What’s Going On In The Phantom (Sundays)? December 2017 – February 2018? (Walking)


Hi, Sunday readers of Tony DePaul and Dave Weigel’s The Phantom. If you’re not reading this in early 2018 the story might have moved on to the point this plot summary isn’t at all useful. If I have written another essay about the storyline, it should be at or near the top of this page, although the recap of the separate storylines in The Phantom weekdays edition, by Tony DePaul and Mike Manley, might be in the way. Also, Tony DePaul keeps up a blog, which you might find interesting.

I have another blog myself, and it reviews mathematically-themed comic strips at least once and sometimes several times a week. You might like that, too. I do.

The Phantom (Sundays).

3 December 2017 – 25 February 2018.

The last time I checked in on the Sunday continuity of The Phantom, the Ghost Had Walked into Boomsby Prison. An exceedingly confident prisoner had tried to trade information about his ex-partner for a lesser sentence. The warden laughed at him. His ex-partner sent a hit man into the cell. The man was hit by The Phantom.

The Phantom offers to break The Rat out of prison — for the night, at least. To lead him to The Rat’s ex-partner, “a cop killer”. Afterwards he still gets returned to jail, maybe with time off his sentence. The Rat takes the deal, weak as it may be. His reasoning: well, once he’s out of the prison he can stay out. He has delusions of killing The Phantom, but you can’t blame someone new to the strip for imagining that.

(Leading The Rat, blindfolded, through the autopsy room.) The Rat: NOW we're headed down! It's about time! But how do we get out!? [ The way out of Boomsby! The dissection room of a bygone era ... ] Rat: 'Where are we?' Phantom: 'Stand where you are.' Rat: 'Smells like bad, *bad* juju in here .. man, like ... like *real* bad.' Phantom: 'Good nose!' (Manipulating some surgical implements on a panel). Phantom thinks: 'One hook turns left, one turns right ... [ secret passage opens ] ... and we start making our way down again, out of the eaves of Boomsby!'
Tony DePaul and Jeff Weigel’s The Phantom for the 7th of January, 2018. Just did want to call your attention to the level of detail here, down to individual bricks in the far wall, the grain of wood doors, and the spiderwebs in the last panel. The original art has to be staggering to look at. … And because something’s always a little wrong in my thinking, I looked over the jar with the abnormal brain and wondered how long a formaldehyde (or whatever preservative) jar like that would stay full if it wasn’t specifically sealed to be museum-grade airtight but was rather in a jar for still-working purposes. (Also curious about the abandoned skeleton, since my impression is good-quality replica skeletons are surprisingly recent things so one in good shape would be moved to the new autopsy lab. But I may be wrong and there’s no reason to suppose the skeleton is actually still usable. Don’t see a right arm on it for example, and there’s no information about whether the hips and legs are still there.)

The Phantom blindfolds him, and leads The Rat on a long, long walk through the prison. Up the spiral tower. Through the old execution chambers. Into the old dissection room. Through the secret cabinet behind the old surgical tools. Down the tower walls. Past the Abbé Faria’s physiology lesson with Edmond Dantès. Into the sewers, although The Phantom insists “I’m not saying we are in the sewers” as part of his headgames with The Rat. Past Jean Valjean hauling Marius Pontmercy’s body around. And then back up into the Batcave, until they find the tracks of an old mine cart.

The Rat, ripping off his blindfold: 'T-The way out! WHERE is it? SHOW ME!!' Phantom 'Put the blindfold ON or I'll leave you here. No one in the prison will hear your cries as you wander the dark.' [ The way out known only to the Phantom! ] (Walking through the sewers.) Phantom, thinking: 'Men have tried to escape Boomsby through the sewers ... the WATER has to get out! So they follow the water ... to their doo. No one ever thinks to walk AGAINST the flow ... in THIS tunnel ... and ONLY this one!' The Rat: 'W-we're going up again? BACK the way we came!?' [ Phantom leads ... The Rat follows ... ] (The panel shows a cross-section of the ground, and the tunnel down and back up that they're following, with insets showing where past panels took place.)
Tony DePaul and Jeff Weigel’s The Phantom for the 4th of February, 2018. That final panel gave me a nostalgic thrill, and after some thinking I pinned down why. It reminded me of those little “bonus” pages in the back of, like, G.I.Joe comics showing the cross-sectional layout of the Joe’s secret base underneath the motor pool of whatever Army base they were stationed in (they were a secret team, you see, operating covertly in like six enormous subterranean levels that most of the base personnel never even suspected was there). Or, later, when I discovered reprints of Silver-Age crazypants DC Comics and maps of the Bottled City of Kandor or other such wild and delightful fancies. The inset dots particularly amazes me and I’m only sad that this wasn’t a strip I could see sprawled out over a half-page of a true broadsheet newspaper.

So this has not been one of the most plot-dense sequences of The Phantom. It’s been very heavy in atmosphere, and in showing off all sorts of great shadowy corners of the Boomsby Prison. Jeff Weigel has gotten to show off his ability to compose these detailed, deep pictures with a lot of light and shadow and moody color choices, most of them in the purples.

Where we haven’t got is particularly close to The Rat’s ex-partner; heck, we’re barely out of prison. The story began the 8th of October, so it’s now reached twenty weeks. Most Phantom Sunday stories have run about 26 weeks the last several years. The last-but-one story, “The Wiseguy”, did run 41 weeks, although that story of crime syndicate scion Mickey D’Moda and the people who put up with him, just barely, had a couple major phases that kept it from seeming that long. I’m guessing that something like that will be at work this story. It would be a bit odd to spend twelve Sunday strips sneaking out of Boomsby Prison and then deal with the ex-partner in two.

Next Week!

Comics art forgeries! Highly adoptable orphans! Old people peeking in on you at the mall! Estranged family members! And, might Terry Beatty be setting up the craziest of all possible things, Rex Morgan, M.D. doing some medical care of some kind? Well, no, probably not that. But come around next Sunday, if all goes to plan, and we’ll see.

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

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