I feel the need to break my format a little. There’s a major question in the backstory of the current Judge Parker plot. That current storyline doesn’t actually depend on parts of the plot not previously revealed. But Francesco Marciuliano writes the story as though we should remember the circumstances of Norton’s faked death. At least he writes the characters as though they know it. So let me reveal what we do know about this.
Some things are staying as usual, though: I looked at mathematically-themed comic strips on my other blog this afternoon. You might like reading that too.
Judge Parker.
What Exactly Is The Deal With Judge Alan Parker Faking Norton’s Death?
To be honest, this has been annoying me a long while too. And I didn’t think I could untangle it, especially not now that Comics Kingdom redesigned their archives so it’s harder to read old strips. I was saved by this essay by Mark Carlson-Ghost. It lays out the characters of Judge Parker in some depth. I’m impressed by his diligence. The essay includes people not seen since the 1960s, according to itself. Without it I’d have no hope of tracking down enough story to explain any of this.

The story goes back several years and to the previous writer, Woody Wilson. The artist, Mike Manley, was the same, so at least the art will be familiar. In the backstory to this backstory, Alan Parker had retired as judge and occasional comic strip character. He’d written some of his experiences into a novel, The Chambers Affair, which everybody in the world loves. People fall over themselves to talk about how much they love it. And Randy Parker has found love in the form of April Bowers. She’s a CIA “asset” who claims to be a simple linguist, but who keeps having stuff pull her away from linguistics. They were readying to marry.
So first, his name was not Norton, which may be why I have always had trouble figuring out what his last name is. He’s presently “Norton Dumont” by the way. On his introduction he was known as “Abbott Bower”. At least, until the wedding of Randy Parker and April Bower, a sequence which ran from February through June 2014.

The wedding was also the occasion for Abbott Bower to meet the Parkers and their gang. They had come to the jungles of Mexico because, Abbott was unable to travel away from his clinic. He was dying from radiation exposure, the result of some CIA mission he’d been on. This was by the way presented as of course true by the strip’s then-writer Woody Wilson. Current writer Francesco Marciuliano is eager to indulge in every soap-operatic plot twist. So I accept that Wilson intended that this was an old CIA agent turned gun runner who was dying of exposure to patriotism. (Seriously, the strips from this era lay on really thick the “thank God we have super-spies ready to Save America” bunk.)
Over the wedding, Abbott gives to April a bag full of diamonds. His “retirement fund”, he quips, now a wedding gift. The evening of the reception, Flaco and Franco Gardia launch a bungled raid on the wedding party. The Gardias have the idea the diamonds are theirs. And that April killed Flaco’s wife. I don’t deign to declare whether the Gardias or Abbott have the greater title to the diamonds. But Flaco’s wife is in a Mexican prison, thanks to Abbott’s work.
I don’t mind that the raid is a fiasco. My reading of this sort of thing is that pretty much every attempt at armed force is largely a fiasco. Afterwards the winners organize a narrative that makes it, sure, a close call at points but ultimately inevitable. But part of the last few years of Wilson’s writing was that anything bad that might happen to a Parker or Spencer or Driver would fall apart of its own accord. In the raid it turns out April is one of those movie-style super-spies who can grab someone’s surveillance drone out of the sky. Katherine gets captured, but stays pretty in control of the situation. She even talks to one of the Gardia brothers about surrendering to her, and he at least hears her out.

After a tense standoff with mutual groups of hostages they compromise. The Gardias will take half the diamonds. Oh, also Alan Parker’s autograph on their copies of his best-selling novel The Chambers Affair. And then they’ll leave the strip forever. And they do. This sort of convenient working-out of things happened all the time in the Woody Wilson era. Especially with people so loving Alan Parker’s book. It’s a great running joke if you don’t suspect that Woody Wilson meant it sincerely. At the time, I thought he meant it sincerely. In retrospect, and on reading a lot of these strips in short order, I’m less sure. It reads, now, to me more like a repeated punch line.

After the wedding various other plots go on. In October 2015 it’s revealed that Abbott has left the Mexican clinic. He’s returned to the United States. He’s helping Alan Parker write the screenplay for The Chambers Affair. And that his name is now Norton Dumont.
And finally, months later, the money shot. Or as near a one as we get. It’s in December 2017. Alan Parker declares how “Abbott Bower died of cancer in Mexico. There’s even a death certificate!”

As best I can tell this is as much as the strip laid out the circumstances of Norton’s previous faked death. It is quite possible that I have missed some strip between June 2014 and December 2015 that made it more explicit. But what I infer is that Abbott Bower got himself declared dead, the better to escape people like the Gardias who might hold his life against him. The extent to which Alan Parker helped in this was, as best I can find, unstated at the time. It transpires only now, as Francesco Marciuliano writes what “really” went on.
I hope this is of some help.
Next Day!
Now tomorrow, I plan to post the recap of the past three months’ worth of story developments. That should appear at this link, which hosts all my Judge Parker plot recaps. I thank you for your patience.
How do we get the madness stopped. I can hardly read the strip anymore. It is stupid and keeps getting worse. I think they need a reset. Nobody is bombed by so many atrocities as this family has.
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Aw, well, I’m sorry that you aren’t enjoying the strip. Certainly the characters are getting an implausibly great number of disasters dropped on them, and altogether too fast to deal with. But it seems to me that gets at a particular kind of soap opera. It’s ridiculous, yes, and a bit trashy, but that’s not necessarily unlikable.
And, if you don’t like it, you’re right. It’s your enjoyment and I’m sorry the strip isn’t working for you just now. Maybe it’ll adjust to something you find more plausible. Maybe you’ll decide its preposterousness is fun after all. Maybe Marciuliano will decide he’s got too much on his plate and turn the writing over to someone else. The world’s vast and not finished yet; things can get better still.
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