We’re back with Paramount Cartoon Studios today, in a 1960 cartoon. Quick Change Olie has a story by I Klein, and direction and production by Seymour Kneitel. And two special guest stars, too! Let’s watch.
We start (and end) at the Rough House Cafe, getting a view of Rough House himself. We don’t get any dialogue from him. But what could he do that would be useful? Complain about Wimpy calling his food poisonous?
They have some talk about ye olden days, with Wimpy imagining the chance to eat things like roast venison, roast boar, or roast full oxen. Wimpy’s gluttony shifting from hamburgers to “just lots of food” is a change of character although not a ridiculous one, seems to me.
A still-hungry Wimpy catches the Whiffle Bird with plans to eat her, because he did not learn from that time he got turned into a werewolf. Yes, yes, that cartoon’s from 1961 and only a fool demands continuity between Popeye cartoons anyway. Whiffle explains how rubbing her feathers grants wishes. Wimpy wishes them back in Ye Olden Days, and they’re lucky the Whiffle Bird doesn’t think this is a caveman cartoon or something. A minute and 57 seconds into the cartoon we’re finally at a castle.
A king crying woe is me, and who for a wonder is not Blozo, tells his tale. Olie the Wicked Magician kicked him out of his castle and kidnapped the princess. Popeye doesn’t need much encouragement to go saving the day. Wimpy, who got everyone into this fix, meanwhile vanishes.
Olie turns out to be Brutus, wearing robes, saying “ye” instead of “you” and sometimes affecting a generic accent. He’s a legitimate magician, though, using his powers to disappear when Popeye tries to punch him, or turn to flame when Popeye grabs him. Popeye counters with spinach magic, and a jackhammer punch that shrinks Olie to half Popeye’s size. This drives him off, because the cartoon is running out of time. Otherwise, like, this is the first thing Popeye’s done that’s at all effective against Olie. And I’d think if you can make yourself a giant at will it’s no great threat to be shrunk.
But as I said, there’s not time for more action, or something that would exhaust Olie. So the King has his castle back, and Popeye would get to marry the princess except — ho ho — she’s ugly! And fat! And has a grating voice! Not to worry; Wimpy’s reappeared in the story. While he was out, it seems, he couldn’t find anything to eat, so he grabs the Whiffle Bird who also decided to be in the story again. Wimpy figures to eat her, an unaccountable lack of insight from a normally sharp operator. Popeye knows what to do and wishes them back to Rough House’s Cafe. Or restaurant, whichever.
I feel like these descriptions get more plot-recappy the less I like what’s going on. There’s a fair enough premise here. And I liked in principle that Ye Olden Days characters weren’t King Blozo and, for the princess … well, I don’t know. Olive Oyl if you want the princess to be attractive, the Sea Hag if you don’t. But that creativity’s messed up by having Olie be Brutus in a new costume. I like Olie being actually able to do enough magic to mess with Popeye. And, yeah, once Popeye eats his spinach the villain is vanquished. This all felt too abrupt, though. An extra half-minure or so in Ye Olden Days could have done very well. Let Olie come back from being shrunk, and Popeye punch (or whatever) him out of the castle. Then I think I’d be more satisfied.
I don’t understand the cartoon title. It nags at me. I want to say it’s an old theatrical or vaudeville, term. Maybe meaning something that explains why the villain isn’t called Brutus. I can’t confirm or refute that, though.