatists that it should not have been McGregor. All agree there is some benefit to the company if the M’Gregor Project should be completed. Something, surely. But to just make some clear progress before the end of the quarter would be good too.
Nothing is completed. Nothing could be completed. There is something. There is the possibility of reorganizing tasks into new categories. This is more than trading tasks that haven’t got finished. This would be the chance for everyone to think carefully about what they’re good at. To think of what they feel engaged in doing. To think of which of their assigned tasks are too boring to even let fail. A chance to own up to it, to show what one accepts one will never do, and give them up to people who still think themselves ready. To set about such a reorganization is work. A large number of people have to devote themselves to rationalizing their projects. This is a major task. A great many people would like to have done it.
The Conference Call is a chance to share anxious anticipation of explaining why your task is not finished, or fear of getting a new task. In this way do the participants reassure one another that they are part of the group. That they are some of the many, many people who have been involved in the M’Gregor Project. It is the socially acceptable substitute for our instinctive desire to groom one another’s fur for lice and tics. And this, of course, is why the thing is done.
Again I’m sorry, and I should know better, and I think on some level I do kind of know better. But I’m just all upset about this week’s Inspector Danger’s Crime Quiz because once again Werner Wejp-Olsen has come up with a minute bit of crime detection that I just can’t buy and this is far more important than everything else on my plate right now, including whether I actually finish a project for work. And at the risk of bringing the productivity of all of you to a screeching, crashing halt, I want you to see the strip and agree with me strongly that this is just daft.
And I’m sorry, no, I will not accept that somebody just happens to put his belt on the wrong way. No. That is not how belts work. I may have many legitimate questions about how belts can work, but this is not one that is in dispute. OK, they’re not legitimate questions I have; they’re more one little bit of nonsense that you could confuse a child with but not someone who’s looked at his or her pants.
(OK, here. Friction can’t make something cling vertically. But if someone’s standing up, their pants are clinging vertically to their body. And I majored in physics as an undergraduate and nobody addressed this nonsense contradiction, which is at least as big as the how-can-bumblebees-fly nonsense.)
In short, I do not see how anyone can be expected to get anything done when the comics are sharing lies about pants.
So here, from the 5th of May, 1931 — just a week and a half after The Male Man — is the next Talkartoon in the series, Twenty Legs Under The Sea.
There’ve been a lot of underwater scenes in animation. They’ve always been hard to do. There’s great freedom in characters not having to stick to the ground. But it’s also hard to convey the resistance water offers to movement. And there’s the convention of putting a wavy-motion visual effect over everything, even if a real camera wouldn’t see anything like that. I think it took until Finding Nemo for a cartoon not to use that convention.
This is another cartoon where Bimbo’s pulled into a surreal landscape. He isn’t quite simply minding his business. If he’s going fishing, it’s fair that the fish respond. Even in Swing You Sinners Bimbo did something to earn his torments. But it supports my idea that the animators knew they had a reliable story here. The good part of these Bimbo-in-surreal-landscape cartoons is they give lots of space for weird gags, and the Fleischer Studios were really into weird gags. The bad part is that it wipes out Bimbo as a character. If he’s too screwy a character then he’s not inconvenienced by being in a screwy setting. A strong character in a crazy setting can work, because Duck Amuck, but Bimbo’s no 50s Daffy. He’s not got enough to do to stand up to the setting.
Also this isn’t so wild and surreal a cartoon, really. It starts off promising: Bimbo trying to fish, having a few little weird incidents, and then getting pulled undersea by a giant fish/whale who’d asked for help putting the hook in his mouth. He gets a shave from a lobster barber, and then … is … the King of the undersea world suddenly? Some more songs and then he leads his people to their death. It’s a punch line reminiscent of the grimness of The Cow’s Husband although after many fewer gags.
It’s weird that what we see underwater is a barber and then a throne room. My understanding is that in the silent era shorts were plotted by giving a lead animator the theme and letting them do what seems amusing. I’m not sure how much that was still going on in this era; making the cartoon match with a soundtrack loosens how much the people drawing it can improvise. Bimbo puttering around a town where everything’s normal but it’s done by sea creatures makes sense as a cartoon. Bimbo finding himself somehow king of a weird place makes sense as a cartoon. Shifting between them without obvious reason doesn’t make sense, and in the bad ways. I wonder if one scene was animated by Bowsky and the other by Bonfiglio/Goodson. I also wonder if some connective tissue was lost, or just never animated. The short comes in at 5:52. The last couple weeks have been just over six minutes, and, for example, The Cow’s Husband is seven and a half minutes long. Even ten seconds can be a lot of plot.
