The Stan Freberg Show: the final episode, with a bunch of highlights


So the 20th of October, 1957, The Stan Freberg Show came to its end. Freberg had promised to feature some of the most popular bits of the show and said he was getting card and letter from the listening audience about what to select. The show hadn’t quite given up, though: there are a couple of new bits, including what might have become running gag characters, appearing for the first time here. Still the show is mostly recreations, sometimes in abbreviated form. And of what?

Here’s the show:

Start Time Sketch
00:00 Open. It’s no longer an episode of a brand-new radio series, but rather a clonked-out radio series. And they’re bidding a fond farewell to r-a-d-i-o. And a trick of memory. I had remembered the last episode as opening with a more busted-up theme, one with sound effects of a machine conking out, and the music losing tempo and falling out of tune. Not so, but given the show’s use of that sort of sound effect (as in the fifth episode) I’m surprised it didn’t.
00:56 Opening remarks. Freberg’s grateful to his audience, and will miss talking to people like — some character who hasn’t appeared before. A jumpy, character complaining the road’s blocked by sheep, and who follows his lines with singing the line again in a high-pitched voice. He’s a brain surgeon.
02:45 Mr Tweedly, Censor from Citizen’s Radio. Stan Freberg tries to sing Old Man River, while getting buzzed for not saying thank you and for using needlessly harsh songs and bad grammar and such. This ran in the sixth episode.
06:26 Peggy Taylor. She’s crying, not because they’re going off the air, but because Stan Freberg’s on her foot. She gives a gift, not a sleeping bag but a Freberg Cozy, and I like the idea of calling a sleeping bag a personal cozy. She sings “The Birth of the Blues”. This was done in the second show, and I’m surprised they would redo a song. A good song, sure, but it’s not like 1957 was short on radio-ready music.
10:06 Bang Gunly, US Marshall Fields. Soundtrack of a “typical” (adult) western, including sponsorship from the Eating Corporation of America. It’s truncated from the original, of course; just some examination of the fence and one commercial. This appeared on the 11th show originally.
15:20 Capitol Record. A “whole list of name” requested a performance of Day-Oh, the Banana Boat Song. It’s a bit too loud for the bongo player, who keeps insisting Freberg get farther away to be at his loudest. This appeared on the seventh show, and featured a bongo player who’d also been in the opening and closing segments of the fourth episode. I’m not surprised that St George and the Dragonet didn’t make the cut — the sketch is too long and has too big a cast, and doesn’t really condense well. I’m more surprised that Wun’erful, Wun’erful didn’t, but see the next item.
20:34 Billy May has a gift for Stan Freberg: an accordion-playing bandleader found in Balboa Bay. Reference to the Wun’erful, Wun’erful sketch from the fifth episode. In that, a Lawrence Welk parody floated out to sea. Their Welk is there to laugh at Freberg. “You don’t have to make fun of me.” “Look-a who’s talking!” Welk gets to play “a short medley based on the names of girls-a”. Mostly “Every Little Breeze Seems To Whisper Louise”, and stuff that can’t quite get going. The sketch was turned into a Capitol record, as announced the 13th show.
23:00 Package for Stan Freberg, about ten feet tall. New messenger character. The package is the Abominable Snowman. He’d been introduced the second episode. Abominable asks Freberg if it’s hard on him doing both voices like that; he admits it’s hard on him. It’s a bit of fourth-wall-breaking and plays on Freberg’s ability to shift character fast. Abominable Snowman isn’t wearing orange sneakers today, just purple, a new “ensemble”. Abominable and his wife Gladys are thinking what they could do to help the show. (Gladys was introduced, as his fiancee, in the ninth show.) “I could scare a couple of sponsors for you.” “We’ve already done that, thank you.” Abominable offers to teach Freberg how to be an Abominable Snowman, which gets to be funnier when you remember they just pointed out how he’s doing both voices.
26:48 Conclusion. Freberg admits they didn’t have time for Mr Poulet’s tuned sheep, the one sketch promised last week that they would do. Poulet and his Muppet Show-ready sketch appeared on the first episode and without the sheep turned up in the seventh show. Freberg thanks his audience, especially the press who supported the show so.
27:51 Closing Music.

My recaps of all the episodes of The Stan Freberg Show should be at this link. And now they are complete, too.

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

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