So, everyone here. Do you like Seymour Kneitel? Like, a lot of Seymour Kneitel? Because these Popeye cartoon reviews are heading into a thick patch of Seymour Kneitel-produced, Seymour Kneitel-directed cartoons. Today’s has a story by Joseph Gottlieb but don’t worry, after this, we get a bunch written by Seymour Kneitel too. This … is Popeye’s Double Trouble, from 1961.
The cartoons I watched growing up led me to believe I would encounter doubles of myself much more often than I actually have. It’s easy understanding why physical doubles turn up so much, though. They let you get into comedies of misunderstanding and you don’t even have to make a new character sheet. This cartoon’s one of the set where there’s a specific reason for a double. This time, the Sea Hag poses as Olive Oyl. She’s trying to get back a wish-granting good-luck coin that she accidentally gave Popeye.
Put like that, the gimmick of the cartoon sounds goofy or ridiculous. It doesn’t feel goofy, though. It’s set up matter-of-fact enough to seem reasonable. Sea Hag meant to jinx Popeye by giving him her bad-luck coin, that she carries around with her. She never wonders if keeping her bad-luck coin on her might relate to how Popeye foils all her schemes. Her vulture, in an inexplicable stroke of bad luck, pulls out the good-luck coin. She doesn’t realize until Popeye’s picked it up and wished for a chauffeur. Also the good-luck coin grants wishes. This seems like an arbitrary trait, or two magic-item ideas getting conflated. But the wish-granting turns out to serve the plot well. It gets Popeye out of the trouble of not being able to tell which is Olive Oyl and which is the disguised Sea Hag, since Mae Questel does both their voices.
The story feels well-constructed. Not just in comparison to the loose motivations given the last couple Jack-Kinney-produced cartoons. And there are some touches I quite like. For one, I’m amused that Popeye accepts how the disguised Sea Hag smashes him into a wall or holds him upside-down to shake the coin off him. This doesn’t register as un-Olive-Oyl behavior. Also the waving her arm to shift into Olive Oyl’s appearance is a nice effect. I also appreciate that Olive Oyl gets to take the story lead. She sings the Vulture to sleep, unties herself, is sensible enough to wear a different hat so the audience can tell her from the Sea Hag. And she gets a rare chance to eat the spinach and so save the day. Good showing all around even if she wanders around like she’s dizzy and drunk after her spinach power-up. Well, they have to get a punch line to the dance contest from somewhere.
Wonder if the Sea Hag considered and rejected just asking Popeye for a coin for the phone or something. Yes, I know, if he turned the coin over then the short would be over too soon. Still, it would’ve been the first approach I’d try.