What’s Going On In The Phantom (Weekdays)? Why are art students heading to Wambesiland? August – November 2019


Hi all. This recap for Tony DePaul and Mike Manley’s The Phantom, weekday continuity, should get you caught up to mid-November 2019. If you want the separate Sunday continuity, or if you’re reading this after about February 2020 and want the weekday continuity, I should have a more relevant essay at this link. Thank you.

The Phantom (weekdays).

26 August – 16 November 2019

When I last checked in, The Phantom had rescued Imara Sahara from terrorist militias and American bombing. Imara Sahara is the mother of Kadia Sahara Walker, Heloise Walker’s former roommate. Kit Walker was feeling pretty good about having got out of a pretty intense situation without serious harm.

The Phantom and Imara Sahara settle overnight at a safe house. It’s a pretty nice-looking lair and he seems to have the absent owner’s permission to be there. He takes a shower and over a meal answers Imara’s most urgent questions, like, who is he? And why did he save her? OK, he doesn’t so much answer them as say they’ll head out to somewhere else in the morning. But there’s nothing that could go wrong by needlessly withholding information about identity and motivations and objectives from a woman rescued from captivity by a massive, three-party firefight that obliterated her longtime home.

Overnight, Sahara is tormented by thoughts of her husband, and fear of the strange man who’s taken her to an unfamiliar place. While The Phantom sleeps, and relives the day in his dreams, Sahara steals one of his guns. And one of the homeowner’s cars. The Phantom discovers this only in the morning.

[ Phantom heads for home ] Diana, on the phone: 'Gone? What do you mean she's gone!? Kit, what happened?' Phantom: 'Think about it, Diana. I wish I had! Before now, I mean. She knows now that her husband's a monster. She couldn't chance that I might be in league with him.'
Tony DePaul and Mike Manley’s The Phantom for the 23rd of September, 2019. So I am snarking about the obviousness of this. But reading it day-to-day surprised me. And then I realized that yes, Imara Sahara fleeing is the most sensible thing for her to do. It also made me realize I had assumed The Phantom had explained what was going on in their drive to the safe house, or once they arrived, things not actually shown to us. (Jeez, what were they talking about instead? Was The Phantom making her listen to his podcasts? You gotta know something about someone before you put your podcasts on for them.) Also, even if he had explained who he was and why he was there, she had no reason to believe a word of it.

And, in a further surprise, The Phantom doesn’t have an idea where to track her down. He had given Sahara instructions to write The Phantom’s secret post office box, and they can watch that. In case she wants to make contact with someone the person she just fled wanted her to contact. And they’ll have to pay the homeowner for the stolen car. The Phantom jokes how he’ll get a terrible AirBnB review for this and, so help me, I don’t know if he’s joking.

Still, at least, Imara Sahara is alive and they can provide evidence of this to Kadia. And The Phantom got out of this all right. Diana Walker asks, you know, given all this, could they maybe bring Kit Junior back from his secret hiding place? (It’s a Himalayan monastery that earlier Phantoms had visited, and who remember them.)

That, the 28th of September, ended the 251st daily-continuity story, Heloise Comes Home. It had started back in December 2018, running 42 weeks overall.


The current story, The Rhodian Column, started the 30th of September. It’s the 252nd daily-continuity story.

Bangallan, seeing silhouetted figures bicycling along the jungle trail, thinks: 'Strangers in my land .. are they good, or ... ?' They shoot twice as he falls out of the way.
Tony DePaul and Mike Manley’s The Phantom for the 1st of October, 2019. “OK, if they shoot at me one more time I’ll consider taking them off the `good’ list!” (This is pretty much how I think about people.)

It starts with a couple bikers in the Bangallan forest. They notice someone peeking at them, and shoot at him. Missing the Bandar man, but still. The gunfire attracts a warning from the biker’s superiors. No shooting. Use knives if they have to. And spread out more, for crying out loud.

The Bandar know what to do about this, and consult The Phantom. The data: there’s an alarming number of strange travellers moving through the jungle. Kipawa, heir apparent to lead the Bandar tribe, finds them suspiciously inoffensive. Like, if they were really innocent, at least a couple would be jerks. These have all been non-threatening, I guess because nobody mentioned the one that shot at somebody.

The Phantom goes looking. At one part of the trail he sees three pairs of tourists marching past the same spot over three hours. All the travellers on the trail, he learns, stop at the same moment for the night. He sneaks into one of the travellers’ tents. They’re quite well-armed. But this checks out: they were posing as artists. They got paints and canvas from somewhere, and armed robbery is the least difficult way to afford that. But they also don’t have any cards about how to donate to their ko-fi or what their Patreon is, which is suspicious. So he does another another test: he swipes their guns and ammunition. In the morning the artists blurt out how they’re useless to the mission. So now The Phantom is all but sure something is going on.

[ Turning Back ] The Phantom watches one party chewing out the artists: 'The Colonel won't be happy when you two don't show up at the rally point!' Guy Artist: 'Somebody took our guns! We're unarmed! End of story!' Other supervisor-type guy: 'Don't say your weapons were take! Say you're sick! If anybody else in the column turns back, it's on you!'
Tony DePaul and Mike Manley’s The Phantom for the 28th of October, 2019. So, these are the guys that The Phantom, this past week, has punched into heading back and I hope for fairness’s sake they aren’t going to hold their own turning back on Artist Couple. Just saying.

The trail of people go through Ogoru and then Llongo territory. They seem to be heading for the Wambesi lands. Next night, the Phantom wakes a different camping pair. He demands information about this whole plan. He warns he recognizes them as carrying papers forged in Rhodia. And part of an column moving to the Wambesi. He warns them to go back, and to invite all their comrades to walk back to Rhodia. He demands they tell what they know about the Python; they insist they don’t know anything about a Python. He knows well enough. And then he has some flashbacks, to help readers who don’t know who this Python is.

The Python is another terrorist leader, from the Wambesi tribe originally. He’s been in stories since 2003’s Terror In Mawitaan, sometimes under the name Chatu. The Python was behind a massive, five-part storyline that started in August 2009 and ran about a year and a half. This is long before I started doing What’s Going On In recaps. It started with The Death of Diana Walker. In this the Python feigned the death of Diana Walker, secreting her away in a Rhodian jail under a false identity.

The Phantom punches the two supervisor-y types from before while thinking, 'The Python murdered hundred at the UN building in Mawitaan', flashing back to the strip of October 6, 2009
Tony DePaul and Mike Manley’s The Phantom for the 11th of November, 2019. This explosion did happen in October 2009, reader time, as footnoted. The Phantom was meeting with Bangallan President Lamanda at the time. Incidentally the Sunday storyline back then was the one introducing the Avari, who’ve returned in the recently concluded Sunday continuity just now.

With the help of Captain Savarna and her highly automated freighter with guns, The Phantom found and broke Diana out of jail. And captured the Python, whom he brought to a secret prison in Wambesi territory where the locals keep watch. I can’t say I like The Phantom’s civil-rights record here, but I do understand how he came to this point. And, incidentally, putting the Python away like this gave Eric “The Nomad” Sahara his big break, so, you know. Probably something about the unending struggle of life in there.

And that’s where we stand on the field: some armed force is moving, in pairs, towards The Python. The Phantom knows that they exist, but their exact motives and goals are not actually yet known. There’s a lot of sinister explanations, though.

Next Week!

We check in on the time of King Arthur with Mark Schulz and Thomas Yeates’s Prince Valiant, barring surprises or breaking news. Also please consider looking at the comic strips discussed in my mathematics blog. Thanks for reading.

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

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