60s Popeye: Popeye and the Magic Hat; yes, this is finally the one where Popeye’s a giraffe


We come to the finish of this little run of baffling Jack Kinney-produced cartoons. With a story by Osmond Evans (whose only story credit before this was Popeye the Fireman, though he has animation direction credits) and animation direction by Ken Hultgren, this 1960 short takes us on a tour of moments that raise the question, “Huh?” Here is Popeye and the Magic Hat.

So there’s a line here where Olive Oyl says of stage magician Brutus that she thinks he’s a big fake. This comes after she’s gone to see his show. He’s produced fireworks, a stream of water, several brass instruments, and petunias which he gave her. Brutus has taken Popeye as a volunteer. Brutus has made Popeye’s clothes jump off his body, then back on, then turn into a baby’s outfit, then a caveman’s, then a clown’s, then a ballerina’s, and then into a matronly gown. And then had a Jeep — Eugene, I assume — appear, crawling all over Popeye. Then had an apple appear on Popeye’s head. Then made Popeye’s legs disappear, along the way to making all Popeye’s body vanish, right out there on stage. And then gave him a body that would be big for Aunt Eppie Hogg over in Toonerville Trolley.

What sensible reason does Olive Oyl have for calling Brutus a “fake”? What would constitute “real” magic?

On stage, Olive Oyl is transformed into a seal from the neck down. She looks startled. Popeye leans in from behind the curtain looking aghast.
Is this one of the ordinary risks you assume by attending the show that they warn you about on the ticket to get into the studio? Olive Oyl in the seal form wears this nice teal scarf that I had mistaken as an accessory she was wearing as a human. She wasn’t, so I’m curious why it so evoked Olive Oyl to me. Maybe the color was enough like that blouse she wore in some of the 1940s shorts.

I focus on this as representative of this short’s baffling nature. The rough outline makes sense and has been done before. More than one time. (With variants.) The specifics are weird. Why does Olive Oyl call Brutus a fake after that? Why does Popeye say something like “Dreamy Squeamy, [ Brutus ] gives me the popcorn!” Why is Eugene the Jeep hanging around Brutus? Is he actually doing the magic and Brutus only does the patter? How much of this short is made up of Brutus waving his magic wand down and up once? I like Brutus responding to Olive Oyl’s cry of “fake” by turning her flowers into fish. Why does he then turn her into a seal? And then do a stunt of bouncing 10- and 16- and really-heavy weights off her nose and at Popeye?

And then we get a string of transformation jokes. Popeye asks if Brutus is trying to make a monkey out of him, because he hasn’t learned from past cartoons like this. And then he’s a monkey for a bit. Brutus turns them back to normal. Then turns Popeye into a giraffe and Olive Oyl into a flamingo, because of reasons he doesn’t share with us. Popeye grabs the wand, creates a Delux [sic] Giant Size can of spinach and turns everything back to normal. Brutus flees into his hat, and Popeye and Olive Oyl follow. The resulting fight decimates Liddsville, but saves the animation budget because a hat jumping around is easy to animate. (There is a lot this short that’s easy to animate. The characters mostly stand still on a blank background, alone, while looking at the opposite corner.) And then the hat opens out wide and everybody pops up, a happy performing family talking about how “you were both adorable!”

Olive Oyl, holding her hands together, looks up at Popeye, who's been transformed into a giraffe and stands so tall that nearly his whole neck is out of frame. The giraffe wears an adapted version of Popeye's shirt.
“Popeye! You come down here this minute and explain why your shirt changed to fit you as a giraffe but your pants just disappeared!”

So … uh … what? What just happened and why? Was this all a stunt, with Popeye and Olive Oyl confederates making it look for the TV audience like they were fighting? And now breaking the scene to let everyone know it’s all right? Having written that out, I admit, I can read that as clever. That Popeye and his cast are performing the roles of antagonists in hundreds of these little scenes. There’s a reason his comic strip was named Thimble Theatre.

There are thrills in looking hard at these 60s cartoons rather than, like, the Fleischer cartoons that everybody loves. One is how weird the cartoons could get. There wasn’t the time and money (and maybe talent) available to make clear stories well-animated. This can produce a wild, bracing freedom. Until it happened I had no idea this cartoon would involve Olive Oyl turned into a performing seal. That surprise is a delight and I’ll take that, if the cost is my being sure why these things happen in this order.

On stage, Popeye is startled to find he's wearing a blue clown outfit with yellow polka dots, including a big pointed cap and humongous clown shoes.
Hey, it’s Popeye as the host of a 1960 kiddie cartoon presenting Popeye cartoons! Which goes along with the idea that all this action is “really” a show the gang is putting on for the audience within the cartoon and also the one at home. It’s probably a coincidence.

Seeing Popeye as a monkey and Olive Oyl as a flamingo got me wondering. So far as I know there hasn’t been a short that cast the Popeye gang as animal versions of themselves. (I’ve forgotten almost all the Hanna-Barbera series, but King Features has got some of it on their YouTube channel. And I’ve seen none of Popeye And Son.) It could freshen up a stock plot if you have new-looking animation and can toss in a bunch of animal jokes among the regular dialogue. I suppose it would cost too much, redesigning the characters and having to replace all the stock animation cycles for the one short. Could be it’s somewhere in the comic books, or should be. I’m interested in seeing adventures of Popeye the Monkey and Olive Oyl the Flamingo.

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

6 thoughts on “60s Popeye: Popeye and the Magic Hat; yes, this is finally the one where Popeye’s a giraffe”

  1. You know things are getting bad when the Sea Hag is cowed by the IRS.

    As for “The Magic Hat”, who could forget that hale and hearty dude laughing over and over again throughout the cartoon? Anyway, I think you’ve put about as good a point on this as is possible. And to your point, you may be right that they resorted to more outlandish “plots” and clever contrivances, when faced with little funding and possibly not much more talent. I hadn’t looked at it that way before, so thanks.

    And I think I know where the voice of Lisa Simpson now originated.

    Like

    1. Thank you; kind of you to share such thoughts.

      There is a truism that art requires constraint to succeed. These cartoons have a lot of constraints on them, including the choice to aim them at kids, the tight budgets, and the tight production schedules. There have been a couple cartoons I’d say are successful all around — Mystery Melody, particularly — but generally? I can’t say they’ve hit great art, but they do sometimes manage this strange, almost outsider-art attitude and that’s fascinating at least.

      Liked by 1 person

  2. If Brutus had changed Popeye into a (female) kangaroo it would have been a cute gag to have Pops pat down where all his pockets used to be,only to find her spinach in her pouch. But that would have required a tad more animation then the current series allows.

    Liked by 1 person

    1. That would have been a great joke, yes. I think I can imagine how to frame it so it wouldn’t need much animation. Do a close-up on Kangaroo Popeye’s head as he mutters about trying to figure where his spinach is. Then “There it is!” and we close-up on a paw pulling a can of spinach out past a line.

      Liked by 1 person

Please Write Something Funnier Than I Thought To

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: