Paramount Cartoon Studios produced today’s short from 1960. The story’s from our old friend I Klein. Direction and production are credited to Seymour Kneitel. Here at least is Moby Hick.
A common problem to any longrunning series is the dwindling universe. It’s natural to focus on the most interesting character, or characters, and everything in the setting dwindles away. Moby Hick does something interesting, despite the only significant characters being the Sea Hag and Popeye. The Sea Hag doesn’t start this short with any interest in Popeye. When she does run across him she hasn’t any interest in destroying him. She keeps him in the cartoon because she figures she can use him. And her goal is something that’s in the backstory, something we don’t see much in these cartoons. Years ago (we eventually learn) she stole the Seamen’s Orphanage treasure, but lost it overboard where the great whale Moby Hick swallowed it. We have to suppose this was a Sea Hag caper that Popeye wasn’t involved in, since the treasury wasn’t recovered back then. These are small items. But they’re things that expand Popeye’s universe, making stuff happen that isn’t about him.
The Sea Hag gets a lot of nice business this cartoon. She has a solid introduction, the whole bar of sailors scared off by her reputation. Spotting Popeye as someone she could use, and spinning enough of a tale of being reformed for Popeye to buy it. Popeye’s usual sense for detecting bad guys seems to malfunction here. His Columbo-like eye was one of his defining characteristics. In his first story in Thimble Theatre he couldn’t stop socking John Stork, long before he had any evidence Stork was the bad guy. It’s not lost entirely; Popeye recognizes Moby Hick isn’t some rampaging monster from a good look at the whale. Maybe he wants to believe in reform that much. He hasn’t got much reason to expect it from the Sea Hag, or Bluto/Brutus. But, like, Toar came around fast, and so do a lot of his opponents.
This is a more plot, less comedy-driven cartoon than usual. I have the impression Paramount-made shorts are more likely to have that sort of strong plot. I suspect the studio was better at stories than (say) Jack Kinney’s or Larry Harmon’s could be. The only mysterious point is how the Sea Hag came to learn Moby Hick had swallowed the treasure. I suppose it was some wicked bit of spellcraft or something.
It’s not just me, right? It is weird that Popeye’s been swallowed by jellyfish more than he’s been swallowed by whales? (He wasn’t even swallowed by a whale this time!) Only a stray thought; pay it no mind.