In Which I Wonder About Slylock Fox and Count Weirdly

So Count Weirdly has created a handheld ray beam to alter the genetic code of creatures. Only it has terrible aim. That’s all right. I understand Count Weirdly’s thing is that he doesn’t really have to have a purpose to all this stuff he’s doing. He’s just in it for the kicks.

Count Weirdly's morph gun shoots a beam of genetic code that instantly alteres the anatomy of the living target. Fortunately for Slylock Fox and Max Mouse, Weirdly has lousy aim. What did Slylock see that shows what anatomical change the count had intended to inflict? (A spider's got antennas.)
Detail of Bob Weber Jr’s Slylock Fox for the 17th of April, 2016. The narrator seems sure that Count Weirdly has lousy aim, but isn’t it possible the spider thing was his plan all along? “Ha ha ha, I shall add antennas to the heads of spiders all over the world and none of you can stop me!” I guess the narrator knows his business but it seems like the deliberate spider thing is at least as plausible a plan as some of Count Weirdly’s schemes, considering how he poorly applies things like his holodeck and his timeship. Not included: the six-differences panel in which a poor raccoon has his dinner, an even poorer fish, stolen by a not-poor-at-all bird, while being watched by a mouse, a frog, and a bunny whose states can’t be determined from the action depicted.

So he’s made a gadget that gives you antennas. I don’t want to tell Slylock his business, but let’s think things out here. Of all the insect body parts, the antennas are about the only ones that aren’t creepy or horrible or possessed of a name like “mandible” that I don’t even want to know what it does. OK, an insect antenna can be long enough to be unsettling, but the ones on the spider there aren’t nearly it. So hey, free insect antennas! Why is Slylock dodging this? OK, antennas would make his hat more complicated. And I agree his hat is an important part of his style. But isn’t having to work out a modified hat policy a reasonable price to pay?

Hans Richter: Ghosts Before Breakfast

If I speak of that German sense of whimsy it mostly sounds like I’m making a mild ethnic joke. But there is such a thing and for today’s movie I’d like to offer Hans Richter’s 1928 dadaist piece Ghosts Before Breakfast. He directed a series of pieces like this — they turn up on Turner Classic Movies now and then — and they’re just magnificent.

It’s vey easy to do dadaist comedy badly because superficially you’d think it’s just a matter of throwing a lot of nonsense together. This is funny the first time you encounter it and boring ever after. If you put together elements that suggest a narrative — even if they don’t deliver — if they tease the audience by being obviously carefully planned and selected to start sharing a story, though, you can get a great piece like this. It’s whimsical, it’s funny, it’s difficult to summarize without just describing the sequence of images presented. It has hats.