If you’ve been listening along with Vic and Sade episodes this week you maybe noticed that not much happens in them. The characters talk about what they’re up to, but they don’t do much about it. That’s part of the style of the show. It has an almost classic respect for the ancient unities of Greek theater. Each day’s installment is one scene, at one time, and rarely do characters enter or exit, at least not much. Doing stuff is almost impossible in the ten minutes or so of conversation they have.
But stuff happens between episodes. And, more, it’s remembered. Vic and Sade is a representative of the serial-sitcom. It could have storylines going and progressing and developing, five days a week, just the way they might on soap operas. Vic and Sade isn’t a strong representative of the genre, the way that Lum and Abner or the difficult granddaddy of them all, Amos ‘n’ Andy, are. Vic and Sade stories aren’t as long and don’t dominate weeks of storytelling the way the more dedicated serials do. But it’s there.
Here, for example, at least after about the first two and a half minutes (spent talking about the wonders of Crisco and perhaps local advertisers), is a continuation of Vic’s All-Star Marching Team. The Marching Team is hoping to put together a Ladies Auxiliary. Sade is targeted to participate. She’s uninterested in marching and she and Vic talk just a little past one another about the point. The Marching Team was based on an absurd premise to start. And now the Ladies Auxiliary promises to be further absurd, as it can’t just be the wives of the Marching Team members. Many of them aren’t married. (One has intentions of marrying his beloved early in 1948, a joke which barely registers until you know that this episode is from the 22nd of February, 1941.) It’s not the straightforward absurdity of the original Marching Team premise, and its need to rehearse when none of the members can get together. That doesn’t keep it from finding wonderful absurdity anyway.