Another Note To Consider


So, some good news for a change. Music called, and she turns out not to be angry about what our little band was doing. We’re welcome to try playing again, and Music suggested some good board games. So we got the Monopoly set and put a metronome on it. It turns out the Monopoly snobs are right, the game is really good if you play it in a 6/8 time signature. I lost. Who builds a hotel on Vermont Avenue for crying out loud?

The First No-Show


I really didn’t see that coming. No matter how shaky our rehearsals might have gone — and I’d like to point out we got pretty good at remembering there’s a part of the classic Tin Pan Alley song where you sing “and the music goes round and round and … something … it comes out here”, and that there’s probably other bits of words and melody that go around that — I didn’t see how our first performance back together would work out. I still don’t recognize any of the others in the group.

So. We got out on stage. We were ready, we weren’t too terrified, we knew some music shops where we’d be able to go later and get our instruments tuned up if that turned out to be a problem, and what happens? This turkey pops out on stage — I’m not being retro-ishy and 70’s here, I mean an actual turkey, with feathers and issues with Thanksgiving and everything — and started a safety lecture. Not just about how to get out of the venue in case of fire, either, it was about all the ways you could do yourself harm and how to not do them, with a lot about traffic safety tucked in. We tried nudging him off stage, but he got into this thing about rattling his tail and I know I sound ridiculous but it’s pretty scary, in person, all right? By the time he was satisfied that we’d been properly drilled, our little group didn’t have any time left to perform.

We’re undeterred, or at least everybody else is in no greater state of deterrment than they were before. I still don’t really remember who these people are and I’m pretty sure we’re just making music angry the more we try playing, but we’re looking for the next chance to perform.

Can’t Stop The Beat


So we got the band back together for our first rehearsal, and that went pretty smoothly. I’m really sure I’ve never met any of these guys. They looked at me with the sort of natural, easygoing acceptance you give to a deer that’s in your laundry room. I don’t think they know each other either.

Besides me on the training violin (it still has wheels) we have one guy with a pair of sticks (not drumsticks, just the kind of sticks you might find in the woods ready to poke people with), one guy with a sheaf of ISO 9000 documentation paperwork (according to the label), another with a long-running quarrel with lyrics web sites about how they’re the most awful web sites in the universe (they are), a bazooka (the other kind), and a bass guitar. The guitar isn’t any of ours. It just appeared there, staring, accusingly, possibly warning us that Terpsichore is not happy with us. This is unsettling since it’s so rare that an ancient Greek god would be offended by something humans were up to. Maybe we shouldn’t have mixed her up with Euterpe.

We tried optimistically to play The Beatles’ “Getting Better”, and soon found that we never actually noticed the lyrics before. We’ve had to consign that to the pile of Peppy Beatles Tunes With Lyrics That Actually Horrify You, alongside “Run For Your Life”, “A Day In The Life”, and every other song the Beatles ever recorded except “Twist and Shout” and the theme to “What’s Happening”. (It was a private session.) Actually most of the day was spent on paperwork. Should be a concert for the ages. Still no idea who I’m playing with.

The Band Always Gets Back Together This Time Of Year


“We’re getting the band back together,” said the person phoning me.

“I’ve never been in a band,” I protested.

“You can’t be the holdout! What are we going to do without bass guitar?”

“I’ve never touched a bass guitar in my life. I only ever played a three-quarters scale violin.”

“See?” said the voice. “That’s what gives us that unique Suburban Jersey sound!”

“The only songs I was ever okay at were the theme to Masterpiece Theater and `Memories’ from Cats. And I was never that solid at the part where I have to finger the strings. Or pluck them.”

“It’s `Memory’. That’s what makes us such an accessible sound!”

“Are you sure you have the right number?”

Anyway, we’re opening the 27th in the Loft in downtown Lansing for Aphasic Marsupials and also Made Yer Bows’ Amateur Hour.