Sure, you like Seymour Kneitel as a producer. Maybe you also like Seymour Kneitel as a director. Do you also like Seymour Kneitel as a story writer? If you do, you’re in luck, as the 1960 Paramount Cartoon Studios short The Ghost Host is as much Seymour Kneitel as you could hope for. Enjoy!
So here’s another cartoon with Popeye facing ghosts. The thread isn’t continued, sorry to say. You expect ghosts to be good antagonists for Popeye, what with his being afraid of them and unable to hit them and all. So why does this cartoon take forever to get to them? Stranding Popeye and Olive Oyl at a haunted house is a good setup. But we get a flat tire and driving-a-convertible-in-the-rain as excuses for them to stop. Either would be enough. This eats up even more time than the extended cut of Popeye’s scatting to start. Why?
The budget, I imagine. If Popeye in the car isn’t already stock footage this sets it up to be. The new animation needed is for the ghosts, a trio. It’s hard not noticing that they only interact with Popeye while they’re invisible. Most of the time they’re using the same few shots of peering at the keyhole and laughing.
Maybe this is all meant to save money, or animation time, for other tasks. It’s an honorable goal. It cheats the story, though. The ghosts play pranks on the intruding Popeye and Olive Oyl by … lighting a fire for them, and then making a meal for them. The invisible ghost walking in shoes doesn’t even stop to kick Popeye in the rear. The ghosts sweep the meal away to replace with a horse, when Popeye says he could eat a horse, but then sweep it back in place again. Finally they gather the food up to smack Popeye with it, as if they just realized they haven’t actually done anything menacing yet. Popeye declares that’s all he can stands and whips out his spinach. It makes sense for the run time, but considering the provocation? The ghosts are fair when they call him a real kook.
(Also, the animation budget for the rain runs out the moment Popeye and Olive Oyl enter the house. Look behind Olive Oyl as the door first closes on them, and every view of the exterior afterwards.)
The ghosts talk like Beatniks, or at least what ageing comedy writers think Beatniks talk like. There’s no clear reason for this, not even an attempt to spoof Beatniks. I like it, though. It simulates giving the ghosts personality without requiring them to do much. This is a slight cartoon; we’re fortunate the ghosts were not made more boring.
This cartoon has about the write-up you’d expect on the Popeye Wikia. It has a more extensive write-up on the Halloween Wikia. From this I infer the Halloween Wikia takes an expansive view of their responsibilities. There’s nothing, not even the original airing date, about this short that’s Halloween-related. (Its first airing was the 6th of November, 1960, says the Popeye Wikia.)