Comic Strips I Just Don’t Have Enough Time In My Life To Spend Any Of It Reading


I know this is going to be my most controversial list ever but I must report what is true.

  1. Mallard Fillmore.
  2. Those Sunday Pearls Before Swine strips where it’s 40 panels of endless word balloons to set up the characters in the last panel telling the cartoonist he should get a real job instead of writing puns.
  3. Any strip trying to do the “Who’s On First” routine with band names that hasn’t noticed the whole premise crashes when you remember they’re The Who, and for that matter The Guess Who.
  4. Any strip doing its own version of I Am The Very Model Of The Modern Major-General. Also any non-comic-strip doing its own version of I Am The Very Model Of The Modern Major-General. We have all that we need for what we’ve been doing.
  5. Zack Hill.
  6. Any strip that’s zinging Modern Art and how it’s all these non-representational paintings and display fixtures that look like clutter.

Another Blog, Meanwhile Index

The index dropped four points in trading that just went to reinforce everyone arguing that everyone and everything is doomed and will never be any good again which, remember, was set off by people noticing this is the highest the Another Blog, Meanwhile index has ever been. It’s enough to make you wonder if there’s any gratitude in the world anymore or has it always been like this? Don’t answer, those who remember whether it’s been like this.

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Ian Shoales: What I Like


Ian Shoales has this attitude that could be sneering and cynical without being nihilistic, and if that weren’t a neat enough balance, a prose style that just invited me to keep following sharply-crafted sentences to punchy ends. I knew comic writing that was gut-wrenchingly funny; but this could be gut-wrenchingly funny and incisive, occasionally with gripping insights (as in one essay about movies and their intended audience, which just tossed off a hypothesis about why Dracula might be the perfect subject for movies). Coming off Dave Barry or old Bob Newhart albums — and those aren’t bad things, especially for the era I’m speaking of — this was a discovery.

But he had a generally useful lesson even for people facing huge content holes, said most explicitly in an essay that was way too long to include in this little Ian Shoales Week: you do not owe your thoughts gratitude for occurring to you. This may sound particularly cranky, but in context, it amounts to a lesson of expectations. Demand better ideas out of everyone, yourself included. This encouraged a little tradition of self-doubt in me, one I still feel, especially of any writing that seems to come too easily: was I demanding enough of my creation? I inevitably end up publishing stuff that I suspect I could do better if I worked harder at it, but he did push my default to working harder.

I mention Ian Shoales’s sneering because it does look like his most prominent characteristic, especially if you watch the videos he used to do for World News Now and, before that, Nightline. But the character was never all bitterness and rage, and here’s an essay that gathers together a lot of the things that he liked, and that, as far as I can tell, he still likes. It’s a good reminder for people who want to write in comic crankiness: even cranky people have stuff that they enjoy, and that can anchor a character very well. Although, Randy Newman? Really? Huh.


What I Like

I know you people out there are mighty grateful to me for setting you straight on issues of cultural importance, and I’d like to thank you in turn for all the letters I get —

All right, it’s just one letter, a thankful letter from Maryland, who likes my incisive comments but thinks I spend too much time on sarcasm and not enough on constructive criticism. This kind soul is worried about my emotional health and recommends, among other things, that I read the Findhorn Garden Book and take up horseback riding.

In response, let me say that I enjoy sarcasm, but I don’t enjoy horses or gardens. Horses and gardens are large and lumpy, and you have to go outside to appreciate them I don’t go outside until the sun’s set, that’s the way I am. It’s my responsibility to say No in a world that says Yes to every lame idea that comes down the pike. It’s my destiny and my joy to tear down without building up.

But to make you feel better (I feel fine), let me share with you a few of the things I actually like about the modern world.

I like strong beer. I like animated cartoons — not those Oscar-winning political allegories from Hungary, but real cartoons with fuzzy animals trying to kill each other in cute ways. I like electric typewriters and answering machines; I like any machine I can turn off. I like the novels by Elmore Leonard and Thomas Pynchon. I like good sex if it doesn’t last too long. I enjoy playing video games with other people’s quarters. Like most Americans, I enjoy being afraid of Cuba. It’s a harmless fear that makes America feel better and Cuba too. Cuba gets an inflated sense of national worth from the weight of our paranoia. I like getting large checks in the mail, especially if I’ve done nothing to earn them. I like the aroma of popcorn and women who like to hear me talk. I like to laugh at dogs. I like to call toll-free numbers and chat with the operators. I like phones that ring instead of chirp, clocks that have a face, Audie Murphy westerns, duck à l’orange and onion rings, old movies on television, and every tenth video on MTV.

Reggae music, Motown, and the songs of Randy Newman are an undiluted pleasure. I like the way rock singers pronounce the word baby — Bay-Buh. Bay-Buh. It never fails to amuse me. These are a few of my favorite things — about all of my favorite things. Make me feel real loose like a long necked goose and — o-oh bay buh — that’s what I like.

        — Reading my mail, 1/28/83