She’s not. It would never occur to her to try. But once you start the avalanche you can’t tell — you know, I mentioned how of course Terry Beatty, of Rex Morgan M.D., was not trying to upstage me. This in providing a good succinct plot recap right as my plot recap was ready to post. While Beatty might be aware of my existence, there is a story comics creator who I know does know I’m around. Tony DePaul himself posted a good, clear recap of the current daily storyline for The Phantom.
It’s worth the read, first for understanding the writer’s intentions. Also for learning bits about the specific mechanics of writing these stories. Like, what does the script look like? How far ahead are stories written? (As DePaul and his collaborators do things, at least; I imagine every writing team develops their own workflow.) How does a story like this, meant to stretch into a third calendar year, get made?
So that and this should catch you up on Tony DePaul and Mike Manley’s The Phantom, weekday continuity, through the end of February 2022. If you’re interested in the Sunday continuity, or are reading this after about May 2022, a more useful recap is likely at this link. And, if you’re interested in my explanations of mathematics terms, my glossary project’s resumed over on my other blog. Should have a fresh post up tomorrow, too. Now, let’s talk comics.
The Phantom (Weekdays).
13 December 2021 – 26 February 2022.
I’m not sure what I can add to Tony DePaul’s own summary. My perspective and misunderstandings, I suppose. Still, here goes. In the prophecy of Old Man Mozz, The Phantom successfully breaks Savarna Devi out of death row in Gravelines Prison. But he’s badly wounded, and while the veterinarian they find is able to stitch him together, it’s not over. The Phantom gets a fever, one lasting for days, and in his delusional state he says something catastrophic, that sends Savarna away.
This may all seem like it’s taking a while to get done. Fair enough. But we are seeing what’s meant to be a plausible way that The Phantom — a legacy of five centuries — crashes apart. It’s something that’s survived twenty generations of changing world. Of Phantoms (mostly) dying in action. It’s grown supportive structures, like the Jungle Patrol, that would carry on of their own inertia as long as possible. I quipped in my previous recap of the Sunday strips that The Phantom has to spend about 412 days a year keeping up with ceremonial tasks. He spends a lot of time gluing these structures together. But in exchange, those structures glue The Phantom, the institution, together. It will need a lot to wreck all that. So it has to be something that’s big and complicated and messy.
Savarna’s headed for the Himalayas, and the monastery where Kit Junior, the presumptive 22nd Phantom, is studying. He’s very much not ready yet; he’s not even trying to conceal his face from people. And he’s been thinking how happy he is nobody like Guran, from his pre-monastery life, has appeared, as they would have the news his father died. Then Savarna, from his pre-monastery life, appears, and he’s happy to see her. (I saw some snarking about this inconsistency. Granted it may be inconsistent, but it’s inconsistent in a way normal people are.)
She arrives the week of the 17th of January. That’s when we begin the story/chapter titled Death in the Himalayas. They meet over tea. She explains she’s there for something that needs doing, and something she thought she was finished with. Before The Phantom broke her out of Gravelines he had her swear to be done with revenge. While The Phantom healed, she thought how she was done with killing. And now …
Chief Constable Jampa enters the teahouse. She confronts him. That’s too soft a phrasing. She shoots him. She knows him. Nineteen years ago pirates killed her father, master of the original India Voyager. And her brother. It set her on her campaign of vigilante anti-piracy and anti-fascism. Leading the pirates? That same Jampa. As a girl she was able to scald him, and escape, almost drowning as she does. It makes her life story — and her relentlessness in this point — much clearer.
You may ask how it is Jampa ended up a chief constable in a remote Himalayan village. Well, how is it Kit Junior ended up in the same place? And, if you’ll let me build a castle on some sky, it might not be coincidence. Years ago we got a line that Kit Junior perceived his tutor Kyabje Dorje to be a Phantom-like superhero. Why might Chief Constable Jampa not be that superhero’s nemesis? It might even say why Kit Senior sent his son there rather than, say, to understudy with The Locust or somebody. (Probably not. Kit Senior was sending Chief Constable Jampa money for reports about his son. Diana Walker called Jampa a good man, a blow to her ability to judge character on slender evidence. On the other hand, I thought that mention of Jampa was just Kit Senior distracting Diana and Guran from Mozz’s prophecy. Now, I see DePaul introducing Jampa to this story before his big death scene.)
But this is where we’ve gotten. Savarna, in an understandable fury, has found Kit Junior and shot the chief constable of this Indian village. The Phantom, unaware of this, is returning home. … Or so foresees Old Man Mozz.
Where does The Phantom, who’s learning all this as we are, go from here? Not my place to say. DePaul was good enough to share that this chapter, Death In The Himalayas, is to end the 16th of April. The next chapter, Phantom’s End, is to run 23 weeks. I calculate that to be the 18th of April through to the 24th of September. And then … three more chapters, he estimates, before this is all done. Quite the project.
Next Week!
Saxon invaders besiege Londinium, and all Prince Valiant has to defend himself is whatever he and Morgan Le Fay can whip up! Mark Schultz and Thomas Yeates’s Prince Valiant gets a couple hundred words of explanation, again, if things go to plan. We’ll see.
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Another Blog, Meanwhile 
it’s a good story, with just one leetle issue : The problem is that Phantom thinks nobody knows how to get his son back. And that problem is no problem because (1) Heloise does or (2) It’s trivial for GWW to just give Diana info, or just send for him, as it’s clearly time or (3) He can easily tell Savarna what she needs to know while he’s still rational, and keep the kid out of the blowback.
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It is interesting that The Phantom thinks he’s hidden Kit Jr well enough that nobody could find him, at least not before his own death, and that we the readers know there’s enough clues in the Skull Cave for someone to figure it out. But part of what makes The Phantom interesting is that he does screw up. Thinking that your own mystery is more inscrutable than everyone else thinks is a common enough mistake I can’t fault him making that.
I understand why The Phantom sent Kit Jr off when he did; The 21st thought he was going into certain death and that his son would need to finish off and be ready to take his place. I’m not sure why he’s still valuing the extreme secrecy, except perhaps thinking that there’s a need to keep secret the links between The-Phantom-the-institution and the monastery. But Diana and Guran surely count as part of The-Phantom-the-institution. Phantom keeps a lot of secrets for someone who goes into as much danger as he does, and who’s had amnesiac and hallucinatory incidents in his fairly recent past.
In the particular case of Mozz’s story, it’s understandable The Phantom couldn’t manage how Savarna learned about Jampa’s whereabouts. If he were in his right mind, well, he’d have said nothing, or gone with (or tailed) Savarna to keep this from getting disastrous.
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