Yeah, he did. Glad to clear that up.
Catch you all again back around here in late early October, for the Sunday Phantom continuity, or in mid-November for the weekday strips. Or if there’s breaking news. And, please, consider my mathematics blog. I use it to examine mathematically-themed comics every week. And starting from next week I hope to explore 26 mathematical terms, as many of them as possible ones readers ask to read about.
The Phantom (weekdays).
3 June – 24 August 2019
OK, I can say the same thing with more words. I last checked Tony DePaul and Mike Manley’s The Phantom, weekday continuity, in early June. The Ghost Who Walks was in North Africa. He was raiding a compound of The Nomad, recently-captured-and-exposed International Terrorist. He’s there to extract Imara Sahara, wife of The Nomad and mother of Kadia, Heloise Walker’s roommate and now sister. Complications: a militia, figuring to hostage Imara to make the Nomad keep their Terrorism secrets, holds Imara. They’ll kill her if anyone comes too near to freeing her. Also making things worse: American intelligence agencies, who figure, well, it’s not a hospital but maybe we could bomb it anyway?
So the past three months have focused on how The Phantom’s going to get this done with these constraints. It starts with the traditional elements: The Phantom punching people unconscious. Stealing clothes. Going undercover to punch more people. Punching codes into locked doors. All that stuff.
Meanwhile Dave Palmer gets a call from Diana Walker. Dave Palmer, retired Intelligence Guy, had (last time) refused Intelligence Agency pleas to advise them on this bombing. When Diana says something about “the villa” he changes his mind and says to his (tapped) phone that he’s coming in, don’t blow anything up until he gets there. They’re not going to refuse the chance to blow something up.
The bombing has its good side for the Phantom. For one, everybody who isn’t dead or wounded has a bigger project than Phantom-stopping. For another, the darkness is good for sneaking around. When the emergency lights come on it’s a bit of bother.
So there’s a nasty gunfight: Sahara’s guards shooting where they conclude the intruder has to be. The Phantom trying to stay out of the line of fire, and ricochets, until he can sneak up on them. And we finally see Imara Sahara, who’s keeping her wits quite well considering. She tries to warn the unknown-to-her intruder that she can’t be saved. She has a point. The Phantom has a plan. It can only work if the writer’s on his side.
He shoots out the lights. They slam the panic room door shut. They expect him to break through the door, but that he’ll then be an easy target. The Phantom figures to break through the door, yes, but only after he disables the emergency generator. In the dark they’ll be helpless, unless they picked up their flashlights. When the lights in the panic room go out Imara takes cover. The Phantom breaks through the door and there’s an intense gunfight. All the militia members die. The Phantom is merely shot three times. This on top of the wounds he’d barely recovered from when he fell for The Nomad’s ambush. That story was over a year ago, reader time. It’s only a couple days in the past for The Phantom, though.
At last The Phantom kind of introduces himself and why he’s there. And leads her to an escape tunnel, the only way out now that the main hallways have collapsed under American bombardment. Imara asks how he can know about this tunnel. It’s a reasonable question. Well, Kadia knew, and briefed him. Why did Kadia know and her mother not? … Not sure. We see in flashback the young Kadia playing in the tunnel with her father. Still, it seems odd to set up a panic room for someone and not share how to leave it in a crisis. I can’t say this is unrealistic. It’s petty jerk behavior from international terrorist Eric Sahara. But I understand commenters who couldn’t suspend their disbelief on this point.
Above ground, a new militia’s come around to see what’s happened and what they can make worse. So they start shooting at the only things still alive, The Phantom and Imara Sahara. This leads to a chase through the remains of the compound, The Phantom leading Imara towards his escape truck. The Phantom sends her ahead, while he distracts the militia by using bullets. She finds the truck and waits the three minutes he asked for, and some more, and finally leaves after she hears the gunfire stop.
The Phantom slams against the rear window, and climbs in. He drives them to his recovery space. And is absolutely gleeful that he’s managed to get her out “without a scratch”. And all he has is something like four bullet wounds. The Phantom’s delighted, and smiles. It’s fun having this kind of vigilante superhero actually show delight that he pulled off a stunt like this.
And it was a heck of a performance. The Phantom’s rescued Imara Sahara from captivity. I trust she’s ready to go to Skull Cave. There, her daughter’s already taken the name of her roommate who crashed a private jet into Springfield Gardens. No longer need she live in secret underground North African lairs owned by men with dangerous lives and their own private armed forces. The Phantom’s Skull Cave lair is probably in equatorial Africa.
I finally get an easy week for recapping! It’s
Mark Schulz and Thomas Yeates’s Prince Valiant. If all goes to plan, then, I’ll have that comic strip featured next week in this space.