When last I checked in on the goings-on of Milford school coach Gil Thorp and his band of students it was basketball season. The story was about Aaron Aagard, who’s 46% punchable, 51% charming for a teenager and 3% basketball phenomenon or something. It’s a good enough mix. His problem was he was really good some days, really bad some others, and he’s known to go to raves even in whole other towns. Some teammates overheard he was “taking Molly”. My “hep” “cat” informants assure me this is how “the kids” refer to the ecstasy when they “rap” about drug habits. Aagard had promised Coach Thorp he’d clear up their misunderstanding. I predicted it would turn out he was taking his “generically-disabled niece or something” Molly to the raves.
Shows what I know; Molly O’Herlihy is his girlfriend who totally exists and all, he just doesn’t want to show her off because you know how teenage boys are. There’s no group less prone to ostentatious displays of deployed heterosexuality. Thorp tells Aagard’s teammates to stop trying to figure out his deal, so they continue trying to figure out his deal. They have a breakthrough when they realize Aagard lives in an apartment far below his mother’s standing as an actuary. It’s good thinking on their part. Any mathematics major who’s bought his department’s propaganda will tell you how actuaries are just rolling in cash. If I ever need a quick 25 grand I just have to walk down to the business district and mutter about how I’ve got an advanced degree in mathematics and then, like, Jackson Life Insurance supposes I might be an actuary and they should pay me something just to be safe.
Coach Thorp, roused into something like action, checks in on Aagard’s mother. She’s not even actuarying, just doing bookkeeping for a couple small businesses. Aaron Aagard, deploying the sort of pacing that indicates he thinks he’s the charming star of an occasionally-serious three-camera sitcom, explains that the problem is not drugs. It’s drugs. His mother’s opioid habit. So he does well when there’s enough money in the house for, like, food and all. This leaves Thorp some unpleasant responsibilities. Thorp tries to figure out what he can do without screwing up Aagard’s life all the more. It’s not like he can even just pass Aagard some money to get groceries without inviting a world of scandal. So he covers where he can, inviting his student for one-on-one dinners in public areas.
After being fed enough pie and I’m going to go ahead and assume cheese fries, Aagard consents to turning his mom in to the Actuary Police. Before she’s taken off to answer sumptuary charges of living beneath her actuarial station she gets to see one last, and first, basketball game starring Aaron. Pressured, he has a lousy game, at least until Thorp points out that as a person with advanced mathematical skills and training, Tina Aagard completely lacks the ability to tell whether a basketball player is doing well or badly. I agree, although the boo-ing from the rest of the audience might clue her in. Anyway, with that reassurance Aagard finishes up decently and goes into foster care with one of the teammates who did so much to change the set of hassles he’s dealing with.
Got to say, honestly, I did enjoy the story. I’m snarking about it because it’s more fun to recap stuff with a little silliness. The pacing was decent, the star was appealing, and Thorp got to be charmingly exasperated with the kids who insisted on figuring out what Aagard’s deal was. And the underlying problem was credible, and that the characters were stuck in their situation made sense too. It wasn’t anybody being stupid, just, stuck over their heads in a situation that just grew bad.
April started softball season. Its plot starts with student reporters for the Milford Journal discovering the school board’s vice-president way padding his expense accounts and he gets all angry at them for doing this. I understand. When I travel for work I live in fear the company’s going to decide I’m indulging my hedonism at their expense. And I fly United. Meanwhile in sports, transfer-student pitcher Ryan van Auken reveals that he’s handled his anger issues by putting that energy into having a large face. That’s been about all the time we’ve had for this story so far, so I don’t figure to predict where it might be going. When there’s updates, I’ll pass them along. Thank you.
Another Blog, Meanwhile Index
The index fell two points over wait Princess Lolly of Candy-Land was removed from office when Queen Frostine became a Princess herself ? Also there was a Princess Lolly? Also wait, since when are there even characters in Candy-Land? What do you mean since 1984? What is with reality anymore? What?
With Judge Parker last week I’ve wrapped up all the syndicated story comics that have had major changes in the writing or art staff recently, by which I mean within like the last five years. But there are more story strips out there, and chatting with my Twitter friends suggest people find them baffling. Plus, what the heck, these pieces are popular.
I want to share a bit about a piece of art that did that most precious of things: make a lifelong (so far) change in my attitude about something. It wasn’t Gil Thorp. It was this high school comedy/drama called Ed. One episode Ed was trying to help a bright student get a scholarship, and needed just a slightly higher grade in gym. Surely his colleague would help him help out a bright kid who just didn’t care about phys ed, right? “Yeah,” said the coach, “because it’s not like I’m a real teacher or anything.” (Something like that, anyway.) It stung Ed, and it stung me, because the coach was right. I’d sneered at gym class, mostly because it seemed to be 86 weeks per year of Jumping Jacks Only More Boring and twelve minutes of things someone might actually do, like softball or volleyball or archery or stuff. And because even as a kid I had the dynamic physique of a medieval cathedral, only with tighter hamstrings.