There is a lot of music. After the lack of any really featured cartoon last week there’s an abundance now. Anchors Aweigh, My Bonnie Lies Over The Ocean with some good bits of a whale and the Sun fighting it out, a bit of doggerel that I guess you’d call We’re Going Over To Maggie’s (which I can’t find information about, so I guess it’s original to the short? Or a now-forgotten folk song, maybe), what I guess is an original piece about We Are The King’s Bodyguards. The last has a riff that sounds to me like Merrily We Roll Along, which was a then-very-new song. (And isn’t it weird to think that song was ever new?)
There’s no mice. Where would they even fit in? (Easily: just put a couple in the boat.) There is a really solid body-horror gag as a pair of fish swim ahead of their own bodies, so their faces and skeletons can eat tiny turtles about 4:25. (Yes, their skeletons swim ahead with their faces. It’s a little hard to make out with the contrast as it is here. Watch as they emerge from their bodies and as their bodies catch up.) The sun trying to bite at the whale/giant fish is a nice touch of weirdness. And I would rate as a blink-and-you-miss-it joke how Bimbo’s lighter doesn’t work when he’s in the boat (he has to do a nicely complicated bit of lighting a candle), but works perfectly when he’s underwater.
I can’t call this a good cartoon. It’s an amiable one, and I’m not sure that We’re Going Over To Maggie’s isn’t going to become part of the soundtrack of my puttering-around-in-life. But there isn’t a story, just a string of set-pieces. And the set-pieces are all nice enough, but not all that exciting or funny or weird. There’s some stronger ones coming.
Yeah, I’m sorry I’m not keeping up with like anything that I ought to be. But I’m very busy workshopping a joke where the punch line is “and that one sentence completely changed everything I ever thought about Heraclitus!” That I’m having trouble figuring out how to frame it is definitely not because it’s too minor a jest to use as anything but an offhand remark in a professional setting. I know there’s some setup that’ll make it a killer joke when I’m just chatting with, say, the guy at Penn Station subs taking my order for a grilled artichoke and mushroom. It’s out there somewhere. I know I’m in fighting form to get this joke worked out. Just yesterday I was able to deliver “Oh, no, that’s Tiamat of Samos you’re thinking of. This is Tiamat of Ephesus”. That’s a great joke about the pre-Socratic philosophers plus dragons marred only by how I couldn’t think of Ephesus right away and had to say “that other place”. But that’s still the level I’m working at and that’s why I know it’s going to be worth it getting this Heraclitus setup figured out. Oh, Miletus would also have worked there. Thank you. Also Philosophers and Dragons should be a thing so I’ll thank somebody to work on that now. I’m busy with my project.
Greetings, nature fans. I thank you for coming here in search of a quick explanation of the current plot in James Allen’s Mark Trail. If it’s later than about April 2018 when you read this, the essay might be hopelessly out of date. But if all goes well I’ll have a follow-up essay, maybe several. You should be able to find them at or near the top of this page. And if you’re interested just in what was going on in Mark Trail in the winter of 2017-18, please read on.
Also I apologize for the short notice, but I only discovered it myself earlier today. TCM, United States feed, is showing Skippy, the 1931 movie about Percy Crosby’s classic and influential comic strip, at 2:30 am Sunday night/Monday morning (Eastern Time) the 11th/12th. I’d mentioned this last time they ran it, early last year. But I haven’t seen the movie yet as our TV died shortly after recording and we had to get a new DVR and, look, somehow it got all complicated, okay? They’re also showing Jacques Tati’s Mon Oncle on Tuesday the 13th, at 10 pm Eastern Time. Jacques Tati films will not be to everyone’s taste. But if you can sit and watch it, without distraction, you may just discover one of the most wonderful things the 20th century has to offer.
21 November 2017 – 10 February 2018
The Bank Robber was disarmed. His Accomplice surrendered to Johnny Lone Elk. Light-aircraft pilot Alan Parker was in custody. Things were looking good for Mark Trail last time we checked in. They had one problem left. It’s side effects of that time Mark Trail declared at the top of Mount Olympus how he was so much more awesome than the whole Greek pantheon.
