I’m still figuring to write up some thoughts about the whole Stan Freberg show given the recent listen. I just haven’t had time. So I’ll go for something that ought to be quicker.
I’d noticed a third of the Popeye’s Island Adventures cartoons come out and, hey, it’s only two minutes. That should be easy enough to think about.
Once again there aren’t any credits I can find. I only know the title — Feeling Blue — because of how it’s captioned on the YouTube page.
Eugene the Jeep has another, even bigger role this short than the past two. So I appreciate their attempting to cater to me. I’m curious if this is coincidence, or if the writers like Eugene’s plot-bearing potential. Or if it’s easier to write a mute character in cartoons that have to be dialogue-free. Could be any of this.
There’s no Olive Oyl this short either. Nor is there really a fight between Popeye and Bluto. I’m glad that these cartoons apparently aren’t obliged to have Olive Oyl or, presumably, anyone but Popeye in every short. It can help storywriting to have a template, but it’s a bad idea to include stuff only because the template demands it.
It’s a bit of a weird story. Eugene plants blue spinach(?) in Popeye’s garden. I like the start, partly because it’s cute to see Eugene being unrealistically impatient for his spinach to grow. Partly because it evokes the Pink Panther and the Naked Guy battling over whether the house will be painted pink or blue, or any of the other two-visions cartoons they did. That might be coincidence. (Surely coincidence is that Eugene and Pink are both, basically, mute characters.)
Then it gets weird: the blue spinach grows giantic, and Popeye has some weird allergic reaction to it and ends up with a blue nose. He eats spinach to cure himself, which mostly makes sense when you consider what spinach has done for him in the past, including bringing him back from disintegration. This time it misfire and makes him balloon up to a gigantic blue Popeye who scares Bluto off and … you know, what the heck am I watching? Because this is kind of weird. Not as weird as that 1960s Popeye where he tries to fix a faucet and accidentally floods the world, but still, kind of weird. Eugene fixes things with a banana peel and some Jeep magic and makes a smoothie. Fair enough solution and punch line and … you know, what the heck am I watching?
I should say, I’m not angry at the cartoon or anything. I’m entertained. It’s likable enough. But something in it feels less true to the things I love in Popeye than, say, the snowball-fight episode did. I’m not going to say they’re doing it wrong, or even wrong for me. Like, if I complain I don’t know the rules of Eugene’s magic here? Why would blue spinach turn Popeye blue? Why would eating regular spinach make Popeye blimp out? … Well, I learn what his magic does by seeing him do things. And what possible mechanism for the blimping out could make sense? I accepted his abilities to forecast the future; why not to conjure a pitcher of water into existence?
But I feel uneasy yet. Maybe it’s over things that the animators work out with experience. Maybe it’s over things I need to come and appreciate for this version of Popeye. I think it’s a misstep to have Popeye be the reactive, almost passive, figure in his cartoon, as much as I like to see Eugene driving the action. Mind, that is a problem with almost every cartoon Popeye has ever shared with an animal, going back to the 30s. And I don’t mean to be an Old about this. These cartoons aren’t the ones I grew up loving, and that’s all right. Those cartoons are still available, and don’t seem to be working for a new audience. Worth trying something with a different tone.
Yes, I caught the cameo of the white sailor’s garb that Popeye got put in because the War was on and the national defense needed Popeye to be less interesting. Cute bit.