The last couple months of Mark Schultz and Thomas Yeates’s Prince Valiant have been about freeing people from a witch-hunter. The catch is that in the Prince Valiant world there are witches. And people have good reason to be afraid of them. A couple months ago we saw Morgan Le Fay bring a flood to London, killing dozens, for her (and Valiant and others with them) to escape. This story we saw witches call down asteroids from the skies to kill their would-be tormentor.
So this is what has me angry. It’s the same thing I can’t swallow about the movie Hocus Pocus or certain episodes of Sabrina the Teenaged Witch. I grant the dramatic irony of witch hunters in a world where witches really exist, especially if (as far as we can tell) they go after the completely innocent. But the moral outrage of witch-hunting is people letting their own fears and imagination and prejudices into actual persecution. Make witches real and present and actively working against the witch-hunter, and you have a hard time not trivializing this injustice. I know, it’s just a story. But we have enough trouble with would-be witch-hunters without so many stories building on the idea that sometimes they’re in the right.
All this should catch you up to late January 2023 in Prince Valiant, though. If you’re reading this after about April 2023 I likely have a more up-to-date plot recap here. And there’s still a nice solid story rolling through here, interesting despite my objections.
23 October 2022 – 22 January 2023.
Dialyodd the witch-hunter was about to set fire to Afton, one of a couple women very good at their farm work, just because Aleta, Queen of the Witches, declared her to be under her protection. Yeubar, alongside Prince Valiant’s son Nathan, swarmed the scene with bees. It’s a great opportunity to free Afton in the chaos of the moment that doesn’t work. Dialyodd spots a great chance to burn three devils now. He assures a cautious mob member that Camelot will have nothing to say about burning Nathan.
Audrey, Afton’s partner, does escape the chaos and get back to Camelot. She’s able to summon one cavalry: Valiant and Galahad gallop off to the scene. She also gets another, though. Aleta, Queen of the Witches, tells Maeve and Audrey they have work to do too. While Dialyodd gathers a nice big party together at a megalithic temple (I suppose Stonehenge, though for all I know it could be another ancient stone circle), Aleta gathers ingredients and allies. With Sebel, who I totally know who that is, and Morgan Le Fay they cast a spell calling for the sky to come to Earth, and let like find like.
Valiant and Galahand charge into the demon-burning. Valiant’s taken aback when Dialyodd complains of Camelot breaking its pact with him. Dialyodd claims Camelot agreed to not interfere with his crusade in exchange for protecting the western shores from Saxon invasion. Galahad says if that’s true they should keep the children but leave. Valiant is too angry to care, and attacks Dialyodd. He doesn’t kill the witch-hunter, though. The Orionid meteor shower does it first, sending a meteor through Dialyodd’s heart. It’s a heck of an accomplishment, given that the Orionid meteor shower wasn’t discovered until 1839. (It’s one of a couple meteor showers created by Halley’s Comet, by the way.) If the text is right that these are the Orionids, the story is happening in October, by the way.
It’s convenient to our heroes to have the witch-hunter out of the way. But having the stars fall from the sky to shoot him through the heart seems unlikely to convince people that Dialyodd was wrong. And Morgan Le Fay sneaks out to Stonehenge, finds the stone that killed Dialyodd, and brings it back to her castle. So that might be leading somewhere.
But where that does lead is to this week’s comics. You know now what’s been doing on the last several months, in slightly less time than it would take to read yourself. When I get back to the strip around April we’ll be able to say whether this thread continues, or whether we’re on a new adventure.
Speaking of new adventures, how did that story of the small-time mobster trying to be an actor in a comic-strip-based-musical turn out? And how did it turn into a counterfeit Leonardo da Vinci painting? And did we really get there by way of a furry convention? We’ll get to Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy next week, all going well. See you then.