60s Popeye has Childhood Daze


There’s a fairly new syndicated newspaper comic strip, created by John Kovaleski. It’s a pleasant strip about a single father and his baby, and sunk a bit by its name of Daddy Daze. “Daze” is the inevitable pun for anyone wanting to make something with the shape of a pun on “days” and I don’t know that it helps. Maybe they’re aiming at a market which I am not in. Anyway, here’s the 1960 Popeye cartoon Childhood Daze.

I knew from the video’s thumbnail that it would involve a baby-size Popeye. The opening credits give us that it’s Larry Harmon-produced. The animation director’s Paul Fennell. The writer’s Charles Shows. Shows also had writing credits on Muskels Shmuskels and Foola-Foola Bird. These cartoons had decent enough premises and stories that mostly made sense. My expectation by the end of the credits was that it’d be a fair cartoon, maybe stiffly animated, with a dotting of weird little bits along the way. Also that the animation would probably be pretty stiff, and since it had a new model for Popeye, it wouldn’t have any really good bits. The mystery would be how to get a Baby Popeye.

The answer’s early on, as we visit the daringly mid-century modern home of Professor O G Wotasnozzle. Wotasnozzle’s a character from Segar’s other gig, the husband-and-wife strip Sappo. Wotasnozzle with his wacky inventions turned their boarding house premise into something where goofy weird things happened. When Sappo faded out Wotasnozzle transferred over to the main strip, a minor character who could set off some nice nonsense. For some reason Famous Studios never did anything with him, or a lot of the weirder Thimble Theatre cast. The King Features cartoons brought him out and for just this sort of thing: want to make Popeye a baby? A caveman? An astronaut? Six inches tall (I’m guessing, but I’m probably right)? Wotasnozzle can make it happen.

And that’s basically what happens. Popeye, Olive Oyl, and Brutus are gathered at Wotasnozzle’s place to see him turn a chicken into an egg. Does it work on people? Let’s find out. Brutus volunteers, specifically he volunteers Popeye. It’s a dumb gag, and yet one time in high school my geometry teacher let me get away with that when he was looking for a volunteer to go to the board. I am truly sorry, Larissa. I should have realized he’d go with the gag.

So we get a Baby Popeye out of the little slot for stuff that’s gone through the Atomic Youth Machine. (I saw Atomic Youth Machine open for Presidents of the United States of America in ’98.) I’m curious how Wotasnozzle figured an ‘adult’ or ‘teen’ or even ‘child’ human would fit in that output slot. I guess he really had not thought through whether this thing would work on humans.

It’s taken two minutes, of a five-and-a-half minute short, to get Baby Popeye. That seems like a lot of time watching characters stand still and blink. Olive Oyl’s shocked that the Atomic Youth Machine, that she’s just seen turn an aged chicken into a chick, and that was set to make Popeye into a baby, turned Popeye into a baby. Thus we see the difference between understanding the proposition that “this will turn someone into a baby” and believing the proposition.

Olive Oyl holding up a Baby Popeye, who looks like regular Popeye with shorter arms and legs missing underneath a skirt.
The reboot of Tod Browning’s Freaks went in surprising directions.

For as simple as the premise is there’s stuff I don’t understand about it. Like, do the adults understand what Baby Popeye is saying? Popeye talks back to Brutus at about 2:20, and Brutus doesn’t really respond. But it’s not like these cartoons usually have tight dialogue. And for much of the cartoon Olive Oyl and Brutus talk about Popeye as if he’s not there. The one time there’s definite communication is Olive Oyl responding to Popeye’s cries to be fed, but that’s something any kid could ask for. Other than asking for spinach, I mean.

There’s a bit at 3:05 where Brutus is spanking Popeye. Or, talking about spanking Popeye and in the pose where he would be spanking, with Baby Popeye crying. But there’s no actual movement on Brutus’s part. Did the censor not allow them to show spanking or were they saving on the animation budget? Also baffling: why is there a long red carpet in Wotasnozzle’s house?

This is a disappointing short. After we get a Baby Popeye he doesn’t do anything. Olive Oyl doesn’t do anything. (After he introduces the premise Wotasnozzle doesn’t do anything either, but that’s kind of his thing.) Brutus at least rolls him up into a basketball and tosses him through a hoop that Wotasnozzle has inside his house for some reason. But Brutus could do that anyway, before Popeye gets riled enough to eat his spinach. Also every time we see Baby Popeye being held up, he looks like regular Popeye but his legs fell off. I’m not sure what a Baby Popeye ought to do, but standing in lines blinking isn’t it. The obvious thing is to make them all kids and go through their usual nonsense but with kiddie-level attention spans. Or have Olive Oyl and Brutus forced to babysit Baby Popeye while Wotasnozzle gets something to fix the machine and make him an adult again, and Popeye is a difficult child. Or have Baby Popeye get in on Swee’Pea’s world. Something, anything. The premise is better than the cartoon made of it.