But the coach was right. If school has a point it’s to make people familiar at least with all the major fields of human endeavor. And being able to be healthy and active is part of that. It’s as real and serious a subject as the mathematics or English or arts or science or music classes are. (In the episode, Ed came back humbled, and the gym teacher allowed the student to earn the “needed” grade by doing extra work.) And that’s stuck with me. I may not much care for sports, but that’s my taste. I should extend to it, and its enthusiasts, the same respect I give enthusiasts for other stuff I’m just not into.
Gil Thorp has not changed my attitudes on anything important nearly like that. The comic strip — which dates back to 1958 — has been written by Neal Rubin since 2004 Wikipedia tells me. It’s been drawn by Rod Whigham since 2008. So they’ve got the hang of what they want to do. There are other comic strips set in schools, such as Jef Mallet’s nearly joke-a-day Frazz and Tom Batiuk’s continuity-comedy-bathos Funky Winkerbean. But this is the only story strip that I guess gets into newspapers that’s set in high school. It’s also the only sports-themed story strip, and one of only a few remaining sports-themed comics at all. Why this should have survived and, say, Flash Gordon didn’t I don’t know, but what the heck.
Rubin and Whigham have a pretty clear idea what they want to do. Pretty much every season of the year has a story about the season’s appropriate sporting activity. One or two student-athletes, often new people but sometimes characters who were supporting players previous years, dominate the storyline. They go through some shenanigans trying to be students, or athletes, or teens. The important thing here is that they are teens, and even smart teenagers are kind of dumb. Eventually they’re dumb enough that Coach Gil Thorp has to call him in to their office and explain to them to knock it off, which they mostly do. On to the next season. Often the starts of one storyline reappear as supporting players in later storylines, for a year or two. This implies Rubin and Whigham keep careful continuity records so they know when each student entered the school, what they played, how they were doing, when they left and under what circumstances. I admire the craftsmanship involved.
Dumbness is important. The Gil Thorp kids don’t tend to be stupid in malicious or obnoxious ways. Just dumb in the way that people who aren’t used to thinking through the situation are. For example, a few storylines ago the problem was one of the athletes getting the idea in his head that ADHD medicine would help his performance. So he pressured one of the kids who has Attention Deficit and Hyperactivity Disorder to share his medicine. After resisting a while, the pressured student starts passing along … aspirins with the name filed off. The kid buys it. It’s the sort of thing that you do when you grow up thinking you’re in a sitcom filmed before a live studio audience and this is the sort of thing that makes the tense audience gasp and then applaud. When Thorp finally found out, he suspended both, on the correct grounds that they were being dumb. Well, that one was trying to get drugs off another student, and that student was passing him drugs, even if harmless ones.
That’s pretty much the way things go, though. There’s kids puttering along into mostly minor scrapes, as followed by updates in-between sporting events. There’s a developing crisis in which Gil Thorp is finally pulled into the storylines of his own strip to tell everyone to knock it off. And there’s the steady beat of how the team finishes the season in football (in the autumn), basketball (in the winter), softball (in the summer), and whatever sport catches Rubin’s fancy (in the summer). Sometimes it’s the boys’ team that gets the focus, sometimes the girls’. Sometimes the story involves trading off the focus. Now and then the teams get into the playoffs, or as the dialect of wherever the school is has it, “playdowns”, sometimes they fall short. They do well enough that nobody really calls for Thorp to resign. Perhaps they know that would end the comic. Or end their part in it, since he’d presumably go on to some other high school to sort of coach.
There will be surprises. 2016’s spring storyline grew to encompass all summer when one of the students was hit and killed in a messy, stupid car accident. Given the genially dopey nature of what had been going on before, a dose of actual blood was shocking. It scrambled my expectations. Good that I could have expectations and that they could break them in a credible way.
So, the current storyline. It’s about new basketball team star Aaron Aagard. He’s a solid player, a good student, charming in a weird way. At least he’s trying to be. I don’t know how you feel about 17-year-olds who make excuses to juggle. Anyway, that’s all on his good days. On his bad days he’s distracted, unconnected, and maybe falling asleep. Perhaps he’s just exhausted. He goes to raves, even on school nights, which is the sort of low-key scandalous behavior that fits the Gil Thorp worldview.
Maybe a bigger problem is some of his teammates overheard him talking about “taking Molly”. They believe that’s slang for ecstasy. Maybe it is. I don’t know. I’m what the hep kids call “a square”. So while I don’t know I’m willing to accept that any otherwise unaccounted-for word is slang for ecstasy. The kids think it over and after Aagard has a couple more unreliable days they pull the coach in. This seems early. The story only started the 12th of December. Maybe the story’s going to spin out in stranger ways. Maybe they want to start softball season early.
