What’s Going On In Alley Oop? July – October 2017


Do you need to know where we are in Jack Bender and Carole Bender’s Alley Oop? I’m happy to do my best to catch you up on the storyline. I have my limits, though. I’m writing this in mid-October 2017. If you’re reading this much later than that, the story might have got so far advanced that this isn’t useful. In that case, try checking the top of this page. If I’ve written a further update it should be at or near the top there. Meanwhile, story. here.

If you’re interested in comic strips that talk about mathematics stuff, you probably already saw this on my other blog, but what the heck. Never hurts to remind people that a thing exists, until they get tired of it and turn to rioting.

Alley Oop.

24 July – 15 October 2017.

Last time you’ll recall Jack Bender and Carole Bender’s Alley Oop was still wrestling with a spinoff of the pantsless-alien-frog storyline. The alien plant-frog-guy had left behind a mind-control ray gun that Alley Oop smashed and tossed all the way to the rival kingdom of Lem. There, King Tunk patched the thing together and figured to zap his way into, at last, the conquest of Moo. His attempt backfired, and shooting the thing left himself zapped and in King Guz’s power.

Alley Oop: 'You know when Tunk snaps outta this brain fog, he's gonna take Lem and his crown back, don't you?' Guz: 'HE GAVE IT TO ME! YOU'RE MY WITNESS!' Oop: 'Yeah, but it was a game, Guz! I don't think decisions like that count when a person's in a fog like that!' Guz: 'THAT'S WHAT YOU THINK! I ... ' A woozy Tunk: 'Oooohhhhh! Where am I?'
Jack Bender and Carole Bender’s Alley Oop for the 27th of July, 2017. If you’re wondering how Alley Oop resists the urge to clobber everybody in Moo and Lem on the head and just take over for himself, I don’t know. I guess he’s tried a couple times in the past and it’s just too much work keeping everybody from doing something dopey, so it’s easier to hang back in a position where you can snark on everybody.

Guz orders Tunk to turn over his lands, his power, and his crown, and Tunk can’t refuse. Oop, fed up with this disrespect for consent, smashes the ray gun to pieces. Tunk comes to his senses, calls “no way” on his cession. He chases Guz, and the last pieces of the pantsless mind-controlling alien-frog storyline, out of the comic.

The new, and current, story started the 1st of August. “Meanwhile” in the 21st century (it’s their convention, run with it or read some other comic strip), Doctor Wonmug faces civilization’s greatest current menace. Rich white guy idiot M T Mentis III is interested in the time laboratory. His objectives are unclear at first. But the Time Lab could always use some more money. How could you make a profit with just the ability to traverse space and time to an exact spot at any exact second? So after a tour of the slick modern computerized time machine Mentis says what he’s up to.

Wonmug: 'I'm flattered at your interest in the time lab, but it's not for sale.' Mentis: 'Everything is for sale, as long as the right price is offered! Imagine pairing your time machine with my skills! I could visit key events in history to give just the right tweak to keep positive progress on track!' Wonmug: 'WHAT?! M.T., the one rigid rule of time travel is that it is for observation only and that NOTHING can be changed! Any change, no matter how well intentioned, would cause a ripple effect that could threaten our very existence! Mr Mentis, you have wasted your time here! The time lab is NOT for sale at any price to anyone --- especially not to YOU!' Mentis: 'I'm sorry to hear you say that! Take care of him, Gunther!'
Jack Bender and Carole Bender’s Alley Oop for the 20th of August, 2017. Gunther’s doing pretty well as a bodyguard for the world’s richest idiot, which shows you how much people can flourish once they get deported from Greg Evans and Karen Evans’s Luann. I jest, of course, since that’s clearly their Mister Grey.

He’s bored of his career of fixing up struggling companies. He wants to do something with meaning, by which he means buying the Time Lab and using the machinery to fix history. Wonmug is aghast at the idea of deliberately altering history. Even trying could force the comic strip to face potentially premise-wrecking consequences. You prove everything is strictly ordained somehow. Or you make the time travellers complicit in all the atrocities of human history. Or you make the time travellers responsible for destroying every living thing in the present timeline. Any of that’s heavy stuff for a comic strip that does better with, like, Alley Oop punching dopes. Yes, I am aware none of those verb tenses withstands any thought but I’m not getting paid enough to give them proper thought.

Since Mentis isn’t getting this, Wonmug sends himself, Mentis, and Mentis’s bodyguard to Moo and says, “see what you can do with this”. What he does is get chased by dinosaurs until he runs into Alley Oop and falls over and knocked out. When he recovers what he uses as his senses Mentis, shaking the idea that this is a movie set or something, works out a plan: he needs to kill the dinosaurs. After all, humans and dinosaurs shouldn’t coexist and they’re drawn kind of off-model and colored all weird. Alley Oop isn’t having any of it.

