Popeye in Caves


The next of this block of 60s King Features Syndicate Popeye cartoons is Caveman Capers. It’s produced by the Larry Harmon studios. So, you know, names like Hal Sutherland and Lou Scheimer who’d go on to give us Filmation. Going into the cartoon from that, I expected, if nothing else, all the characters to be faintly angular, and to move like they’re in a Flash web cartoon from about ten years ago. Let’s watch.

I would swear there are other Popeye-as-caveman cartoons out there. I’m not invested strongly enough in the question to look them up. But there’s a long record of caveman jokes in cartoon (and live-action movie) history. And, what the heck, we might as well try Popeye out in that setting. At minimum it gives us different props that he can play with.

We get a framing device on the action. I’m not sure why. Maybe they didn’t want to waste having designed a Popeye who’s squatting on legs one-third the length of his arms. Having a frame like this lets the cartoon paper over any gaps in the plot. But the cartoon doesn’t use that power.

Popeye squatting next to Olive Oyl and behind a picnic blanket. Popeye's legs are quite short.
Also, there’s three hamburgers, but only one slice of cake? Was Popeye guessing how many people would be on this picnic?

I so dislike Popeye explaining how Prehistorical Olive “was a striking beauty, so grandpappy struck her, as was the custom in that day”. I know the premise is just a stock Caveman Settings joke. That doesn’t mean I have to like it. I was thinking about skipping this cartoon altogether. Still not sure I shouldn’t have skipped it anyway. I guess Prehistorical Olive reacting like Krazy Kat hit with a brick makes it less bad. Her putting up with this a while and then telling Popeye and BlutoBrutus to settle this like gentlemen and fight it out makes it more silly.

What I do like here is the color scheme. The world is green- and blue-tinted, while the characters are a clear bright tan. It reads pretty well in color. I imagine it also looked good on black-and-white televisions. I also like Popeye hanging out with a dinosaur; it has a nice Alley Oop vibe. I’m a bit surprised they didn’t try making a Eugene-the-Jeep dinosaur. They can’t have thought that would confuse the premise too much, with kids expecting a Jeep dinosaur to be doing magic tricks or something, could they?

There’s some dialogue I like. Prehistorical Popeye asking BlutoBrutus when it’ll be his turn to hit and getting the answer “not yet”. Prehistorical Popeye declaring that he’s gonna “call this stuff spinach, cause it looks like spinach”.

There’s a nice little fight cloud between Popeye and BlutoBrutus at about 5:02. It looks to me like the same fight cloud from when Popeye fought Irving. But this requires redressing Popeye and drawing BlutoBrutus in place of the robot monster. Which is worth it, surely. Once you have the motion traced out for a Popeye-versus-big-bruiser fight cloud just painting in different clothes isn’t too much work. I’m sue that as a kid I’d never have noticed that, though.

I suspect they had no idea how to close this cartoon.

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

Please Write Something Funnier Than I Thought To

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.