Aagard said if he could just have a few days he’d clear up this whole “taking Molly” thing. That’s again the sort of dumb thing you do if you think you’re living in a three-camera sitcom and setting up a big reveal that Molly is your generically-disabled niece or something. Thorp seems to have gone along with that, which is dumb. Unless Aagard explained stuff off-panel and clearing this up is about explaining it to his teammates. Which I expect, but could be wrong about.
Someone on, I think, the Comics Curmudgeon blog found there actually is a region of the United States where the high school sports postseason is called the “playdowns”. I forget what the region is. But, hey, I’ve been places where they label water fountains “bubblers”. I can take “playdowns”. It says something about Rubin’s determination to stick to a specific kind of craft that he’s holding on to the term “playdown”. Nobody would complain if they switched to “playoff” like everybody else says. People would stop making jokes about the comic’s little weirdness in saying “playdown”. Rubin’s decided the comic strip will be what it is, even if they’re made fun of for it. That’s an important thing to take out of high school too.
Another Blog, Meanwhile Index
The index dropped five points as traders reported a night of unsteady, broken sleep, constantly interrupted by thoughts of Donald Trump and the theme song to Vacation being stuck in their heads. The editorial staff extends their deepest condolences.
Maybe you weren’t tempted anyway since high school contains so many high school memories. But based on a leading dream I just had, high school has gotten more worse than you imagined. For one, everyone insists on doing these interactive exercises instead of just letting you sit quietly in your seat and wait for college, where you can sit quietly in your seat and wait for grad school, where you can sit quietly in your seat and wait for student loans to come due, where you can sit quietly in your seat and weep. No, now you have to go up to the board instead of sinking underneath your desk.
Second, your physics teacher isn’t that kind but slightly odd Mister Gregor, with the huge backlog of Starlog magazines he’s trying to get someone, anyone, to take for the eighth year running. Instead he’s comedian and voice acting legend Stan Freberg, who remembers you very well, possibly from that time you had a report due on space. He’s just going to introduce you to the entire class, you know, and point out what an outstanding student you were and how glad he is to see you back, and you’re going to face the collective scorn of dozens of 16-year-olds who don’t want to hear about masses on springs and certainly don’t want to hear about how good you were with them.
Third, after you get back from the bathroom — now one of those annoying fancy hands-free ones where the toilets don’t work until you awkwardly shuffle back and forth, and then they don’t quite really flush, and the faucets don’t notice you at all until you punch them, which your middle school principal for crying out loud watches without comment — you’re going to get called right back into the classroom experience which is not about the masses on springs you thought Mister Gregor Stan Freberg liked you doing.
No, what this project is all about is going up to the board, one of those agonizing super-incredible touch-screen thingies that responds and draws stuff far beyond your ability level, the kind cable news channels keep buying instead of paying for reporting. And Mister Gregor Stan Freberg wants you to draw a cover for an impossibly complicated science fiction/fantasy novel and won’t take your excuses that you missed the entire description of the novel and you can’t even draw a tree without your drawing pointing at you and laughing as excuses. “You’ll be fine,” he says, “You’ll inspire the students,” one-seventh of whom agree in a shrugging groan.
Fifth (fourth was that you’re picked as inspirational) when you do try drawing, sure, the magic cable news screen takes your little scribbly Y thing and turns it into a great rendition of a tree, and turns your little scribbled Ewok-y figures into fur-perfect renditions of the ranwor-level hunters of the Culakly tribe from Ageli, the fourth planet orbiting Iota Librae, but your efforts to catch the moment before the klent-lead conspiracy sets ablaze the ceremonial dousti tower leading up to the top of the sacred grove is foiled when the picture springs to life and the entire dousti burns before your eyes, though not those of the class. At least, you think that’s what he wants you to show because Mister Gregor Stan Freberg insists on mumbling the plot to you no matter how many times you tell him you can’t hear what he’s saying.
Worse, while the fire and panic wouldn’t be a bad idea, the scene catches almost dead-center the 1988 silver Chevy Celebrity of one of the production assistants from the movie based on the book, which just ruins the scene because a Celebrity looks like what you put in the scene to later be replaced with an actual car, and you can’t get the monitor to take a reverse angle. In fact you look foolish ordering the screen to reverse view, and one of the xiple-beasts clearly snorts at you before running off to the trumia-bushes.
All Mister Gregor Stan Freberg offers as advice is to whisper to you that the name of the novel is something like “Cumumburumbubmlemun” and that you should figure where to set the title for best aesthetic value.
Overall, the lesson is: don’t go back to high school. You’ll look like a total drell.
It isn’t that I was deliberately avoiding them, or that I was particularly avoiding social gatherings where they might be shown. It’s just that it was very, very important that I watch a videotape of The Wrath Of Khan 316 times while I was still in high school, just in case it changed on us all or something. Sometimes I’d have to watch it two or three times in a night, but I think you’ll agree the effort was worthwhile.