Mentis: 'THIS IS ABSURD! YOU CAN'T EXPECT ME TO BELIEVE THIS PLACE IS FOR REAL! YOU MUST HAVE BROUGHT US TO A MOVIE SET!' Alley Oop: 'What do you mean? Of course it's real!' Mentis: 'Why, look around you! See all those dinosaurs?' Oop: 'Of course I do! I'm not blind! They're everywhere!'
Jack Bender and Carole Bender’s Alley Oop for the 1st of September, 2017. Tag yourself: which one of these dinosaurs is you when you realize you’re caught in a meeting where you don’t know what’s going on and if you don’t find a way out you’re going to be expected to give an opinion about the next quarter’s projections. For me, it’s the brontosaurs-y guy with a grimace and his teeth exposed.

Oop does admit that King Tunk of Lem is a problem, what with his invading now and then and being kind of a jerk the rest of the time. Mentis proposes a wall, and Oop rolls his eyes so far back into his head they threaten to come around the other side. Mentis figures, well, how about better defenses than Oop’s ax and his fists? Mentis’s bodyguard Gunther epically failed trying out Oop in hand-to-hand combat. But how about if Mentis shows off his superior strategy? Mentis shows off his plan. It’s “holding enough spears and axes and swords and knives at once that Oop barely has to stop laughing long enough to kick him unconscious”. I’m not saying I’d be much better at uplifting the poor noble cavemen if I figured that was my business. I’m not sure what I’d introduce them to, exactly. Soap, I guess. Clean water. A Lockean concept of the social contract. Potatoes. The categorical imperative. I know I wouldn’t try showing off that I could hold too many weapons at once to be able to hold without the whole pile falling and stabbing my foot.

Mentis: 'The key to defense is that you need more weapons than your enemy has! It's such a simple concept! As experienced as you are in hand-to-hand combat, I'm surprised you haven't figured it out before now! I'd show you if I could borrow some weapons!' Alley Oop: 'YOU'RE gonna fight ME?!' Mentis: 'Oh, there will e no need for a fight! You'll see! I could never compete with your muscle, but with weapons, I can show you the superiority of a well-armed fighting force!' Oop: 'Okay, whatever you say! Take your pick!' [ Mentis takes *everything* from the armory, at once. ] Mentis: 'If an enemy came at you armed like this, when all you had was that ax, I'm sure you'd agree you'd be inclined to retreat!' Oop laughs deeply, and kicks Mentis unconscious and ties him up. A recovering Mentis asks: 'What th' ... ?' Oop: 'You needed a free hand!'
Jack Bender and Carole Bender’s Alley Oop for the 1st of October, 2017. So Mentis has made his fortune buying out distressed companies and straightening out their messes. Which implies that there are a lot of companies so incompetently managed that the guy who figured he had achieved Caveman Invulnerability in the first panel of the bottom row there was a major improvement. Based on every corporate history I’ve ever read, this is likely.

Here Oop asks a good question: the heck is Mentis’s deal, anyway? Before the rich idiot can mansplain why he figures he can patch up history despite his manifest incompetence some actual plot intrudes. It’s raiders from Farzoon, seeking slaves for some massive project. Mentis wonders if it might be Stonehenge or the Great Wall because I’m going ahead and assuming thought Chariots of the Gods was nonfiction. Oop and Mentis hide, but the Farzoonian raiders have their scent.

And that’s got us caught up.

So, still not answered: what is Mentis’s deal, anyway? It’s hard to square someone being bright enough to save struggling companies repeatedly with not being able to see any problems whatsoever in meddling with history. So what’s h out for? I guess it would be admirable if he did just want to fix the messy, terrible sides of history. And that would show up Wonmug and Oop for laughing at him. But if he is then he’s done a pretty poor job thinking through what that implies which, yeah, isn’t impossible. Especially given the casual, light tone of the Alley Oop world.

But it’s also baffling story for the Benders to write. As far as I know Alley Oop has avoided setting out the rules about whether, and how, history can be changed in its time-travel view. The storyline seems to threaten to commit them to something. Dr Wonmug says that history can change and time-travellers have to take care not to screw things up. But I don’t know what his evidence for that is. They seem to have a pretty casual attitude about time-travelling if they are afraid of messing up stuff. Alley Oop can activate the time machine to destinations of his choosing. Alley Oop’s an upstanding person, and he gets up to speed in situations quickly. But would you want to count on a caveman dropped into (say) the Battle of Manzikert to not do something off-script?

I suppose it’ll be avoided, or at least left ambiguous. I’m also curious how Wonmug figures that getting his hat stomped by dinosaurs will help Mentis learn about the interconnectedness of events or whatever his vague lesson is. You’d think just “what if you set it so your parents never met?” would get the point across. I suppose a reasonable person might learn from being shoved headfirst into Moo just how complicated and messy and big the world is and so how implausible it is to “fix” the timeline. But I’m not sure a reasonable person would have done more than have fantasies about history-fixing either.

So, I’m curious whether we’ll learn Mentis has some ulterior motive, or whether he simply believes he’s worked out the killer app for time travel.

Next Week!

We pop back in on the Bandar tribe and learn whether Tony DepPaul and Mike Manley’s The Phantom Weekdays continuity has seen the Ghost Who Walks try out dying.

