I had a great idea going here. I’d show one of the two-reeler Popeye cartoons, and then show its reincarnation as a one-reeler clip cartoon. I’m foiled here. Not because Popeye the Sailor Meets Ali Baba’s Forty Thieves wasn’t used for a clip cartoon. Because I can’t find a copy of the clip cartoon online. I’m surprised and baffled by this. I could accept it somehow not having fallen into the same public-domain existence that so many other Famous Studios cartoons did. But to just evaporate altogether?
Ah well. And that’s particularly bad as there’s two clip cartoons based on Ali Baba’s Forty Thieves. One I remember with confidence so let me talk about that. It’s Popeye Makes A Movie. This was released the 11th of August, 1950, or over two years before Big Bad Sindbad. That it is so much earlier may be why Popeye has the full complement of four nephews in it. By 1952 there were cutbacks.
The premise is … well, right there in the title. Popeye’s explicitly an actor here, and he’s making a movie about fighting Ali Baba’s Forty Thieves. Is it supposed to be the two-reeler movie actually released in the 1930s? Oh, who cares. If you have fun doing that, go ahead, but there’s just no fitting it all into one continuity. But Popeye’s an actor here, and he brings his nephews to watch a day of filming. And that’s the framework on which the clips are hung. There’s some of Popeye, Olive Oyl, and Wimpy walking through the desert. There’s the bandit raid on the city, at which point the nephews get confused between fact and fiction and start punching Abu Hassan or maybe Bluto.
That seems to me a fair way to break up the clips. It’s a more interesting one than in Big Bad Sindbad, when the surviving nephews asked Popeye whether he got killed. That now there’s two clip cartoons that break up the clipping mid-action, where it’s not really needed, makes me wonder. Remember my wondering if there a production rule about how much of the cartoon could be recycled footage? I can’t time the clips from Popeye Makes A Movie, but the clips from Big Bad Sindbad were suspiciously close to 50% of the runtime. Now I wonder if there was a production rule about how long reused footage could be without some new footage.
The interruption also lets the clip cartoon go right to Popeye in Abu Hassan’s cage. It gets to the point where Popeye’s captured and lowered into the shark pit. Here the nephews again forget they’re watching some pretend action, and toss Popeye a can of spinach. This would seem to produce a continuity error in the movie being made. If we take the two-reeler as the produced movie, then, they must have done reshoots when the nephews were safely away from the studio.
It’s a fair enough premise. Gives a reason to show clips. If you’re alert enough to the realities of film production to question whether they’d film a walking-in-the-desert scene, a raid-on-a-city scene, and a battle-in-a-cave scene on the same day, well, shut up and go play outside. All right.
The other clip cartoon with Ali Baba’s Forty Thieves I remember more vaguely. But it’s interesting in that it’s also a clip cartoon for Popeye the Sailor Meets Sindbad the Sailor. And it, too, isn’t available online that I can find. It’s Spinach Packin’ Popeye, originally released the 21st of July, 1944. The name is a riff on Pistol-Packin’ Mama. That’s an inescapably popular and catchy song which made up about two-fifths of all sound during World War II. (If you look at the posters on the wall at R K Maroon’s office in Who Framed Roger Rabbit, you’ll see a card for a Pistol-Packin’ Possum, another riff on the song.) I know, I know, you think — from movies and TV shows — that it was Glenn Miller’s version of American Patrol. No. It’s just easier for modern productions to record dialogue over an instrumental. In reality, between the 14th of October, 1943 and the 26th of March 1944, not a single sound that wasn’t Pistol-Packin’ Mama was produced domestically, and it stayed popular with soldiers until the USO performers curled up into helpless little balls pleading, “no … no … no more requests”.
The premise for this clip cartoon is more boring. Popeye goes to a scheduled boxing match with Bluto after donating blood. The weakened sailor gets knocked out. Olive Oyl declares she’s finished with this weakling. Popeye tries to argue he is not a weakling, and shows his photo album to prove it. The album has pictures(?) from Sindbad the Sailor and Ali Baba’s Forty Thieves. These come to life to show the clips, a device used in earlier clip cartoons too. None of this convinces Olive Oyl, but that’s all right, since his being knocked out was all a dream anyway.
Gathering around the photo album is a dull way to introduce clips. But it’s the sort of dull that doesn’t get in the way of the action either. I suspect it’s the clip-show equivalent of, in prose, tagging speech with “Name said”. It’s just invisible. I know I had to read the plot summary to have any memory of what the framing device was, and even the still frames on that Popeye Wikia didn’t help me much. The title card looks great, at least.
But there again is that breaking up of clips into at least two segments. This encourages my thinking that there was some production rule here. One might wonder why this cartoon featured two of the two-reelers and not more recent footage. A sufficient answer there is that they’d have had to be too recent footage. This was, if Wikipedia has the production schedules right, only the fifth color one-reeler Popeye cartoon. Popeye’s first one-reel color outing, Her Honor The Mare, was released the 26th of November, 1943. A snarky cartoon series of today might have characters flashing back to the stuff they aired last week. I can’t imagine getting away with that in theatrical shorts of the 40s.
I would have sworn there were other Popeye shorts that used “weakness after blood donation” as a premise for showing clips. Actually researching this suggests indicates I’m just wrong. I’m a touch surprised that Popeye, given his general moral-upstandingness, wasn’t shown to donate blood more. But it’s hard to figure a joke line to follow that. People getting Popeye’s blood and going on to feats of impossikible strength is obvious, but they’d do that from just eating spinach at his direction. (Which, come to think of it, is another storyline I don’t think they used.) Maybe they were working around guidelines about how to present the effects of blood transfusion. Maybe it just never occurred to anyone.