What’s Going On In Prince Valiant? What does Morgan Le Fey have against Prince Valiant? July – September 2021

I don’t know. She’s Morgan Le Fey, she’s got a lot of projects going on. Unfortunately I’m not a devoted enough Prince Valiant reader to know what all their past history is. She had some roles in very early, 1930s, stories. Here are some panels from some of them. I can say Valiant was part of foiling her plan to marry Sir Gawain. I don’t know if there’s more.

So this should catch you up to late September in Mark Schultz and Thomas Yeates’s Prince Valiant. If any news about the comic strip breaks, or if you’re reading this after about December 2021, there might be a more useful plot recap here.

Prince Valiant.

4 July – 26 September 2021.

I foresaw last time that a new story was starting. It starts uneventful, with Valiant finding an inn to rest. But his arrival’s reported to a mysterious hooded, feminine figure. He drinks from a pitcher the figure had enchanted. And Valiant falls over, hallucinating, finding himself in a fairyland of legend. Past and future: the first panel includes the White Rabbit of Wonderland fame.

Mark Schultz and Thomas Yeates’s Prince Valiant for the 1st of August, 2021. I was tempted to link instead to the previous Sunday’s installment. It did a wonderful bit of the panel borders turning into great arches, a wonderful visual depiction of the world going mad. But this is more representative of what Valiant was going through. I notice that the White Rabbit appeared in the previous Sunday’s panel. And this strip includes the word ‘Chortle’, introduced to the English language by Louis Carroll. I don’t know if that’s coincidence or a little joke aimed at … me and only me.

We get several gorgeous weeks of fairyland artwork. I’m sorry I can’t justify including all of them. I never say enough about the art but it’s wonderful looking at.

Less wonderful being in; Valiant’s outmatched in a battle against everything in the world. Also the world, which swallows him up. He sees ravens, and cries to them to tell his wife Aleta. She, a witch with affinity for ravens, suddenly wakes. But she doesn’t get back into the story before the Kraken drags Valiant into the underwater throne room of the Queen of the Fairies.

Mark Schultz and Thomas Yeates’s Prince Valiant for the 19th of September, 2021. So first, this week’s revealed I had just assumed Morgan Le Fay was a fairy queen or some kind. I mean, it’s kind of in the name, right? I don’t know the Arthurian legends. Closest I get is I last saw The Sword In The Stone like 20 years ago and was annoyed that all Merlin’s dialogue, about the need for intelligence and planning and cleverness, was undermined by every bit of plot activity, in which Wart/Arthur gets saved by dumb luck and powerful friends and never does a witful thing. Second, yeah, I don’t know what Aleta is going on about Valiant behaving badly. All he had done to get into this fix was go to an inn for the night and drink water the innkeeper offered. Maybe they’re talking bigger-picture stuff.

“Wait,” you ask. “The Queen of the Fairies lives underwater?” Yeah, I don’t know either. But Valiant recognizes her. She’s Morgan Le Fey, from the time of King Arthur, just like he is. And from the waters rise Valiant’s Singing Sword, held by Aleta, who demands Le Fey release her husband. Instead, Le Fey transforms Valiant into some great sea monster, sending him to devour his wife. So that’s exciting, and we’ll see how that works over the next couple months.

Next Week!

What connects time-travelling camara drones, a stolen memorabilia collection, the kidnapping of the Moon Maid, and the murder of Tess Tracy’s father? They’re all things I need to understand when I recap Joe Staton, Mike Curtis, Shelley Pleger, and Shane Fisher’s Dick Tracy next week, if all goes to plan. We’ll see what happens.

Investigatory Dream

Another night full of a strange dream. Part of it was about dealing with flooding in my parents’ basement that included waves with whitecaps huge enough Popeye was having trouble with them. Part of it was having to testify before a Congressional committee about how Fantasy Island‘s commissioned-LARP business model made more sense than learning the secret desires of the fabulously wealthy and blackmailing them. I wasn’t sure myself but speculated — clearly marking it as such — that the Fantasy Island project was partly in support of local theater programs. I’m not sure that it was, because the economics of it didn’t seem to make sense. But, I mean, the alternative is that Ricardo Montalban’s Mr Roarke was secretly one of the fae folk. Does that really make more sense than trying to work out the Fantasy Island project’s books? Yes, probably so. Everybody’s had that idea too. But for some reason you can’t just come out and say that in front of a Congressional Committee. A Joint Congressional Committee, maybe. Really, I wasn’t at my sharpest while dreaming.