Advertisements

In Which I Am Disappointed By DuckDuckGo


Oh, first, yeah, did I mention doing some more comic strip review over on my mathematics blog? I did some more comic strip review over on my mathematics blog. Thanks for noticing. I changed the theme over there because there’s no such thing as a theme I’m actually all that happy with.

Yes, yes, I’m that guy using DuckDuckGo. I like how it keeps asking me to make it my default search engine, even though it has been for years now. But when you get something like this, I just …

DuckDuckGo search: 'Addams Family theme'. It returns, 'Addams Family Theme Kids Vocals. The Hit Crew. Boy, the way Glenn Miller played/ Songs that made the hit parade/ Guys like me we had it made./ Those were the day./ Didn't need no welfare.' More at MetroLyrics.
Yes, yes, there’s no telling whether the problem is DuckDuckGo or MetroLyrics, since there’s few things worse at song lyrics than song lyrics sites. Song lyrics sites are so bad it’s surprising to think they aren’t a part of iTunes. But still.

Putting aside everything else there’s at least two mistakes in the lyrics for the song they are doing and it’s taking all my willpower not to drive over to MetroLyrics Master Command and berate what I’m guessing is a strip mall’s communal mailbox station. I should probably go lie down a while and twitch.

What’s Going On In The Amazing Spider-Man? July – October 2017


Do you like superhero stories that have a good bit of that Silver Age flair? I mean the melodrama, the plots that get a little goofy but are basically delightful, the stories that touch on serious subjects but avoid being dire or grim, and the resolutions that turn on some crazy fairy-tale logic. So I am, indeed, a fan of Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man comic strips. If you’re reading this, I trust you like this sort of thing too, or at least you find it interesting. Also that you want to know what the current storyline is. If you’re reading this around mid-October 2017 you’re in luck: this essay should be on point. If it’s much later than that, the story might have moved on. If I have a more recent update it should be at or near the top of this page. Thank you.

And if you just like comic strip talk in general, my other blog has some mathematics-themed strips to talk about. Nothing deep this time.

The Amazing Spider-Man.

17 July – 8 October 2017.

I didn’t guess last time I reviewed the Amazing Spider-Man what the next recap would include. If I had, I would have included “the end of the current story”. That story saw Peter and Mary Jane Parker in Los Angeles on one of those comic-strip weeklong getaways that runs twelve months of reader time. They discovered Melvin, the Mole-Man Ruler of the Underworld wants to marry Aunt May. He’s free to do that now that he’s been overthrown by Tyrannus, the immortal Augustulus, last ruler of the Roman Empire of the West. And Aunt May’s partial to it too. And, yeah, the comic strip is its own separate continuity from everything else Marvel-branded. Still, I knew Melvin and Aunt May would have something keep them from getting married. Tyrannus leading an army of subterranean monsters to destroy Los Angeles seemed like a good enough excuse.

Thing is, that was back in the middle of July. I thought there were a couple weeks’ worth of Tyrannus invading. People around Spider-Man foiling the invasion while he’s tied up or maybe unconscious. Melvin accepting his responsibility to the Mole People Or Whoever Lives Down There that he has to go rule them. Aunt May not being able to join because she’s allergic to the Mole Kingdom. (I’m not being snarky there. It’s what kept them apart before.) They haven’t got quite there yet. But it does look like it’s going to wrap up soon? Maybe in a couple weeks? I think?

Well, here’s what happened. Peter Parker told Aunt May and Melvin that yeah, actually, they should get married if they want to. They set a date of “pretty soon, considering we’ve both died of old age as many as fourteen times dating back to the era of King Aethelred the Ill-Advised already”. And they both like James Dean. So they figure to marry at Griffith Observatory, taking the Observatory officials entirely by surprise. Mary Jane’s not able to participate in the plot, as a heavy storm trapped her in a side thread about her publicity tour.

Giant octopus-like tentacles grabbing Spider-Man and the Mole Man. As the tentacled beast descends deep into the earth ... Melvin: 'You can't help ME! Go help PETER PARKER - he must be clinging to a LEDGE up above!' Spider-Man: 'I already took care of HIM, Moley. Now it's YOU I've got to --- oh NO you [the monster] don't! No nigh-brainless brute sneaks up on your friendly neighborhood SPIDER-MAN!' As Spidey wrestles with the tentacles. Melvin: 'I should TELL you --- that's a DECTOPUS. It has TEN enormous tentacles!' And the thing slams Spidey. WHILE LEAGUES BELOW: Tyrannus watches this on TV. 'It's like having a FRONT ROW SEAT --- at the greatest GLADIATOR contest of all time!'
Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man for the 27th of August, 2017. I’m so delighted by Melvin the Mole Man correcting Spider-Man’s misapprehension about the number of giant tentacles attacking him that I won’t even point out Spider-Man didn’t call the creature an octopus or anything that would suggest he was only worried about eight tentacles. It also reminds me of an episode of the Disney Hercules series that they made for some reason, where one of a Chauncey-and-Edgar pair says how they’re being attacked by some giant octopuses. “You mean octopodes,” says the other. “What difference does that make?” “I like to be precise.”

