Color Classics: All’s Fair At The Fair


For today’s cartoon I’m stepping back into the Fleischer Color Classics, with a short released the 26th of August, 1938: All’s Fair At The Fair. The title gives away the subject: it’s a World’s Fair cartoon, and since it was the late 30s it’s a severely Art Deco setting to show off the automated and mechanized world of tomorrow, the one that doesn’t really need people in it.

This is a setting, and a hook to hang jokes on, that’s well-designed for the Fleischer Cartoons: Max and Dave Fleischer had a particular thrill for ingenious mechanisms and gadgetry. Sometimes I suspect they’re a little bothered to have to have characters in their cartoons, and so the automated, people-less World of Tomorrow plays to their strengths. After the initial scenes this is a very empty World’s Fair, with just one country-hick pair of characters appearing at all. I’m not sure the characters even had any written dialogue. The way they mutter evokes the contemporary Popeye style, in which the voices were recorded after animation. But Elmer and Miranda haven’t got the personality of Popeye and Olive Oyl, and Jack Mercer (the voice of Popeye) and Margie Hines (who had taken over voicing Olive Oyl and Betty Boop) couldn’t do much to give them character.

But this isn’t one to watch for the characters. It’s one to watch for gadgets doing things, and for the lovely background and set designs. That works, all, doesn’t it?