What’s Going On In The Amazing Spider-Man? July – October 2017


Do you like superhero stories that have a good bit of that Silver Age flair? I mean the melodrama, the plots that get a little goofy but are basically delightful, the stories that touch on serious subjects but avoid being dire or grim, and the resolutions that turn on some crazy fairy-tale logic. So I am, indeed, a fan of Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man comic strips. If you’re reading this, I trust you like this sort of thing too, or at least you find it interesting. Also that you want to know what the current storyline is. If you’re reading this around mid-October 2017 you’re in luck: this essay should be on point. If it’s much later than that, the story might have moved on. If I have a more recent update it should be at or near the top of this page. Thank you.

And if you just like comic strip talk in general, my other blog has some mathematics-themed strips to talk about. Nothing deep this time.

The Amazing Spider-Man.

17 July – 8 October 2017.

I didn’t guess last time I reviewed the Amazing Spider-Man what the next recap would include. If I had, I would have included “the end of the current story”. That story saw Peter and Mary Jane Parker in Los Angeles on one of those comic-strip weeklong getaways that runs twelve months of reader time. They discovered Melvin, the Mole-Man Ruler of the Underworld wants to marry Aunt May. He’s free to do that now that he’s been overthrown by Tyrannus, the immortal Augustulus, last ruler of the Roman Empire of the West. And Aunt May’s partial to it too. And, yeah, the comic strip is its own separate continuity from everything else Marvel-branded. Still, I knew Melvin and Aunt May would have something keep them from getting married. Tyrannus leading an army of subterranean monsters to destroy Los Angeles seemed like a good enough excuse.

Thing is, that was back in the middle of July. I thought there were a couple weeks’ worth of Tyrannus invading. People around Spider-Man foiling the invasion while he’s tied up or maybe unconscious. Melvin accepting his responsibility to the Mole People Or Whoever Lives Down There that he has to go rule them. Aunt May not being able to join because she’s allergic to the Mole Kingdom. (I’m not being snarky there. It’s what kept them apart before.) They haven’t got quite there yet. But it does look like it’s going to wrap up soon? Maybe in a couple weeks? I think?

Well, here’s what happened. Peter Parker told Aunt May and Melvin that yeah, actually, they should get married if they want to. They set a date of “pretty soon, considering we’ve both died of old age as many as fourteen times dating back to the era of King Aethelred the Ill-Advised already”. And they both like James Dean. So they figure to marry at Griffith Observatory, taking the Observatory officials entirely by surprise. Mary Jane’s not able to participate in the plot, as a heavy storm trapped her in a side thread about her publicity tour.

Giant octopus-like tentacles grabbing Spider-Man and the Mole Man. As the tentacled beast descends deep into the earth ... Melvin: 'You can't help ME! Go help PETER PARKER - he must be clinging to a LEDGE up above!' Spider-Man: 'I already took care of HIM, Moley. Now it's YOU I've got to --- oh NO you [the monster] don't! No nigh-brainless brute sneaks up on your friendly neighborhood SPIDER-MAN!' As Spidey wrestles with the tentacles. Melvin: 'I should TELL you --- that's a DECTOPUS. It has TEN enormous tentacles!' And the thing slams Spidey. WHILE LEAGUES BELOW: Tyrannus watches this on TV. 'It's like having a FRONT ROW SEAT --- at the greatest GLADIATOR contest of all time!'
Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man for the 27th of August, 2017. I’m so delighted by Melvin the Mole Man correcting Spider-Man’s misapprehension about the number of giant tentacles attacking him that I won’t even point out Spider-Man didn’t call the creature an octopus or anything that would suggest he was only worried about eight tentacles. It also reminds me of an episode of the Disney Hercules series that they made for some reason, where one of a Chauncey-and-Edgar pair says how they’re being attacked by some giant octopuses. “You mean octopodes,” says the other. “What difference does that make?” “I like to be precise.”

Also taking Griffith Observatory by surprise: Tyrannus, who breaks the promise he made to Kala, his wife, that he’d leave Melvin alone. Kala’s content with having conquered the whole of Subterranea and doesn’t see any reason to bother the Mole Man as long as he’s staying on the surface. Well, not taking them completely by surprise. Peter Parker had spotted one of Tyrannus’s drones sneaking around the night before so he expected some kind of attack. But he figured going ahead with the wedding was the best way to get to the next big scene, and what do you know. A bunch of tentacled monsters grab Melvin, and Spider-Man follows close behind. Aunt May and the minister are left at the Observatory.

Melvin’s points out what an unnecessary jerk Tyrannus is being about all this. And Kala quickly joins Team Melvin, which serves as a reminder of how making false promises to your loved ones will come back to you. She gets the chance because Tyrannus is catching a bit of Old Age. He needs to recharge from the Fountain of Youth. This it turns out is a river underneath Los Angeles. Well, it wasn’t always, but with Tyrannus’s recent conquest of Mole Man’s territories he had the river diverted to Los Angeles.