Also taking Griffith Observatory by surprise: Tyrannus, who breaks the promise he made to Kala, his wife, that he’d leave Melvin alone. Kala’s content with having conquered the whole of Subterranea and doesn’t see any reason to bother the Mole Man as long as he’s staying on the surface. Well, not taking them completely by surprise. Peter Parker had spotted one of Tyrannus’s drones sneaking around the night before so he expected some kind of attack. But he figured going ahead with the wedding was the best way to get to the next big scene, and what do you know. A bunch of tentacled monsters grab Melvin, and Spider-Man follows close behind. Aunt May and the minister are left at the Observatory.

Melvin’s points out what an unnecessary jerk Tyrannus is being about all this. And Kala quickly joins Team Melvin, which serves as a reminder of how making false promises to your loved ones will come back to you. She gets the chance because Tyrannus is catching a bit of Old Age. He needs to recharge from the Fountain of Youth. This it turns out is a river underneath Los Angeles. Well, it wasn’t always, but with Tyrannus’s recent conquest of Mole Man’s territories he had the river diverted to Los Angeles.

The captive Spidey and Mole Man are witnesses to a subterranean DOMESTIC SPAT ... Kala: 'You LIED to me, Tyrannus! You swore you wouldn't try to SLAY the Mole Man since he'd abdicated and fled to the surface!' Tyrannus: 'Surely you didn't truly BELIEVE that little white lie, wife! I --- WE --- can never sit safely on our thrones while HE lives!' Kala: 'I already ruled my OWN underground realm --- and I SHARED it with you!' Tyrannus: 'Don't you see? I wanted a kingdom I had CONQUERED! Now, I HAVE one, and I'll make it MINE forever, by EXECUTING the Mole Man and his bewebbed protector!' Spider-Man: 'Y'know, it might almost be WORTH dying just to get away from your CORNBALL MONOLOGUES!'
Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man for the 3rd of September, 2017. I didn’t have a good chance in the main essay to mention but, yeah, Tyrannus’s power base was Kala’s lands that he married into. So once again, all the trouble is being caused by a white guy all cranky that he wouldn’t have succeeded without other people giving him help. We’re never going to have a minute’s peace before we stop letting us white guys have positions of authority, you know.

Tyrannus runs off for the sacred chalice with the line drawn on it so he knows how much youth to imbibe. (It’s always a sacred chalice, isn’t it? They never just need a Wawa coffee mug.) Kala pops out the key to Spidey and Melvin’s handcuffs. She expositions about how he needs a drink or he’ll turn 1500 all at once. And she works out how to extort Tyrannus into giving up his conquest plans. Spidey, glad not to have to come up with a plan, goes for it. Spider-Man dams up the River of Youth before Tyrannus can get his drink. Kala tells the ancient Roman Emperor that if he does invade the surface world he’ll be a murderer. He’d have killed the man she fell in love with.

Again, this is what I like in superhero adventures. I don’t think I would have been happier here if Brainiac-5 put in a sudden cross-company appearance.

Tyrannus sends a flock of subterranean monsters after Kala, Spidey, and Melvin. Unless that should be a “herd” of subterranean monsters. (To be precise.) But his monsters can’t match Melvin’s knowledge of the tunnels. And he’s in a bad way, anyway. Without access to the River of Youth water he’s showing his 1500 years and might even get to be older than Aunt May. Kala gets him to make an Imperial Oath to never attack the surface world again, in exchange for Spidey un-blocking the River of Youth. And this one will count. Merlin the Magician made fidelity to Imperial Oaths a condition of the last Western Roman Emperor’s access to eternal youth. Spider-Man takes a moment to reflect on how this is kind of a weird scene. Tyrannus and Melvin shrug and point out, hey, you’re Spider-Man.

Tyrannus: 'You three - have WON! I vow to never ATTACK you again! As my Queen knows, I cannot break an imperial OATH! Such is the bargain I made 15 centuries ago with MERLIN THE MAGICIAN - in exchange for the secret of ETERNAL YOUTH!' Spider-Man: 'I can't believe I'm HEARING this! You're not only the LAST ROMAN EMPEROR, from 476 AD - with his own PRIVATE FOUNTAIN OF YOUTH - but you got it from MERLIN? You mean, like - KING ARTHUR'S Merlin?' Mole Man: 'Surely you can accept such FAR-FETCHED tales. After all, didn't I hear that YOU got your powers from the bite of a RADIOACTIVE SPIDER? Now THAT'S something I find difficult to believe!'
Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man for the 8th of October, 2017. Careful there, Melvin. Pick too hard at the plausibility of any of the world and the whole superhero universe is liable to cave in. Also, since I didn’t get to mention this above: ‘bewebbed’? I guess it parses, but should it? Are we all okay with this?

