Uhm … so far as I know nothing of note is going on with Bill Schorr’s comic strip The Grizzwells. It seems to be just fine. Haven’t heard anything about it being cancelled or changing syndicates or anything. Haven’t heard anything about it changing artist or writer. Nor about it changing the premise any. It’s just I’ve learned that I get a lot of readers who want to know what’s going on with some comic strip or other. So, yeah, I’m weak. I like the strips where the rabbit turns up. He’s named Warren, which seems like it ought to be inevitable. The porcupine is named Pierpoint, which is kind of inevitable but not so much so as to stand out.
But yeah, it’s just carrying on like normal like it’s been since … wait, since 1987? Really? This thing’s been going on since like Star Trek: The Next Generation was new and we were telling ourselves no, this Ferengi episode really was as good as we needed it to believe it was? Huh. Oh, and before The Grizzwells, Bill Schorr did a comic strip about a frog who fools the locals into thinking he’s an enchanted prince. I like that premise but I can also see why it didn’t quite last four years in syndication. Ah well. Also wait, so Bill Schorr rates a page on Wikipedia, and the comic strip Conrad that ran from 1982 to 1986 rates a page on Wikipedia, but The Grizzwells, which has been running since the aliens trans-reversed Steve Dallas’s brain, doesn’t? The heck? You know?
It’s easy to forget that comic strips that’ve been around since the Battle of Manzikert, puttering on without anyone really liking them, earned their spot by being funny in the ancient past. That’s why I’m glad that Comics Kingdom, particularly, has a rich page of vintage strips so that I can see that Mort Walker and Dik Browne’s Hi and Lois really was … well, hilarious is a bit strong, but at least it was reliably funny in that Mid-50s Sitcom Moderne fashion, back in the 1950s. And the vintage strips allow for the rediscovery of aspects that the strip has dropped, like the number of boardroom jokes at the company where Hi works, or the fear of the god-like computer making decisions for the company. Some recurring gags got dropped because you just don’t do jokes like that anymore, and I’m thinking here of the Chinese Laundry. Chinese Laundry gags were discontinued sometime about 1970, when Racist Joke Command discovered there were a number of people from non-white countries who drive taxis and ordered a switch to joking about that instead.
And then there’s something like this one rerun last Thursday (originally run the 12th of July, 1957), which delights me in many ways. There’s the faint 50s Whitebread Xenophobia, particularly, at the idea of those scary exotic weird moon-man foods like imported tea or bagels or pizza or eggs Benedictus. (Is there anything weirder than running across a late-50s or early-60s punchline that depends on the idea that “eating pizza” is inherently a funny thing to do? Yes: it’s people freaking out at the “long-haired” Beatles of 1964, when they had individual hair follicles reaching out as much as three-quarters of an inch from their scalps.) I should be sympathetic: the 1950s in America were a time when suitable nutrition was believed to be pasty white things boiled into uniform shapeless mush, as seen on the plates of comic strip characters ever since. But she’s scared of tea.
And then there’s also the idea of being dependent on the recipe for a tea. I concede it’s possible for there to be tea that requires special preparation. But I also insist that if you go with “put it in boiling water; after a couple minutes, remove, if that’s what you like. Then put in sugar and milk if you like that” you’re going to be able to make a fairly palatable tea regardless of how finely imported it is. It’s maybe not as safe as making macaroni and cheese from a box, but, it’s still not something risky like making powdered oatmeal.
I guess what I’m saying is, if there is a Peak Hi And Lois this might well be it.
If you weren’t looking for those, Working Daze has carried on its mock history into a Berkeley Breathed 1980s, and then into first a Baby Blues and then a Zits-ish 90s. I’m a bit surprised to see from the comments that this is going to run about another three weeks, and merge into the actual history of the comic strip.