What’s Going On In Gil Thorp? April – July 2017


Greetings, high school-ish sports-like fans. If you’re looking for a recap of what’s happening in Neal Rubin and Rod Whigham’s Gil Thorp good news! You’re in a reasonably right spot. If you’re reading this much later than July 2017, then there’s a good chance they’re on to a new story and one that I might have recapped yet. The most recent essay describing plot developments should be at or near the top of this page. Thanks for reading and we’ll see you not in the playdowns.

Gil Thorp

17 April – 8 July 2017

Neal Rubin and Rod Whigham’s Gil Thorp typically runs in seasons, matching the major sports seasons. In April it began the softball-season storyline. This featured two plot threads: transfer student Ryan van Auken, who’s overcome his anger issues and large face to pitch rather well, and Dafne, reporter at the school’s Milford Trumpet, uncovering a school board official padding his expense accounts. Now on to the action.

Ryan pitches pretty well, closing out one win. Guys from the track and field team meet up with girls from Central High, who after some trash-talking their sport get into some light dating. And then action heats up when Dafne gets the anonymous tip to ask why it was Ryan transferred from a private high school to the public Milford.

Dafne: 'Sorry, guys. To me, the only thing more boring than Track is Field.' Track and Field Guy 1: 'Hey ... I resemble that remark!' Track and Field Guy 2: 'Can you believe she trashed our sport to our faces?' Track and Field Guy 1: 'Pretty cold. But give her credit --- it's a funny line!'
Neal Rubin and Rod Whigham’s Gil Thorp for the 28th of April, 2017. While I don’t think it’s a funny line, I agree it’s the sort of line that high schoolers will think is funny, so I give it a pass. I will say the comic does, to me, a credible job in making high schoolers sound like high schoolers. Or at least people who could be high schoolers.

She finds the answer: he hit a girl, during an argument, and by the time the scandal shook out he had to transfer. Her editor is interested, but doesn’t think it’s a story they can run, what with Ryan being a high-profile athlete and his victim only being a girl or something. Well, her editor puts it in a better-sounding way: there’s no police report, there’s no charges, their whole idea of what happened comes from social media gossip at his old high school, and that’s not a lot to hang a story that could trash Ryan’s life on. I’m skeptical of the “won’t someone please think of the star athlete’s career prospects?” line of reasoning. I am open to the argument that it’s not obvious that whatever did happen between two underage people should necessarily be broadcast to the world.

Word of the story leaks out when she leaks the story out to friends who promise not to spread gossip. Protesters start popping up with banners showing the girl he’d hit and signs like “Remember Me?” When this rattles Ryan into completely blowing a game Gil Thorp sighs mightily and decides he has to ask what the heck’s going on and why it should involve him. Ryan’s parents explain: the pictured girl, Alyssa, was Ryan’s girlfriend at the private school. In a fight, according to his parents, Ryan tried to push her out of the way and caught her cheek instead. Ryan admitted he shouldn’t have done that; Alyssa agreed it wasn’t hitting, but by the time the story got around school it was battery.

Ryan Van Auken's parents catch Gil up on their son's troubles at his former school. Auken Mom: 'He and Alyssa were squabbling. He tried to push her out of his way ---' Auken Dad: 'Which he shouldn't have.' Auken Mom: 'And the heel of his hand caught her on the cheekbone.' Auken Dad: 'But he DIDN'T hit her.'
Neal Rubin and Rod Whigham’s Gil Thorp for the 9th of June, 2017. I have never been in a situation anything remotely like Gil Thorp’s here. So how is it that I know exactly the tone of Auken Dad’s voice here? … Also, I note that we the readers only know the story from Auken Dad and Auken Mom’s summary of it here. Ryan doesn’t say anything on-camera, and Alyssa hasn’t appeared in the story except as a picture on a protest sign. So far, anyway.

So, they moved to a new neighborhood, new school, and Ryan went to anger management classes and to counseling. Meanwhile, Dafne argues that the protests make Ryan’s past a legitimate story. When the editor quashes the story, Dafne quits the paper, which is the sort of principled stand I’m sorry I didn’t take when the editor of my middle-school newspaper wouldn’t run my detailed report of the student walkout that year. Well, it was the last month of eighth grade anyway; quitting wouldn’t even have had a symbolic effect. Still …

Student newspaper editor: 'If Ryan hit a girl and there's no police report ... how do you know he hit a girl?' Dafne: 'Social media. I know some people who know some people who go to Kingsbrook. It was big news there last year.' Editor: 'I bet. But does that make it news for us?'
Neal Rubin and Rod Whigham’s Gil Thorp for the 22nd of May, 2017. I do appreciate that Mrs Student Newspaper Editor is asking serious, good questions that teach journalism even as she’s warning Dafne off the story. Dafne may not realize how slender the evidence is for what she knows, and doesn’t seem to have an answer to whether something being salacious (and maybe true) necessarily makes it news.