The captive Spidey and Mole Man are witnesses to a subterranean DOMESTIC SPAT ... Kala: 'You LIED to me, Tyrannus! You swore you wouldn't try to SLAY the Mole Man since he'd abdicated and fled to the surface!' Tyrannus: 'Surely you didn't truly BELIEVE that little white lie, wife! I --- WE --- can never sit safely on our thrones while HE lives!' Kala: 'I already ruled my OWN underground realm --- and I SHARED it with you!' Tyrannus: 'Don't you see? I wanted a kingdom I had CONQUERED! Now, I HAVE one, and I'll make it MINE forever, by EXECUTING the Mole Man and his bewebbed protector!' Spider-Man: 'Y'know, it might almost be WORTH dying just to get away from your CORNBALL MONOLOGUES!'
Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man for the 3rd of September, 2017. I didn’t have a good chance in the main essay to mention but, yeah, Tyrannus’s power base was Kala’s lands that he married into. So once again, all the trouble is being caused by a white guy all cranky that he wouldn’t have succeeded without other people giving him help. We’re never going to have a minute’s peace before we stop letting us white guys have positions of authority, you know.

Tyrannus runs off for the sacred chalice with the line drawn on it so he knows how much youth to imbibe. (It’s always a sacred chalice, isn’t it? They never just need a Wawa coffee mug.) Kala pops out the key to Spidey and Melvin’s handcuffs. She expositions about how he needs a drink or he’ll turn 1500 all at once. And she works out how to extort Tyrannus into giving up his conquest plans. Spidey, glad not to have to come up with a plan, goes for it. Spider-Man dams up the River of Youth before Tyrannus can get his drink. Kala tells the ancient Roman Emperor that if he does invade the surface world he’ll be a murderer. He’d have killed the man she fell in love with.

Again, this is what I like in superhero adventures. I don’t think I would have been happier here if Brainiac-5 put in a sudden cross-company appearance.

Tyrannus sends a flock of subterranean monsters after Kala, Spidey, and Melvin. Unless that should be a “herd” of subterranean monsters. (To be precise.) But his monsters can’t match Melvin’s knowledge of the tunnels. And he’s in a bad way, anyway. Without access to the River of Youth water he’s showing his 1500 years and might even get to be older than Aunt May. Kala gets him to make an Imperial Oath to never attack the surface world again, in exchange for Spidey un-blocking the River of Youth. And this one will count. Merlin the Magician made fidelity to Imperial Oaths a condition of the last Western Roman Emperor’s access to eternal youth. Spider-Man takes a moment to reflect on how this is kind of a weird scene. Tyrannus and Melvin shrug and point out, hey, you’re Spider-Man.

Tyrannus: 'You three - have WON! I vow to never ATTACK you again! As my Queen knows, I cannot break an imperial OATH! Such is the bargain I made 15 centuries ago with MERLIN THE MAGICIAN - in exchange for the secret of ETERNAL YOUTH!' Spider-Man: 'I can't believe I'm HEARING this! You're not only the LAST ROMAN EMPEROR, from 476 AD - with his own PRIVATE FOUNTAIN OF YOUTH - but you got it from MERLIN? You mean, like - KING ARTHUR'S Merlin?' Mole Man: 'Surely you can accept such FAR-FETCHED tales. After all, didn't I hear that YOU got your powers from the bite of a RADIOACTIVE SPIDER? Now THAT'S something I find difficult to believe!'
Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man for the 8th of October, 2017. Careful there, Melvin. Pick too hard at the plausibility of any of the world and the whole superhero universe is liable to cave in. Also, since I didn’t get to mention this above: ‘bewebbed’? I guess it parses, but should it? Are we all okay with this?

And that’s where we are as of today. Also, so now you see why I figure we’ve got to be near the end of this story. They just have to figure out reasons for Melvin to stay underground and Aunt May not to marry him. Then Peter Parker can head off to the next casually insulting scene.

Maybe you notice. I’ve been enjoying this. I guess there’s high stakes here, what with the threatened conquest of the surface world and all by an immortal Ancient Roman. But in truth it’s an endearing small story about people with goofy costumes and funny names messing up each others’ marriages. And Spider-Man even gets to do some stuff, although at the direction of much better-informed people. Which I like too. Newspaper Spider-Man has a passivity problem. But people with a lick of common sense should shut up and listen to the folks who are experts in their field of expertise. And yeah the story has covered really very few points considering it’s been a quarter of a year. But it’s had a good bit of action and humor and very little spider-moping.

Next Week!

We journey back to the land of Moo and peek in on Jack Bender and Carole Bender’s Alley Oop. There was still more mind-control ray gun story to deal with. After that, Alley Oop faces the biggest problem of 21st century humanity: an idiot white guy with money. See you then, in the past.