All right, so, wait. I got myself all ready to believe that Gene Mora’s Graffiti has got to be in reruns because at the top it reads “Copyright 2018 UFS Dist. by Andrews McMeel for UFS”. And UFS here is the United Feature Syndicate, which hasn’t been around since 2011. It had sold its licensing over to Iconix Brand Group, whose Wikipedia page claims they could get licensed products into Sears, KMart, and JC Penny’s. So I’m sure these are people who can handle the future of licensed Fort Knox merchandise. And then it sold the rest of itself to Universal Uclick, as part of that stage of pre-revolutionary capitalism where every thing is divided up between the bigger company and the smaller company. So it’s got to be reruns, with the copyright date just changed because somehow they can do that when they reprint comic strips for some reason. And fine. But then I got looking at one of John Graziano’s Ripley’s Believe It Or Not strips from last week.
OK, and that’s also got a Distributed by Andrews McMeel for UFS sticker on it. And that strip talks way too much about quirky oddball news items, printed one lead-time after everybody heard about them, for them all to have been made before 2011. Unless John Graziano’s Ripley’s Believe It Or Not is eight years into the most astounding string of forecasts of future mildly quirky events ever known to humanity and they’re saving that to reveal on the comic strip’s centennial this December.
That or both Gene Mora and John Graziano got like ten thousand “Distributed by UFS” stickers printed up and they’re not going to waste them until they’ve used every one of them up. Or someone at Comic Strip Master Command decided to keep the name UFS around, as a sentimental thing for fans of comic strip syndication companies. Which, all right. So that’s something for me and maybe like nobody else in the world ever.
So in short I don’t know what’s going on with this weird minor comic strip. And if I ever find out, it’ll probably be a little bit disappointing.
I’m neither the first person to notice this, nor is this the first time I’ve noticed this, but Mell Lazarus’s comic strip Momma is going full-on crazy. Consider the entry from the 12th of February, which observes Lincoln’s Birthday with a comic strip that makes you really wonder: why did he sign his name to it in two separate places not counting the copyright notice? Also, what the heck is any of it supposed to mean?
The strip for the 13th is no less baffling, because once again Mell Lazarus signs his name twice plus puts it in the copyright notice, and I’m not sure that the drawings of Momma in the first and last panel are even on the same model. I admit that Lazarus’s style has always been so loose that it’s hard to say when someone is quite off-model, but … I honestly wonder if the strip isn’t being assembled from reprints of past scenes that more or less fit the script. It would explain the setting jump from Francis on the front porch to Francis lounging on the sofa holding a beer between panels.
Also, why does his dating in the lower right corner smudged, like he changed his mind about the date?