What’s Going On In The Phantom (Sundays)? Why does The Phantom have an Eden? April – June 2022


“Eden” is, in The Phantom universe, an island at the end of a river in Bangalla. It’s another of The Phantom’s many side projects. All the animals on it live in harmony, including the predatory creatures like the lions and the tigers. The Phantom Wiki explains that they eat fish, to keep their hunting instincts from awakening. I don’t know when Eden was introduced to the strip. No later than 1961, at least. Inhabitants of the island include lions and tigers and tigon cubs, a fawn, a giraffe, some cave monsters, a unicorn, and a tribe of six-inch-high people. The six-inch-high people turn out to be from outer space and they deliver a rattle to the Phantom every year in accord with an 18th-century treaty. If your continuity has been going ninety years and it doesn’t have some odd stuff in it what are you even doing?

So this should catch you up to late June 2022 in the Sunday continuity of Tony DePaul and Jeff Weigel’s The Phantom. If you’re reading this after about September 2022, or are looking for the weekday continuity recapped, there’s likely a more useful essay at this link.

The Phantom (Sundays).

10 April – 26 June 2022.

Nayo and Abeo, young women from the Mori tribe, have enjoyed their sojourn the big city of Mawitaan. The locals were friendly and supportive. And they had no idea how close to danger they came, as they don’t read my story comic plot recaps and don’t know The Phantom saved them from sex traffickers.

The Phantom, thiking over his adventure: 'When Abeo and Nayo ran away to Mawitaan, they obliged their king to make a choice. Would he rather have grumbling old people on his hands or rebellious young people? Many tribal elders pressured their new king to insist on the old ways as the only way. No Mori female would ever be permitted to test her courage and endurance at sea. Then Abeo and Nayo came home from Mawitaan with an adventure story of *their own* to tell ... they became *heroes* to every girl in the tribe. How long would it be before others were inspired to run away to Mawitaan as a rite of passage? Now the King hopes his Mori girls are willing to declare victory and call the matter settled ... to be content having won the thing they had asked him for in the first place. As the father of a bold daughter, I'd say they have him on the ropes and they likely know it!' As he thinks, we see that he's at sea, on a sailboat, operated by a crew of young Mori women taking their journey to sea.
Tony DePaul and Jeff Weigel’s The Phantom for the 8th of May, 2022. Weigel, the Sunday artist, has no health issues affecting the comic strip (so far as I know). Also, Comics Kingdom continues to tell me they can’t reproduce the error where their comics are hard or impossible to read. This even though I have told them how to reproduce it (you need to look at the web page they serve up, or read the e-mail they send out), and how to fix it (use the correct format for the original comics instead of these). Anyway if someone’s looking to hire a guy to do web site stuff who’s learned sophisticated next-level development procedures like “actually look at the site and see if it can be read” drop me a note, I could use the income.

But they decide they’ve had enough of an adventure, and return home. The Phantom wraps things up for us. And for me, if we’re honest; that one Sunday covers things well enough. But their stay in Mawitaan inflamed the imagination of other Mori girls. This forced the King to agree to their request from the start of the story: that the women be allowed to join the men’s liminal ceremony, of a journey at sea. It’s a reminder of how social change happens because of the combination of appeals to reason and conscience with the credible threat of open rebellion. All seems well enough now.


That, the 8th of May, ends “The Ingenues”. The current story began the 15th of May. It’s titled “Return to the Temple of the Gods”. The Phantom Wiki has not been updated to describe this story any, so I have to make some suppositions. The first is that it’s connected to the daily-continuity story “The Temple of the Gods”. That story (in two segments) ran from January through September 2005. And also ran in Team Fantomen non-comic-strip stories in 2006 (“The Secret Sect”, written by Tony DePaul and “Servant of Evil”, written by David Bishop and Hans Lindahl) and 2007 (“Thirst”, written by David Bishop and Hans Lindahl and “The Beasts Stir”, again written by Bishop and Lindahl.) The parts run in the comic strip involve a mysterious temple on Eden, one with what seem to be Egyptian hieroglyphs. And a number of inhuman mummies, strange beings with the heads of animals and bodies of humans. The Third Phantom had been there, too, and left his mark.

“Return to the Temple of the Gods” opens with Dr Manfred Markus Meier recording outside a cave in Bangalla. He promises to explore the strange, uncharted mystery within. The mystery emerges enough to maul him. The Phantom sees the footage and notices what seems to be a person hidden in the cave. The Ghost Who Walks wants to figure out whether this is a visible-crew-person in a publicity stunt or something more mysterious. Diana Walker insists on going with him to explore this mystery. Unable to shake her, The Phantom figures a way to shake her: go to the Island of Eden and slip away while she’s delighting over the stegosaurus. So, we get to see Eden some and meet the lion named Fluffy. The Phantom leaves a note for his wife to discover when she wakes. That’s all that’s happened so far.

Next Week!

So how’d that thing where this janitor guy sets himself up as superhero cleaning up the mean-esque-ish streets of Glenwood? I’m sure that he’s been a responsible, level-headed, thoughtful person and that everything’s turned out well. So I’m going to take a long, slow sip of hot tea and read eleven weeks’ worth of Terry Beatty’s Rex Morgan, M.D. to summarize for you next week. Wish me luck!

Author: Joseph Nebus

I was born 198 years to the day after Johnny Appleseed. The differences between us do not end there. He/him.

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