The current story in Jonathan Lemon and Joey Alison Sayers’s Alley Oop sees Doc Wonmug finding his young self living a ‘wrong’ life. It appears to be from someone meddling with his own past. But he didn’t have any hint this was going on, when he started this. He had started out with moping about his childhood.
The seed of this moping may have come from the previous story. It revealed that, to hold the devices he was solving Moo’s problem with, he went back to swipe some of his own childhood toys. Ooola observes that’s a weird choice to make. Wonmug says yeah, he had an unconventional childhood; “some guy kept stealing all my stuff!” Though it’s not explicit, we could suppose this is what got his childhood on Doc Wonmug’s mind.
All this should catch you up to mid-October 2022 in Alley Oop’s story. If you’re reading this after about December 2022, or if any Alley Oop news breaks, there should be an essay here of more use to you. In the meanwhile, let’s go messing with the time stream again some.
25 July – 8 October 2022.
A new, futuristic city appeared in Moo, with skyscrapers popping up daily. Newly-elected President Krash sees this and runs fast. Alley Oop and Ooola are left to investigate.
The settlers are from New Cleveland, from the overpopulated world of 2155. A weird portal popped up there a couple days ago. They’re taking the chance to go somewhere there isn’t a waiting list to see the sky or get on the sidewalk. A quick trip to 2155 to see overstuffed cities in a world with 100 billion people convinces Ooola and Alley Oop there’s maybe some justice in their fleeing? It’s not like Moo doesn’t have empty space?
They take the issue to the Moovians. Moo is, unfortunately, a very new democracy, and it’s filled with people. The community meeting to discuss what to do winds around some very Springfield/Pawnee doddering. That’s when Doc Wonmug pops back in from the 21st Century, promising to fix whatever problem they’ve got now. He snags some toys of his childhood and using some Time Cube-like technology sends the settlement to the seventh-and-a-half dimension. Somewhere beyond normal perception, at least.
Wonmug then pops into the year 2155 to figure out why the world is so crazy overpopulated. Especially considering that by 2160 it’s not nearly so crowded. By the mid-22nd century humanity managed to overcome every known disease and cause of premature death, so, what could ruin that? And we see some kind of bug hop off Wonmug’s arm and into the soon-not-to-be-overpopulated world of tomorrow. So that’s a bit of a grim joke to end the story on.
With the past, at least, saved, it’s time for a new story. This one started the 5th of September. Doc Wonmug gets to moping about his childhood and decides to go to his childhood home. He ditches Alley Oop and Ooola, somewhere in his past, to find his nine-year-old self. His nine-year-old self, though, has sworn off inventing in favor of visual art. It’s not something Doc Wonmug remembers from his own past. He takes young Elbert forward seven years, to find their 16-year-old self.
This self, Burt, is a snide, sullen teenager. He’s not winning science competition; he’s reading comics. Doc Wonmug can’t figure what’s gone wrong, but Burt and Elbert offer something. Several months ago — to both of them — an old guy came, convincing them that science was a waste of time. Also paying a couple hundred dollars to convince them. But neither can offer a useful description of the guy who bribed them. So — leaving Elbert with his alternate-teen-self — Wonmug goes ahead to find his 25-year-old self.
His 25-year-old self has a lab, as he ‘should’. But it’s not a science lab. Instead, this The Lab a free jazz club. Wonmug could not be more horrified, or helpless. But Benny, sax player for The Lab, recognizes Doc Wonmug as looking familiar. He sketches the familiar-looking person, who has a weekly gig at The Lab. He looks like Doc Wonmug with ‘an evil mustache’. This might be Doc Wonmug from an evil or villain timeline; who of us could say? I imagine we’ll learn in the weeks to come.
The Ghost Who Walks now knows how his rescue of Savarna Devi will bring wrack and ruin to his family — or does he? And he marches on regardless, to save a kindred spirit from an unjust judicial murder — or does he? I’ll summarize the goings-on in Tony DePaul and Mike Manley’s The Phantom (Weekdays) in six days — or will I? I’ll make the attempt at least, yes.