Anyway, Gil Thorp calls on Central High School’s Coach Skip Farrow to figure out who the protest ringleaders are, and since they’re all seniors they can rest assured the problem will cure itself and Ryan can have at least one trouble-free year. And then he calls the protest leaders to explain that they’re all quite sure Ryan made a mistake and is incredibly sorry about it, which is sure to clear up the whole sorry mess.

Dafne: 'You humiliated my BEST FRIEND so you could get next to ME? I'll tell you what you can GET. Get out of my way!' She shoves Jimmy. In a diner, Dafne consoles Carrie: 'See? I told you Gary Meola was out of my league.' Dafne: 'Trust me: you have that exactly backwards.'
Neal Rubin and Rod Whigham’s Gil Thorp for the 4th of July, 2017. Jimmy comes in later with a black eye and from this panel I don’t really know how he got it. Maybe he really did happen to run into a door like he says and all of this is just coincidence.

Or perhaps dramatic irony will: while hanging out Milford’s Gary Meola admits to Central’s Carrie Hobson that he’s only there so Jimmy can get some time with Dafne. Dafne’s furious that Gary was putting her on, and shoves Jimmy out of the way in order to comfort her best friend. This … somehow … results in Jimmy getting a black eye, which he excuses as “I ran into a door and shut up”. He passes along as many apologies as he can to Dafne and now we understand why the track-and-field guys are even in this story. And that’s about where events rest today.

Next week: Stan Lee, Larry Lieber, and Alex Saviuk’s The Amazing Spider-Man in its first post-Rocket-Raccoon review.

Another Blog, Meanwhile Index

The index rose a point as trading spirits were raised by a series of videos of hamsters putting things in their mouths successfully.

209

Walking Through Novel-Writing Some More


Welcome back everyone. Hope you had a good week writing and are ready to resume walking through this novel-writing experience. Before I start, though, ClashOSymbols had his good post for the month, “Facts: Never Your Friends”. Read it wisely.

Now we left off last time here, our heroes wondering about the many-world interpretation of quantum mechanics. But they don’t know it enough to say anything meaningful, so they can’t be wrong. See ClashOSymbols above. You can’t break a suspension of disbelief if there’s nothing to disbelieve. That’s the first reason they have to talk about stuff they don’t really understand.

Something else you get from this. Now, this part doesn’t matter if all you want is a book, but a career walkthrough’ll tell you this. Characters talk about quantum mechanics, you have a science fiction book. You want to start out writing genre, because if genre readers to start reading you they’ll never stop. Doesn’t matter what genre. Science fiction, mystery, western, romance, military, anything at all. But then you have to pivot to literary fiction. Your genre readers will keep reading, and they’ve talked about you enough to their normal friends that you get those readers too. All your books get reissued with boring but uniform covers and your back catalogue sells all over again. Your genre readers will complain about you selling out, but they’ll keep buying and new people will follow them. Always in your career: start genre, then pivot to lit.

But here’s the thing. The harder you start in genre, the tougher the pivot to lit. Start your career with books about Earth pacified by giant memory-wiping kangaroo robot detectives, your pivot is going to have to be like five novels where a sulky old guy reviews badly-named bands for a minor-league city’s failing alt weekly while nothing happens. So doable but soooooooo boring. If you start instead with something so softly genre it could get filed by accident with the grown-up books, you can pivot without doing anything more than picking duller titles.

So. They talk quantum mechanics many-worlds stuff, they don’t know enough to say anything right or wrong or anything. Science fiction fans’ll eat it up, real people will think you’re doing that Bridging The Two Cultures stuff. The novel’s got a good start and I’m already setting up for the pivot.

Now — oh, phoo, what did they go down there for? OK, they just got off the subway and went down the wrong street. I could just go back and restart from the subway and go the right way but you’re going to have to deal with accidents like this and you should see how to recover. Why is a wrong street dangerous? Because if you’re set in a real place, you might say something about the place that a reader can check and find is wrong. That can wipe out all the score you get from the whole chapter. Even if you’re doing the little-chapter strategy, which I say is gaming the rules and won’t do because I have integrity, this dings you. Remember, facts are just stuff you can get wrong. So, have the characters observe something non-committal and non-falsifiable and then they can say they’re on the wrong street. Hey, they’re rattled from that knifeketeer/magician thing, anyone would understand.

Or you can martingale it. Double down, pick something about the setting and just go wild describing it. Extra hard, yes. It’s almost irresistible to put bunches of facts about the place in. And facts aren’t your friends. But pull it off and you can get so many bonus points. We’ll talk about that a little next time.

For now, though, let me point out the Comment of the Week. That’s from FanatsyOfFlight back on Monday with her great Fan Theory: All Fan Theories Are The Same Fan Theory. If you missed it, you’re probably thinking fan theories are a weak target for satire. Maybe they are, but they’re so well-eviscerated.


About The Author: For two years as a reporter on the student newspaper Joseph Nebus attended all the student government meetings for four of the Rutgers University undergraduate colleges. The most challenging was the University College Governing Association, because as adult commuting students they could afford to cater their meetings with way too much pizza to eat and had the pull to reserve the warm conference room with the plush chairs.