The Sheriff advises getting into the bank. It’s only technically speaking on fire. But it’s also got tunnels that he and Johnny Lone Elk had used to get back into the plot. Everyone has to get in, not quite far enough to encounter Samson the grizzly bear. Zeus curses his lack of foresight. He’s still feuding with Hades and can’t get to them from underground, and asking Artemis to send out the bears is right out this year. With the Sheriff mentioning he’s out of the candy bars that pacify Samson the Grizzly the story ends. I call it for the 28th of November, pretty near ten months after the story began (about the 24th of February).
With the 29th, more or less, starts the new story. There’s an epilogue on the Bank Robber story two weeks later. It establishes that Mark wants to go home and not count the prairie dogs of Rapid City, South Dakota. Indeed, he never even sees a prairie dog, a pity because I hear prairie dogs are making a comeback. The Bank Robber and his Accomplice never get named that I saw.
The new story starts by following Chris “Dirty” Dyer. He was shown coming back from Africa early in 2017, immediately before the Bank Robber story started. (He’d been part of at least one story before, in 2014. If there’s a Mark Trail wikia with full summaries of earlier stories and character histories and such I don’t know it. But the Comics Curmudgeon reports on this are likely good enough.) Dirty reads about the circus closing on his way to a meeting with Batman ’66 villain King Tut. Dirty’s figuring to fence some African diamonds. King Tut will only offer five thousand and a recommendation to go on vacation. He takes the advice, and his Crocodile Dundee knife, and the chance to stab (off-panel) King Tut. Chris Dirty then passes out of our storyline, apart from some talk about how he’s got to get in shape to take on Mark Trail.
Mark and Cherry also don’t believe in the giraffe, and bring up that time Rusty daydreamed about dinosaurs. Still, strange things are happening. Doc, sitting on the porch, sees a monkey dressed for organ-grinding duty and riding an ostrich. Nearby, Shannon and Kathy, who as far as I know are original bit players to this story, are camping. At least until a rhinoceros rampages at them, grabs their tent, and runs into the lake. ([Edited to add because I didn’t notice this in today’s strip at first] The Sunday panel for the 11th of February, about sea turtles, sends “special thanks to Shannon and Kathy Davidson” for unspecified services. Going to go out on a limb here and suppose that part of the thanking is having them get chased down by a rhino. I had the plot summary written up before that strip was published.) There the rhino terrifies a guy out fishing until he decides that actually some days fishing are not better than all days working. (And I’m sorry to murder the joke this way. It’s done over the course of three days and pretty funny done so.) And that’s the current action.
This also highlights how James Allen has gotten the storytelling in the strip to be more sophisticated. And without shifting its tone much. We, the readers, understand what’s going on well ahead of Mark Trail. And it’s not because Mark’s shown to be dense. He lacks information that he couldn’t be expected to have: Artemis has forgiven Zeus just enough that they can launch the Revenge of Nature plot. By this time next month maybe Doc will have been eaten by rampaging quolls. Let’s watch!
Sunday Animals Watch!
Animals or natural phenomena featured on Sundays recently have included:
The Purple Frogs of Bhupathy India, 19 November 2017. They’re probably dying.
Pigs! 26 November 2017. There’s some in the Bahamas that have learned to swim out to tourists.
Sperm whales, 3 December 2017. They nap in collective groups that don’t look at all like the creepy moment right before a Revenge of Nature movie gets to the good stuff.
Vangunu Island vikas, 10 December 2017. White folk finally noticed them and they’re probably all but dead now.
Worms, 17 December 2017. We’d be dead without them and there’s this invasive one that’s got a powerful neurotoxin so good luck.
Mistletoe, 24 December 2017. It’s in good shape, but is a parasite to trees and shrubs so enjoy?
Penguins, 31 December 2017. Adelie penguins are in trouble thanks to global warming so, great.
Moths, 7 January 2018. This crazypants Australian one went viral, apparently (I missed it) just on the strength of looking like a crazypants Australian moth.
Tapanuli Orangutans, 14 January 2018. We just found them and they’re incredibly endangered.
Mosquitoes, 21 January 2018. Not endangered but we’re figuring to try releasing some bacterium-infected males in an attempt to create a new Revenge of Nature movie.
Cryptobranchus Alleganiensis, 28 January 2018. Might get named the Official State Amphibian of Pennsylvania!
Virginia Opossums, 4 February 2018. Not endangered.
Sea turtles, 11 February 2018. Crazy endangered.