And that’s where we are as of today. Also, so now you see why I figure we’ve got to be near the end of this story. They just have to figure out reasons for Melvin to stay underground and Aunt May not to marry him. Then Peter Parker can head off to the next casually insulting scene.

Maybe you notice. I’ve been enjoying this. I guess there’s high stakes here, what with the threatened conquest of the surface world and all by an immortal Ancient Roman. But in truth it’s an endearing small story about people with goofy costumes and funny names messing up each others’ marriages. And Spider-Man even gets to do some stuff, although at the direction of much better-informed people. Which I like too. Newspaper Spider-Man has a passivity problem. But people with a lick of common sense should shut up and listen to the folks who are experts in their field of expertise. And yeah the story has covered really very few points considering it’s been a quarter of a year. But it’s had a good bit of action and humor and very little spider-moping.

Next Week!

We journey back to the land of Moo and peek in on Jack Bender and Carole Bender’s Alley Oop. There was still more mind-control ray gun story to deal with. After that, Alley Oop faces the biggest problem of 21st century humanity: an idiot white guy with money. See you then, in the past.

What Does This Compu-Toon Even Mean: 4 October 2017 Edition


I hope I don’t seem like I’m picking this comic. It’s a small comic, and from everything I can work out the cartoonist is someone who’s trying with a thoroughgoing earnest kindness to make the world a little nicer. But, I mean, what am I even looking at?

Drawing of a kid in striped beanie cap looking at his phone. The caption: 'A bully's bullying doesn't mean much when his friends count is well over eight-hundred.'
Charles Boyce’s Compu-Toon for the 4th of October, 2017. Don’t think I’m not bothered by the superfluous space between “is” and “well” there, either. Also baffling: there’s (as I write this) five people who’ve favorited it on GoComics.com.

I think it’s supposed to say that the pain of being bullied is lessened by having a wide and supportive network of friends online? And I’ll agree that sort of thing makes things a little better. But it’s still bizarrely worded. I don’t think I’m reading the caption uncharitably, but I have to force myself not to read the antecedent to “his” as being “a bully” and that’s all wrong.

Also I have no idea how non-celebrity people get like 800 followers. I’m not sure I’ve had non-casual encounters with 800 people in my whole life, and when I think what fraction of them would figure they haven’t had about as much of me as really improves their lives? No way.

I guess also since I haven’t mentioned this since Monday: I talked about some other comic strips on my mathematics blog. Includes a Mutts, which you might or might not like, but is awfully cute. So there’s that.

What’s Going On In Judge Parker? July – September 2017


Are you interested in the current storyline in Francesco Marciuliano and Mike Manley’s Judge Parker? Are you reading this in or near early October 2017? Because if your answer to both is ‘yes’ then great, glad to have you here. If your answer to the first is ‘yes’ and the second ‘no’, the comic strip might have gotten on to some completely different storyline. So this essay might be true enough but not helpful. If I’ve written a successor it should be at or near the top of this page. If your answer to the first question is ‘no’ I’ll try to be interesting anyway but I admit I feel a little hurt you’d be so blunt.

My last update on Judge Parker storylines came suspiciously close to a change in the plots. This keeps happening with my What’s Going On In updates, by the way. I’m definitely not arranging stuff with Comic Strip Master Command to make these recaps come within a week or so of one story yielding to the next. It’s still weird.

Also, if you like comic strips that talk about mathematics, and all of which ran on the same day last week, you might be interested in my mathematics blog. I get to thinking very hard about something a squirrel said to Broom Hilda, but it’s not all that high-level a discussion.

Judge Parker.

3 July – 30 September 2017

I had said last update that it looked like the one major storyline dormant since Marciuliano took over writing the strip — the whereabouts and activity of April Parker, Super-Secret Spy Person — seemed to be heating up. Current Judge Randy Parker was falling apart with his wife and by-now-born child missing somewhere in one of those foreign countries where the CIA is always sending Super-Secret Spy Persons. Retired Judge Alan Parker was visiting, trying to help him through this. And he brought a guest.

It was April Parker, along with a picture she said was their daughter Charlotte. Who’s somewhere “safe” and “in the country” that she gives Randy. She gives Alan an audio cassette. And then gives herself to the CIA-types who appear at the door, as foretold in the Thursday strip the week before. The CIA types let Alan and Randy keep their tape and the picture, which seems criminally negligent of them, so it’s plausible.

There’s an SD card taped to the back of Randy’s picture. Randy pops over to Sam Driver’s farm and plays April’s tale of entrapment and betrayal. April’s supervisors had been testing her on make-work assignments, and now she’s invited to join a secret sub-unit of the CIA, “patriots who just go that extra step”, the sort of thing that never goes wrong, ever, except for every time, ever. She’s revolted by the rogue agency, even before hearing about the “profit-sharing” potential, and horrified that by going on enough of what she now knows were nonsense assignments she’s been coopted into their group.

