How Angry Should You Be About the _Crankshaft_ and _Funky Winkerbean_ Stories Not Being Done YET?


I’m not sure if I’m more angry or exhausted by both of Tom Batiuk’s comic strips. In Funky Winkerbean we’re entering the 412th week of a story where Holly Budd Winkerbean tried to do her old flaming-baton-trick at homecoming, only to get injured. Unlike in the classic wacky days of the comic strip, where she’d get set on fire, this time she slipped on the rain-slicked grass. So she’s being treated for all the fun injuries you get when you fall and are 300 years old. That thing where it turns out if you did slapstick in reality it would hurt. Great revelation there.

Meanwhile in Crankshaft a reporter we’ve seen, like, once before is asking the vulture capitalist firm that took over his paper sold off all the assets while laying off all the employees, leaving behind something unable to function. This story of a reporter unaware of what vulture capitalist firms are for is being treated like it’s this era-defining story in which the thing we’ve all known is wrong finally gets a name and a face.

I try and read the comic strips I like, and stop reading the ones I don’t. And I just don’t know how these stories are still going on. I’m having a hard enough time. If they want to do stories I don’t like they can at least get done faster, so we have more of them.

Anyway so, without knowing anything specific about you, I recommend being angry at some level between 4.75 and 5.45. I’d like to think either story will be finished soon. But the ending of any Funky Winkerbean opens a chance for a Les Moore story to start.

In short, harrumph.

Why Do Crankshaft and Funky Winkerbean Look Different?


They have some new artists. Tom Batiuk recently announced that Chuck Ayers, who’d done the art for Crankshaft and pencils for Funky Winkerbean, is leaving to do “other things”. I haven’t seen anyone say what those things are; I hope they’re personally rewarding things. Also, I had no idea that Ayers was doing the pencils for Funky Winkerbean. I had thought that Batiuk drew the whole strip, except for well-publicized guest-artist events or when he’s had to focus on medical care instead.

Dan Davis, who’s worked on a bunch of comic books and pencils for Garfield, took over the art on Crankshaft starting with this Sunday, the 2nd of April. Rick Burchett, who’s won two Eisner awards, is to take over penciling for Funky Winkerbean starting with the Sunday, the 25th of May.

Ayers is, according to Batiuk, not leaving the Crankshaft world altogether: “Chuck and I will still be working on selected story arcs down the line. This is one of those rare examples in life of being able to have your cake and eat it too, and I couldn’t be happier as I move forward on Funky and Crankshaft with these titanically talented artists.”

King Features’s press release about this consistently spells Ayers’s name “Ayres”, which seems like the kind of joke we’d make about Crankshaft and Funky Winkerbean.

'Tom Batiuk Picks New Artists for His Comics', announcing the retirement of Chuck Ayres [sic], whose name has been spelled 'Ayers' on the comics page for years now.
King Features’s press release on the new artists for Crankshaft and Funky Winkerbean. I know this wasn’t the snappiest title I’ve ever given a piece, but I know what people look to me for, and it’s explaining that sometimes a comic strip gets a new artist.

In still more comic strip talk, my mathematics blog etc you know the rest. Thank you, won’t you?

Another Blog, Meanwhile Index

The index rose eight points which some analysts are crediting to the traders remembering for once to say “rabbit, rabbit” first thing the 1st of the month. Some even said “rabbit, rabbit” the first thing Monday as the start of the working month, which started the usual squabble about what they’re doing on the weekends, then. Good question. It fully deserves an answer.

129

%d bloggers like this: