This Talkartoon gave me yet another chance to talk about the history of amusement parks. It’s a subject easy to get me going about and you’re lucky I only went on this short while about it.
This week’s cartoon happens to call out Merry Christmas. And to get a Happy New Year back. That’s the sort of subtle act of timing that’s really beyond my abilities; it just got lucky. But here’s Bimbo’s second cartoon in three weeks, and the second in which he was named as such. From the 20th of November, 1930, and animated by Rudy Zamora and Shamus Culhane: Up To Mars.
So why does this short start in an amusement park? (At least after some striking and neat special effects animation.) Why not, I suppose you could say. Also that it’s somewhere you could just have lots of big firecrackers hanging around. I suspect there’s a deeper reason. It goes back to A Trip To The Moon. I don’t precisely mean Georges Méliès and one of the maybe three silent movies even people who don’t care about silent movies recognize. But that helps. A Trip To The Moon was a ride at the Pan-American Exposition of 1901, in Buffalo, New York, showing exactly that. It was moved to Coney Island to be one of Steeplechase and then Luna Park’s signature rides. And to inspire trip-to-outer-space rides, to the Moon or Mars or other worlds, from there. So a trip to Mars starting at an amusement park might not be just because you gotta get rockets from somewhere. It might be because you could get to Mars from there.
Other planets, in the cartoons, were often wackyland places of reverse-logic and sight gags; see Tex Avery’s 1948 The Cat That Hated People for similar and I’ll admit better sight gags. I haven’t checked what earlier, and particularly silent, cartoons did with other planets. But the placement makes sense; jumping to another planet does give license to get weird and surreal.
It’s the second cartoon where Bimbo gets named. But he gets less distinctive stuff to do than even in last week’s Sky Scraping. I suppose he makes the choice to chase after the strikingly Mickey Mouse-like rodent that had been in his Roman candle. But that’s not a lot of character. And once up on Mars he has even less to do; he’s mostly just watching the shenanigans. Arguably the mouse does more to affect the cartoon. I kept waiting, once Bimbo fell in with the Martian soldiers, for him to be detected and that to become the story. Somehow it never did. He does get a few frustrated moments to snarl and snap at people in a satisfyingly dog-like manner, which is worth something certainly.
This is the second week in a row that the Moon gets punctured. Also the depiction of Saturn as a character with a big hat is one that I believe gets repeated in the October 1932 Betty Boop’s Ups And Downs.
It’s maybe too well-established to count as a blink-and-you-miss-it joke but I laughed when Bimbo tried to light the rocket and sets a cat’s tail on fire instead. The elderly Martian dancing with his detached legs and no body is a good reliable body-horror joke.