A year ago, in a Vienna hotel, April learns she is a rogue agent. (She's choking rogue agent Lakemoor.) 'Just who is this 'agency within the agency' working with, Lakemoor?' Lakemoor: 'Groups that further American interest without having to deal with CIA oversight. Choking's making it hard to talk.' April: 'And I'm so sure these 'groups' do this out of the goodness of their own hearts.' Lakemoor: 'Oh, you know how people are. Everyone has their own interests. We need something from them, and they need something from us, which we provide. That's where the aforementioned profits come in, by the way.' April: 'So I was a courier for state secrets. You made me just as dirty as the rest of you so I couldn't reveal anything without admitting treason. YOU TRAPPED ME!' And she slugs him.
Francesco Marciuliano and Mike Manley’s Judge Parker for the 13th of August, 2017. You might say that Lakemoor’s proposal is ridiculously vague and that his talk of profits from illicit activity implausibly stupid for a person trying to recruit someone into his corrupt ring. If you have missed the entire administration of the Future Disgraced Former President, anyway. Against the backdrop of 2017, Lakemoor comes out looking about four steps more organized and on top of things than David Xanatos ever did.

Norton, her father, pops in. He’s a faintly Dr Strangelove-esque figure with segmented cigar and the ability to kill any number of off-panel henchmen, so he’s well-suited to gun down the agent trying to recruit April. He promises that he can get April to safety, shelter her child when it’s born, and get word back to Randy Parker by way of his contacts.

So that’s what led to the situation as unfurled: April was in hiding long enough to give birth, and prepare her recordings and messages and all that and to wait for the collapsed-clothing-factory and the kidnapped-Sophie stories to reach a quiet patch. And he brings the infant Charlotte Parker to Alan, who’ll have to keep the child in secret until the heat’s off.

Alan and Norton meet in Cavelton. Alan: 'Really, Norton? You had us meet in the factory that collapsed into the sinkhole last year?' Norton: 'Well, this place seemed like a good spot.' Alan: 'You could have just had April hand me a scrap of paper saying to come here. You didn't have to give cryptic clues on some cassette.' Norton: 'You seem tense, friend.' Alan: 'You had me illegally declare you dead. You made me hide the fact my own son's wife was already back in the country until you and she were ready. So yes, I'm not exactly looking forward to what you'll 'kindly ask me' to do next.' Norton: 'It's just one moer thing, Alan ... I want you to meet our granddaughter, Charlotte.' And she's brought in.
Francesco Marciuliano and Mike Manley’s Judge Parker for the 27th of August, 2017. Well, I think I know why Norton had everyone meet in the collapsed factory. It nudges the reader to remembering the factory collapse and the reporter who was on the scene for it last year. This prepares for her reappearance in the strip and her role in turning the scandal what would bury April in prison forever into a big public affair. So, yes, Norton’s motivations might be weird, but Marciuliano’s are good.

Over to Toni Bowen, the reporter who was on the scene when the deranged clothing factory storyline imploded. She’s not had much success since the factory collapse and the kidnapping of Sophie Spencer; her boss points out that the embezzling-stalker truck driver story went nowhere, which is unduly harsh on Marciuliano. It was a weird complicated side thread, but I liked that everyone in a soap opera universe is going through some crazypants events. Anyway, April’s sent her all the news about the rogue CIA agents, which shows that the Parker-Spencer-Davis clan does indeed forgive and bestow blessings even on those who’ve antagonized them, sometimes. Alan Parker, figuring the heat’s off somehow, brings Charlotte to Randy.

So. Three-month jump ahead in time. April Parker’s in jail, promising that between her testimony and her planned excellent behavior she’ll be released in under three years. Randy and Charlotte are as happy as could be. Alan’s wife, Katherine, is still furious enough about all this secret agent nonsense that she’s taken the flash forward as chance to leave, possibly from the strip altogether.

Alan and Katherine Parker fight. 'Katherine, let me explain.' 'Oh, NOW you want to explain?' 'I didn't want to get you involved.' Katherine: 'Involved in what? The fate of my family? The fact that my own granddaughter had to be smuggled in courtesy of a deranged arms dealer?! The fact you were working with him the whole time?!' 'I --- ' 'Enough about what you think, Alan! Let me tell you what I THINK ... I'm your wife. I'm your partner! And when it comes to our family I should know everything. But you kept me in the dark, not just to 'protect' me but to make sure I didn't get angry at you!' 'But I can --- ' 'It's too late, Alan. Go do something else in secret. I have to check on Charlotte.'
Francesco Marciuliano and Mike Manley’s Judge Parker for the 10th of September, 2017. Now, to give you the scale of the sort of amusingly dull upbringing I had, the most recent fight I overheard my parents having was over whether, after giving birth to me quite a few years ago, my mother sent my father out of the hospital to get her a hamburger from McDonald’s or from Gino’s Hamburgers on Albany Street. They’ve never been involved in international espionage … that they’ve told me about … although my father did make multiple trips to Poland in the early 80s. Just observing.

