The Stan Freberg Show: The Fifth Show, with aliens and pianists


This episode of The Stan Freberg Show debuted on the 11th of August, 1957. So, in the late 50s, scripted fiction radio like this was dying, if not dead. Not, old-time-radio enthusiasts insist, because the medium was necessarily losing popularity. The big radio networks were also trying to be the big TV networks, and saw more money in bringing audiences to TV. So when this show gets into jokes about television being a dirty word around CBS Radio headquarters, that’s the light conspiracy getting joked about.

And here’s the rundown:

Start Time Sketch
00:00 Cold Open. Audio joke; they play the “whole half hour backwards and at high speed”. And now play it forward at regular speed.
00:30 Opening theme.
01:15 Opening comments. Freberg talks about hoping to avoid radio clichés, but turns this into talk about how the show hasn’t got a sponsor, as mentioned last week.
02:00 Orville arrives from the Moon. This starts as a news repot from “LeRoy Phipps” about a flying saucer reported near the funny-named town of Yreka, California. Sketch introduces the odd running joke of an “unusually musical hover-squash”. Phipps storms off, but — after the audience laughs at something it can see (about 05:30), Orville appears. He’s the brother of Miss Jupiter, the alien with the shapely wheels from the third episode. This brings in singer Peggy Taylor, and reveals that there’s smog on the moon. The lunar smog’s blamed on the flying saucers, but there’s people who suspect industry. Orville — after saying how he’d “like to see that [ typewriter ] in a bikini” — sings as “the voice of cheese”. His song is what I’m guessing is a variant of a song titled “Hello, out there Hello”. In a common joke about bandleaders being weird, not-quite-human figures, Orville says bandleader Billy May “sure looks like [ his friend ] Og-Og”.
10:25 Dr Herman Horn returns. as he did last week, he explains hi-fi and puts on a demonstration of weird sound effects. Horn’s nerd-rage complaints about his wife veer uncomfortably close for me to Kabibble Kabaret misogyny. But the writing does seem to be from the viewpoint that Horn’s the unreasonable one here. Anyway, Horn provides some lovely ridiculous sound effects, including “Benny Goodman in a skin-divers’ suit 20 feet underwater playing Danny Boy in a kelp bed”, and King Farouk applauding him, and John L Lewis giving his eyebrows a crewcut. These might be references of their time. But I think their ludicrous specificity leaves them funny anyway. This is the sketch that introduced to the language the immortal line, “All right, Strudelmeyer, let the air out of the latex piano player”, so you can maybe see why the show had ten more weeks to run.
17:35 June Foray asks if she can go home early to watch some television. Stan Freberg has a bootleg set in his dressing room that he’s passed off as an “unusually pictorial hover-squash”. There’s a use here of bowling as if it were inherently funny a woman might want to bowl.
18:50 Bubbles, the show June Foray and Stan Freberg watch. This is an adaptation of Freberg’s record “Wun’erful, Wun’erful”. The record and sketch spoofs The Lawrence Welk Show. (Here’s an attempt to match the audio of the record with clips from The Lawrence Welk Show.) The major difference in the sketch version is that it loses the absurdist ending of the record — in which the Aragon Ballroom floats off to sea and is observed by a couple disbelieving mariners. To me, more familiar with “Wun’erful, Wun’erful” than the show, this makes the sketch version feel unresolved. But that doesn’t affect the quality of the sketch to that point, and it only matters if you expect the sketch to include something it has no reason to, and would have trouble fitting in. The record, and sketch, are in two comedy modes I love: the slightly daft characters carrying on in scenes that locally make sense even if they’re globally doing nonsense; and people not quite carrying on while stuff breaks down. So the sketch might have been written expressly for me, which is always nice to find.
27:42 Closing credits.
28:01 Teaser. Freberg says that next week will include one minute of universal tap-dancing.

My recaps of all the episodes of The Stan Freberg Show should be at this link.

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

9 thoughts on “The Stan Freberg Show: The Fifth Show, with aliens and pianists”

  1. re: The Stan Freberg Show: The Fifth Show, with aliens and pianists, Oct. 10, 2018–

    It was not a “hover-squash.” It was a Hubbard squash. A Hubbard squash is a delicious variety of squash when buttered heavily. “Hubbard squash” is much funnier than “hover-squash” when used in the context in which it was used here. Come to think of it, “hover-squash” is not funny in any context.

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