Today’s is a Paramount Cartoon Studios cartoon. It’s one of the most Paramount cartoons, too. The ever-reliable Seymour Kneitel takes the credit for story, direction, and production. From 1960 here’s Strikes, Spares, an’ Spinach.
This is Popeye’s first bowling cartoon, isn’t it? I can’t think of an earlier bowling cartoon. Bowling gags, yes, such as against the Forty Thieves, or when Popeye met Rip Van Winkle, but not one a whole cartoon built around a bowling alley.
The other day I quipped I needed more Popeye cartoons where all I can say is this was a Popeye cartoon. I didn’t have this one in mind, but it is close to that. Most of the action is Popeye teaching Olive Oyl to bowl. Meanwhile Brutus leans in through one of those huge windows bowling alleys are famous for and sabotages the lessons. Mostly by, like, pouring rubber cement into the bowling ball holes. That kind of gag. Popeye has enough of this, eats his spinach, bowls Brutus out to the trash.
The interesting story choice is that the cartoon explains why Brutus is trying to sabotage this lesson. It’s revenge, or jealousy, over Popeye cancelling their bowling date. Why was that motivation needed, though? Granting it’s rude at least that Popeye didn’t tell Brutus before he came all the way over. Or invite Brutus to teach with him. That setup would have made it easy for Brutus and Popeye to compete in sabotaging each other.
But granting they wanted to give Brutus a particular reason to be a jerk for once. They chose to use time having Brutus run over and lie to Olive Oyl about Popeye not making their date. This justifies all that time spent in Popeye bathing and getting dressed and all. If we didn’t see that, it would be less credible that Brutus had time to get to Olive Oyl. But all the time spent on that means a minute and a half, of five minutes’ screen time, is spent getting to the bowling alley. And that’s all stuff that could start any cartoon. Were they short of bowling alley gags to use? Or did they write that setup, which would have less overloaded a seven- or eight-minute theatrical short? And then not cut bits once they reached five minutes of screen time?
I’ve sometimes described the Paramount Cartoon Studios shorts as having one gear. This is another example of that. There’s no change in tempo over the short, no acceleration of events as we reach a climax, nothing. It’s a string of decent enough jokes until Popeye decides to eat his spinach now (with a well-timed “Uh-oh” from Brutus) and then we’re done. All that’s okay enough. But I’m already forgetting this cartoon and if you watched it, you are too.