So back in 2019, April Parker learned Neddy Spencer and Ronnie Huerta were writing a screenplay based on her life. And demanded they rewrite it to be correct. To tell the truth about her situation, on the run from CIA super-high-ultra-duper prison and all. This past month, the show finally debuted, and she was livid. Offended that someone was using her life to make a show.
This inconsistency hasn’t been explained. I’m not sure there is a way around it. The hypothesis I was working from was wild but not impossible: that the whole series was made by the CIA to flush April Parker out of hiding. In this interpretation, the woman who gave Neddy and Ronnie all those notes was a CIA (or equivalent) agent, trying to get things going. (Neddy Spencer would be involved so they’d know who April Parker would seek out and harass.) It’s a bit wild, but no wilder than actual things done.
But I don’t see how that’s tenable. In August 2019 we saw Norton say he had sent April “elsewhere” from Cavelton. And the woman identified as April refers to “the reason my Dad sent us here”, the screenplay she didn’t suspect existed. There is still some slender room there, in case the plan is to retcon that person as yet another April Parker lookalike. Norton had one (so far as we know) working for him, Agent Strand. The show chose to cast another. That becomes a reasonable choice if the whole show was some bonkers sting operation.
But it’s hard to see how to square this all so it fits. More plausible may be that what April Parker imagined in 2019 was so different from the reality in 2022 that it was not what she wanted. Or that she loved the dream of a TV show based on her life (don’t many of us?) and found the reality too much to bear.
So this is my attempt to bring you up to speed for Francesco Marciuliano and Mike Manley’s Judge Parker for mid-February 2022. If you’re reading this after about May 2022, or if any news about the comic strip breaks, you should be able to find a more relevant essay here.
And on my other blog I hope tomorrow to resume my Little 2021 Mathematics A-to-Z. This is a glossary project, looking at words from mathematics. Tomorrow’s word? Triangle.
21 November 2021 – 13 February 2022.
Last time you’ll recall, Deputy Mayor Stewart took time off his job of making mopey frowny faces to show Sam Driver a video. It’s drone footage that appears to show Abbey Spencer setting fire to her bed-and-breakfast. Stewart is ready to propose something when Alan Parker interrupts the two, and the Deputy Mayor flees.
They meet up in the park. Stewart avoids answering whether the drone footage is true. And asserts he left the flash drive with video on it by mistake. But he has a deal: he’ll tell the public that Mayor Sanderson burned down the bed-and-breakfast. The motive? Sanderson’s ongoing irrational hatred for the Spencers. Why would he do this? Well, he’ll become mayor. And he’ll have some wealthy, grateful patrons when it’s time to run in his own right. So, do they have a deal?
What’s one more illicit deal for Sam Driver? He goes for it. Days before Christmas, Stewart announces what he “knows”. And while I’m not clear what evidence Stewart gives the public, he is believed. Mayor Sanderson’s backers inform him it’s over. It doesn’t matter whether there’s proof. “This is about business.” And so he resigns, in a humiliating speech calling for the people to rise up and demand their voice be heard. That’s another interesting choice because while Sanderson has been presented as a short-tempered, irrational, and awful person … we don’t have evidence that he actually did anything here. All we’ve seen is the video that seems to show Abbey Spencer burning down her money pit of a bed-and-breakfast. The text, so far, shows this as rich and ambitious people overthrowing the legitimate and innocent mayor of Cavelton.
The Spencers celebrate, of course. But Sophie — preparing to return to college — notices how Sam Driver’s still stressed. She spies on him, catching him with the flash drive. He can only explain it by showing the video, and Sophie points out how this is all kinds of bad. Stewart could not have left the flash drive by accident. Stewart must want Driver to have incredibly incriminating evidence. And there is something really wrong that Driver treated the video as legitimate.
But we still don’t have an explanation for what it truly is.
Meanwhile, some happy news. Ronnie Huerta and Kat’s relationship had shattered when Huerta tried to get some space before their wedding. Huerta had spent every moment from their breakup calling asking to talk with Kat again. Kat finally took a call. And they had a serious and meaningful talk. One where they talked about what was going wrong. One that’s better than any relationship advice I’ve seen in Mary Worth. Their problem was a plausible pattern. Huerta felt overwhelmed by Kat’s determination and energy. Kat felt she needed to put more into the wedding plans because Huerta was withdrawing. And these reactions to the problems encouraged the original problems to worsen.
The thing is they both want to be together. And that’s a good thing. My experience is, if two parties want to get along, they can. And they do, moving back together in time for the debut of their show, Converge, on streaming service Plus+.
The debut comes the 24th of January, reader time. The reactions are … mixed. Sophie’s college roommate Reena is impressed, wondering why Sophie never told her she was interesting. Alan Parker is traumatized by the sight of an actor playing April Parker and demands that monster out of their home, even in TV version. Neddy and Ronnie … are pretty sure the show will get better. And April Parker …
She is angry. She can’t believe the casting, for one. And she’s offended someone “stole [her] life and put it on TV”. It inspires a fight between her and Randy Parker. Also at last we see Randy in whatever secluded secret hideout they’re at with April Parker’s mother. And with little Charlotte Parker, who wants to go back to their real home. Randy does too, or at least, he’s realized hiding out from the world of super-duper-hyper-spy etc is no kind of life. (We also get a mention that April’s mother “put [ Norton ] out of his misery”, which reinforces the idea he’s dead. I don’t believe it either.) It’s a bad situation. And we’re left with the mystery of why April Parker is so angry with a show she demanded.
Also the stress of being an international(?) super-fugitive is breaking down Randy’s feelings for his possibly-ex-wife. We’ll see how that develops by the next time I check in, I expect.
Did our heroes prevent the destruction of Earth twenty years ago? And did it involve a suppressed-to-history female scientist? I’ll answer these questions ‘yes’ using more words when I look at Jonathan Lemon and Joey Alison Sayers’s Alley Oop next week, all going well.
Oh, and if you’re wondering about The Amazing Spider-Man reruns? The past three months of that have covered roughly what this essay does. Glad to catch you up there.
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