We’re back to the Jack Kinney studios for 60s Popeye this week. Once again the story is from Ed Nofziger, who’s given us some great fairy tale riffs and some general weirdness. The directors are Volus Jones and Ed Friedman, new names to me. So let’s have some thoughts about 1960’s Out Of This World.
First, I have to amend an earlier entry. While reviewing Invisible Popeye, with a better premise than execution, I wrote “it’s better than Popeye, Olive Oyl, and Brutus doing their usual routine in a Suburban Boring house that also has computer buttons. Which, you’ll trust me, they could do”. Perhaps they could. But I was thinking specifically of this cartoon, in which they do not. There’s no Brutus here. There’s just the disembodied voice of Jackson Beck. We do have Swee’Pea, though. And we have Suburban Boring, but in The Future. Invisible Popeye at least gets weird.
It’s another O G Wotasnozzle cartoon. And another where he uses his time machine to send Popeye to a novel setting. Eventually. This cartoon runs five minutes, 41 seconds not counting the closing credits, which King Features has chopped off here. One minute 43 seconds of that is credits and the generic footage of Wotasnozzle deciding to send Popeye somewhere in time. “What the heck,” the great inventor thinks, “he’s probably just sitting at home listening to his theme on the Dixieland station”. So that’s why Popeye’s sent to either the year 2500 or 2500 years into the future. The framing device almost explains why everybody’s in the future, and lets the cartoon be one-fifth stock footage.
Also Olive Oyl and Swee’Pea are in the future too? Or Popeye hangs with their Future counterparts? Wotasnozzle says he sends Popeye somewhere by pot luck, so how are Olive Oyl and Swee’pea there? Popeye doesn’t seem thrown by the strange world of The Future. There’s a bit where water flows to the ceiling and he complains about something going wrong with the gravity. But that makes equal sense for either 20th or 25th Century Popeye to observe.
This is a standard circa-1960s view of The Future. Flying cars. Flying lounge chairs. Tourist space rockets to the Moon. Skyscrapers built into helter-skelter slides. Swee’Pea is splitting atoms and getting neutrons all over the rug. The ambiguously defined family of Popeye, Olive Oyl, and Swee’Pea eat roast beef pills and soup-and-salad-crystals and all. It seems like they have to eat a lot of pills. Maybe they’re eating their trail mix?
And, yeah, you don’t watch cartoons like this for The Future. You watch them for The Present, spoofed by its placement in future trappings. And obviously a cartoon that has four minutes for all its business can’t compare to The Jetsons, still in the future when this was made. So we can look at what parts of The Present of 1960 the cartoon thought worth spoofing?
Well, the home. I read the place as suburban, but just because it seems boring. I guess it’s meant to be the City of Tomorrow. And then the road trip. Particularly the trip done by either bus or train. (I guess a five-minute rest stop is more a bus than a train thing, especially by 1960. I know train stops at eateries used to be a thing. I’ve been in the room while parts of The Harvey Girls were on TV.) It’s a fair premise, but there’s nothing done with it. Swee’Pea gathers asteroids. Why not go to a roadside attraction? You have a perfectly good chance to show, I don’t know, the largest robot cog this side of the asteroid belt and don’t use it?
Then we get the Moon as a quaint, rustic tourist destination. The Upper Peninsula to Earth’s Michigan. There’s a similar notion in Futurama, where the Moon is part backwater, part tacky tourist trap. Arthur C Clarke’s novel Rendezvous with Rama has a line about how in the politics of the solar system, the Moon was a suburb of Earth and always would be. (I don’t remember it being clear what that meant exactly.) I am sure neither is responding to this cartoon. The idea is too sparsely entered.
We get a joke about the rustic moon offering old-fashioned stuff like the cars, gas stations, and airplanes of 1960. “Our present is, to the future, the past” isn’t a deep observation, but it is the sort of observation a kid in the target audience would appreciate.
So as seems to happen a lot, I like the characters, and I like the premise. I just don’t like that nothing happens, and that the premise isn’t used well. If I could wish any Popeye-related product into existence, though, a Popeye Of The Future comic might be it.