And that’s three months mostly spent explaining what April was up to. The story was mostly about characters learning what was, to them, in the past. But it’s not like the strips being flashbacks mean we weren’t watching tense stuff happen. Also we got some idea of who the mysterious figure sending Alan Parker cassette tapes with needlessly cryptic instructions was. (This might have been established before, but I don’t remember it.) And, after a bit over a year of this, I believe Marciuliano has finally taken all the plot threads left over from Woody Wilson’s writing tenure and done something with them. Mostly that’s been tamping them down to involve less unceasing praise of the Parker-Spencer-Davis clan. That’s involved a lot of blowing up the status quo, including another set of people being gunned down. There’s plenty of room to develop the stories from here. Most of the directions involve a lot of things families can quite correctly argue about. Should be quite some potential there.

Next Week!

You know what’s a comic strip that seems very close to wrapping up its current storyline? Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man. Please join us in Spider-Man’s natural habitat, the cavernous tunnels underneath Los Angeles, where a Roman Emperor with his own Fountain of Youth hopes to launch the conquest of the surface world and also break up Aunt May’s romance with Melvin the Mole Man. I realize I sound like I’m joking about what a Silver Age comic book would do, but no, this is what’s happening.

What’s Going On In Gil Thorp? July – September 2017


Last week I was all set to talk Gil Thorp when I realized it was Rex Morgan, M.D.‘s turn. I won’t make that mistake again! … But I’m writing this in late September, 2017. If it’s much later than September 2017 for you, the stories might have moved on. At or near the top of this link should be my most recent talk about the high school sports comic strip of high school sports comic strips. I hope something here is what you’re looking for.

If you’re interested in other comics, my mathematics blog discusses some from the past week. I don’t think I explain any of the jokes, but I do talk about what the jokes make me think about. Might like it.

Gil Thorp.

10 July – 23 September 2017

I last discussed Neal Rubin and Rod Whigham’s Gil Thorp near the end of a storyline. Spunky young reporter Dafne had discovered the Milford Mudlarks’ new pitching star was kicked out of private school for hitting his girlfriend. The secrecy that protects young, athletically skilled students makes it hard to be sure exactly what did happen. Dafne, shoving a friend into a door so hard he gets a black eye, comes to learn that sometimes battery just happens and it isn’t an open-and-shut case. She confesses her prior narrow-mindedness to the newspaper editor and is welcomed back onto the staff for a happy ending.

The 17th of July saw the start of a new storyline, one that took nearly two months to unfold. It features Heather Burns, a student who’s likely to be a great trainer or coach someday, and Jaquan Case, an alumni of Gil Thorp here for his tenth-anniversary storyline. I should say, I was not reading Gil Thorp with enough attention ten years ago to say whether Case really was a basketball star in the strip back then. It would make sense if he were. The comic has a surprisingly strong continuity. Stars of one storyline often appear as supporting players in a later one, and even make cameos after that. So I will accept Case as someone who was probably part of the basketball stories in the mid-2000s.

Heather Burns: 'We'll be out here [at the training field] most days.' Trey Davis: 'Us, too. But do me a favor ... keep it on the down-low. We should check in with Coach Thorp, though.' Jaquan Case: 'Absolutely. When I was fighting to be a normal student ... ' Davis: 'Or as normal as the next superstar could be.' Case: 'He was a big help.'
Neal Rubin and Rod Whigham’s Gil Thorp for the 25th of July, 2017. I didn’t do athletics in high school, so I don’t know whether it’s authentic that stars of a decade past get to just come in and train when they feel like even before talking to the coach. I was for a while on the Physics Team, but I’m pretty sure that doesn’t mean I can just pop in to the science classrooms and do that thing where you sit on a barstool chair while turning a spinning bicycle tire around.

And then, mm. Well. There’s events. I just never got into the story. Case and his friend Trey Davis, another ex-comic-strip-character now working as a private coach, hang around the kids playing coach some. And Case is working through some stuff. He’s doing fine in the NBA, but he’s feeling like he lost something when he quit football sophomore year of college. Case wants to move back into football. A couple sessions with True Standish, a more current Gil Thorp quarterback, suggests that yeah, if he really worked at it, Case could be a plausible football player.

So, with this, Coach Thorp makes his excuses to be somewhere not involving athletes having personal problems. Heather Burns steps up, figuring out during a series of workout sessions that Case’s real problem is he doesn’t feel people’s expectations of him in basketball are in line with his idea of himself. So she does some digging and works out that Case could definitely get his Master’s degree in US History, a thing he would totally want. Maybe even go on to a PhD. He even gets ideas of maybe becoming a professor, which shows that even professional athletes in the major leagues who could plausibly switch to another major league have comically unrealistic career dreams. And Case shows his gratitude by hooking Burns up with someone at Iowa who might be able to get her a coaching gig.

Gil Thorp: 'I'm due at Milford CC. Can you give him a lift?' Burns: 'Sure. Jaquan, mind doing some running first?' Jaquan Case: 'Might as well, since my trainer bolted. Say, you're Switzerland in all this --- am I crazy to consider the NFL?' Burns: 'Sure. But that doesn't make it a BAD thing.'
Neal Rubin and Rod Whigham’s Gil Thorp for the 23rd of August, 2017. I know that highlighting this comic out of a month’s worth of storyline will make it look like Coach Thorp had almost nothing to do with the characters doing things and making decisions, and when he was roped into the story got out as fast and with as little responsibility as possible.