I had expectations about where Karen Moy and June Brigman’s Mary Worth was going, last time I checked in on them. How close were my expectations to reality? You should find out next week when it’s the chance for a certain food-making advice-giver to be recapped here. And I don’t want to get your hopes up too high. But if there’s one word that’s been on every Mary-watcher’s lips the past week it has been: muffins.
So, first, no, I still haven’t seen hint of my Peanuts calendar and I haven’t heard anything from Amazon and I’m starting to think this whole “calendar” thing is a hoax anyway. Just saying.
Also, regarding Kieran Meehan’s syndicated comic strip Pros and Cons from this Tuesday: uhm. Kieran Meehan’s Pros and Cons is definitely a syndicated comic strip that exists and is not something that I make up in one of my bouts of challenging my friends to figure whether a comic strip is real or just something I’ve made up. It was originally titled A Lawyer, a Doctor, and a Cop and that should clear up any questions about it except for question about it:
Yeah, I don’t know whether the comic is in reruns or if it’s just that comic strip writers sometimes get really weird, vague ideas about when the heck their strips are going to run, especially if they’ve got a couple months ahead of deadline.
My love and I got to discussing this the other day. I forget how. But I’d like to lay out the arguments for and against.
Pro Ray Davies being a normal person: If many of his lyrics are a guide to his mental state, he’s fairly sure he’s either crazy or just barely holding it together. The only thing that could possibly be more universally true is if he realized how every evening he was tired and sad about the way the day had gone.
Con Ray Davies being a normal person: He spent decades as the front man for one of the world’s most popular and influential rock bands. This is unusual behavior, exhibited by only about five percent of the population, thus, not normal.
Pro: Again going by his lyrics, he mostly would like modern life to stop being quite so much and leave him alone to drink his tea. It is easy to suppose that like the rest of us, he is gradually doing fewer things online because it’s getting to be too much work to do a password reset every time he forgets what his Picarto or Twitch account should be. Also he’s never able to keep straight whether the ID is his full e-mail address or just rdavies0644. This is further normal behavior.
Con: Was propped up statue-like at the center of the 2012 Olympics closing ceremony for the world to sing at, a thing that almost nobody can expect to ever do.
Pro: He made use of the assonance between “slave” and “lathe” for one line in Second-Hand Car Spiv, and there’s almost nothing more natural than that. Maybe rhyming “moon” with “spoon” in all those merry songs about how you mix celestial bodies into your milk and stir it all up.
Con: He knows which of the birds in the comic strip is Shoe. I know, too, but I recognize that’s my personal eccentricity and that it’s not shared by anyone I ever meet.
Pro: As a white guy spent much of the 1970s arguing with bare acquaintances about what exactly is a “rock opera” versus “concept album” and who had the first of them. Granted, yes, this would often be after he had snuck out to a party dressed as the schoolboy-in-disgrace or whatever he was performing on stage and thought people didn’t recognize him, but who wouldn’t do that in the same case? And it was important to let him make arguments about how yes, there was that thing by that band that was before Tommy that he never heard either and no he is not thinking of Days of Future Passed and he has a whole presentation he can give about this. It wasn’t in dispute, but aren’t your best longwinded rhetorical arguments about stuff that wasn’t actually in dispute too? Thank you.
Con: Even today we can’t be completely sure he isn’t going to release Preservation Act III. Do you know anyone who’s working on that still? Are you? Exactly.
Pro: Does not regularly speak with legendary Kinks founder Dave Davies. Most people can hope to have a conversation with Dave Davies at most once, possibly twice before they die, and so does Ray Davies.
Con: Ray Davies’s mailing address has way too many things in it:
Sir Raymond Davies OBO
2 1/2-A Daunger Gyse Lane Without
Gebetan-Dream-upon-Mere under the Bridge
Grimshire 00 18 463 11 00
Lesser Notts and Glos
Greater Notts and Glos (Ceremonial)
North London, Greater London, England, UK, FRS, BAAS N10 3NU ZERO ZERO ZERO DESTRUCT ZERO
Pro: Yeah, but every British address looks like that. Nobody has ever successfully sent a postcard to anyone in Britain and that’s why.
Con: Feels no thrill when he notices in the closing credits of The Price Is Right how the second contestant was found to be ineligible and thus could not receive the patio furniture they’d won in their Item-Up-For-Bid.
And now to add it all up please make a computer-y beep-bop-boop noise for a few minutes, and then reduce your answer by an appropriate amount. In sum we find that Ray Davies is not in fact a normal person, but only because he hasn’t yet given up on his DeviantArt account. The subject may be reviewed after ninety days.