Hi, readers interested in Tony DePaul and Mike Manley’s The Phantom. I’m writing here about the weekday continuity. It’s a story separate from what Tony DePaul and Jeff Weigel have going on Sundays. Both storylines get their recaps at this page, although we’re about six weeks from the next Sunday-strips recap. Also at that page should be any recaps that I write after this one. So if you’re reading this after about December 2018 there’s probably an essay recapping more recent plot elements there.
Also posted at least once a week: a review of mathematical topics mentioned in the comics. My mathematics blog over there is also starting an always-exciting A to Z essay series. And it’s hosting the Playful Mathematics Blog Carnival this coming week, too. Please give it a try.
The Phantom (Weekdays).
2 July – 22 September 2018.
The Ghost Who Walks had got back to his cave and gotten sewn up last time I checked on the daily strip. It was part of a story, A Reckoning With The Nomad, that began the 19th of February. It’s the 250th weekday-continuity story. Eric Sahara, supercriminal terrorist known as The Nomad, had lured The Phantom into a raid on his bungalow. The Nomad wasn’t there. Many gunmen were. The Phantom got out, but with serious injuries. He wondered: Where is The Nomad?
He’s in Manhattan, it turns out, visiting his daughter Kadia. She’s attending the prestigious Briarson School. Her roommate is Heloise Walker, daughter of the current Phantom. Also twin sister of the Phantom-apparent. Heloise would rather like to be a Phantom herself. It’s not a ridiculous plan. The Chronicles of Skull Cave record Phantom-connected women donning the purple-and-stripes for various missions. And not only in stories told recently, as we might expect a decades-old comic strip might try to downplay old casual sexism. Comics Kingdom runs 1940s and 1950s-vintage Phantom strips as well, and those have had stories of women acting as the Phantom. (The story linked to there, from 1952, is neat as it talks about that Phantom’s twin sister who decides to get into the superhero game, much as Heloise has been saying she could do.)
Still. Phantom has known for a while his daughter was roommates with The Nomad’s daughter. He’d kept this secret from his family, the better to not worry them. He had a change of heart after the ambush made him go horse-riding with a massive wound in his neck. Walker tells his daughter exactly who she’s roommates with. “Better late than in the middle of the dinner your loved one is having with the international supercriminal terrorist”, goes the Old Jungle Saying.
Because the Nomad is figuring it’s time he disappear. So he’s visiting his daughter for one last weekend before he vanishes. His pleasant tourist weekend with Kadia and Heloise was that last weekend. It’s also a neat bit of plot rhyme to the weekend Kadia and Heloise spent with The Phantom and his wife, by the way. Heloise gets this news in the middle of dinner with him. She’s ready to tell her father where The Nomad is. Fear overtakes her: if he knew, Walker would jump on an airplane right then, despite the risk to his life. She figures she can do at least as well by sticking close to the Nomad and if lucky getting an idea his plans. Pass that on to her father when he’s well enough to fight, and everything will be in great shape.
The Nomad’s got plans for Heloise too. He’s learned Heloise Walker was for a time the young ward of Bangallan President Lamanda Luaga. And that this is something she’s never found worth mentioning to Kadia. His conclusion: she’s a young agent of the Bangallan government, sent to get to him through his daughter. It’s wild but not absurd. It depends, for example, on ascribing deep meaning to Kadia and Heloise being roommates. In-story, that was set because the school’s headmaster thought it cute. Or why Heloise reveals so little about her past, or her parents. Well, there’s other good reasons for her to be quiet about all that.
So he figures to kill her before she kills him. He forms a plan that seems, at first, confusing. But the indirectness is for good reason. He doesn’t want Kadia distressed about Heloise. And also doesn’t want her asking questions about Heloise’s disappearance. So the next day he goes to the Transportation Security Agency with a report of how he’s heard Heloise goes making pro-terrorist statements like “terrorists are great” and “I love that terror stuff”. He tells them he’s glad to keep Heloise busy while they ready to arrest her. But he’ll have to act like he protests when they take her, for the sake of her daughter. You know he donates so much to the TSA’s widows-and-orphans fund? (Which is a heck of a sick joke that DePaul left there for you to realize was there.)
The Nomad treats his daughters to dinner on his own private jet, on the runway yet. Heloise steps out to text her father about how she knows who the Nomad is and how she’s going to get his trail. She’s barely done giving the cavalry pretext to arrive when she’s arrested. Kadia demands her father do something. He does: he pretends to talk with the Chief. And that the Chief told her Heloise is going to federal custody. He takes the batteries from Kadia’s phone and tells her to rest. And to process the news that Heloise is some kind of terrorist and going away to Federal custody. Thus he has this goal: Kadia has a story to why Heloise will never be seen again.
Meanwhile the security apparatus has done some investigating. They’ve worked out that Heloise Walker may be a Bangallan national. But she is white and rich and I’m guessing Anglican. (I mean, the original Phantom was born in England in the 16th century, so there’s an obvious guess but also plenty of room for that guess to be wrong. And there’s five hundred years since then, even if the family’s settled on some strong traditions. Doesn’t seem to be practicing any European religion strongly, anyway.) They let her back into the Nomad’s custody. This seems quick. But a cop that The Nomad encounters on the airport tarmac does say how Heloise checked out, and it’s worth reporting people anyway. You never really know.
The Nomad brings Heloise back to his plane and explains that of course he’s dismissed all his servants. Also Kadia’s totally on the plane. She insists on calling Kadia first. When she only gets voice-mail, she fears The Nomad has killed Kadia. And lets slip that she knows who he is. She flees. He catches her and knocks her out. He takes her into the plane. He’s going to fly her to somewhere he can throw her into the sea.
(One of her shoes fell off, since high heels are always doing that. The cop I mentioned earlier drives up when The Nomad’s picking up the shoe. He considers killing the cop, to cover up that possible thread. But the cop only talks about the importance of keeping everyone under surveillance, and doesn’t seem to notice the shoe, so The Nomad lets him go.)
The unconscious Heloise dreams of sparring with her brother Kit. His dream-image is urging her to wake, now. The Nomad’s holding for clearance to take off.
It’s time to check in on Mark Schulz and Thomas Yeates’s Prince Valiant. Has the strip been invaded by the Byzantine Empire under Justinian? You’ll know soon!