I think this is the first Hillbilly cartoon in the King Features run, at least as they’ve ordered things. Hill Billy Dilly is a 1960 short from Jack Kinney studios. Story by Wesley Bennett, a new name around here. Animation direction by Harvey Toombs, not a new name. Producer, of course, is Jack Kinney, a pretty well-worn name by now.
The premise is that Popeye and Olive Oyl, looking for a picnic, accidentally wander into the middle of the Hitchfield-and-McGoo feud. They take a while to tumble on to what’s happening. I wonder if there were any impulse to have Popeye and Olive Oyl never suspect they’re being shot at. I imagine that would give a great comic tension. But leaving that unresolved might be moer than the kid audience would bear. (On the other hand, it’s not like kids couldn’t handle Mister Magoo.)
There is a lot of talking in this cartoon about two gangs of Brutus Clones who won’t stop shooting each other. I’m distracted trying to figure out who voiced the Hitchfield Brutuses. (They’re the ones wearing the blue shirts, like normal-model Brutus.) I didn’t think either Jackson Beck or Jack Mercer had this range, but it’s easy for me to be wrong about that. Beck, particularly, was on every radio program of the 1940s so he knew some things to do with his voice. The talk doesn’t get far — a punch line about how nobody remembers what they’re feuding over — but maybe I’m outside the audience that would find that a killer revelation.
And then to pad the screen time we get Olive Oyl being fickle. She set up, properly, that she was tired of Popeye finding someone to fight all the time. But then after the McGoos and the Hitchfields get to fighting over who’s protecting her, she blames Popeye for fighting. It’s a weird beat, allowing Popeye to spend some screen time doing she-loves-me/she-loves-me-not with flowers when Olive Oyl cries for help. Popeye beats up the Hitchfields, producing a funny pile of Brutus clones. Then the McGoos insist if anyone beats up the Hitchfields it’s going to be them. So Popeye needs his spinach to punch up another pile of Brutus clones.
That bit of Olive Oyl complaining about Popeye is diagnostic of the cartoon, though. It’s reasonable for Olive Oyl to be tired of Popeye always fighting. And it can produce good comic tension if Popeye’s restrained from fighting. But it’s brought up at a moment, in a scenario, where it doesn’t make sense. So we have another cartoon where the flow of events is mostly all right, but the characters talk as though responding to a different plot line.
It’s all okay, but does feel like Popeye versus two mobs of Brutuses should be more wild.