And that, the 9th of September, closes out a storyline that really looks like it was something happening. But reading it daily, ugh. It just felt like people standing near sports equipment talking about how they might do a different sport instead. And it seemed to go nowhere. Every day I looked at the strip and all I saw was eight months of wandering through Featureless Manhattan in the final year of Apartment 3-G. I think the core trouble might be the premise. 30-year-old professional athlete who feels adrift going back to the High School Coach Who Made All The Difference for advice? Plausible. Getting life advice from the 17-year-old teenage girl with a talent for coaching who knows that she’ll never get a real job at it? Less so.

Gil Thorp: 'Everybody sign up for baseline testing?' Assistant coach guy: 'Yup. By the first game, we'll have basic info on every kid. Measuring brain function with tests ... do you believe in it?' Thorp: 'I believe in anything that might keep these kids healthy --- and keep their parents from worrying.'
Neal Rubin and Rod Whigham’s Gil Thorp for the 13th of September, 2017. I’m sorry, I don’t know who the assistant-y coach-y guy is, but I do like that the second panel is something like one-fifth of all album covers from 1978 through 1985.

OK. So. The 11th saw the new storyline start. It features Rick Soto, who yields to his Uncle Gary’s pressure to play at the Elks Club Talent Show. There, apparently, his version of “Mack the Knife” steals the show. If I haven’t missed anything they haven’t said what instrument Rick plays, but that’s all right. He’s also a left tackle, which gives the Gil Thorp comic strip jurisdiction over his life story. Also, Coach Thorp is for the first time testing his players for brain function. This seems to set up a storyline about Chronic Traumatic Encephalopathy, which is certainly the sort of thing this comic strip should talk about. (I do wonder, too, if the current moral imperative to Take A Knee won’t disrupt whatever Rubin and Whigham have planned.) But two weeks in there’s no guessing where any of that might go. I just include this so I have the first paragraph written of my next Gil Thorp plot summary written.

Next Week!

International espionage, secret government jink-enhighening, and a reporter’s last-ditch effort to save her career as we go back to Francesco Marciuliano and Mike Manley’s Judge Parker. Unanswerable: will we have any judge-work going on?

What’s Going On In Rex Morgan, M.D.? June – September 2017


I am embarrassed to admit this is a story summary done in greater haste than usual. Somehow I’d got in my head that I was due to review Gil Thorp and was thinking about that storyline all week, and then late Saturday actually looked at my schedule. I’ll try to be fairly complete about this anyway. And for those hoping to understand Terry Beatty’s Rex Morgan, M.D., thanks for reading. If it’s much past September 2017 when you read this, the story might have drifted. If I have more recent updates they should be at or near the top of this page.

On my other blog, I have not just the usual roundup of mathematically-themed comic strips but also my finally noticing something shocking about the cast of John Rose’s Barney Google and Snuffy Smith. Please, let me know your opinion on this.

Rex Morgan, M.D.

26 June – 17 September 2017.

My last summary of Rex Morgan, M.D. missed by one week the conclusion of the Kelly-Niki-Holly love triangle plot, when it was revealed Niki didn’t know Kelly was jealous of his time with Holly. Niki needed some advice from her parents on how to cope with a non-heterosexual friend because millennials have so much trouble coping with this stuff than their parents do. That’s all.

The 2nd of July started the new and current storyline, when June Morgan’s childhood friend Margie Taylor dropped into town. She bring along her son Johnny, played by Norm Feuti’s Gil, who instantly gets along with Sarah and Michael Morgan. Margie talks about how she’d had to leave town as a teen when her mother died, and how screwed up her life had gotten, and how she’s straightened out enough things that she had the courage to look up June Morgan again.

Rex: 'Is your friend showing up soon?' June: 'Should be here any time now.' (Ding dong!) 'Like I said, any time now!' (At the door.) 'Margie!' 'June!' June: 'It's been ages, but I'd have known you ANYWHERE!' Margie: 'You, too. How could I ever forget my BEST FRIEND?' Toddler: 'Mam?' June: 'OH MY! Who's THIS little sweetheart?' Margie: 'That's my SURPRISE --- my SON, Johnny.' June: 'That's a nice surprise!' Sarah: 'Look, Michael --- Mommy's friend brought someone for you to PLAY with!' June: 'Well, what are we STANDING here for? Come on in!'
Terry Beatty’s Rex Morgan, M.D. for the 16th of July, 2017. By the way, Johnny in the last row there? That’s me at every social event. Except I’ve got a beard, and I somehow put on a shirt and pants that don’t quite match even though you can’t really say just why. And my pants are black half the time. The instructions say that’s supposed to work with anything. I don’t know what’s gone wrong.

So yeah, Margie’s dying. June’s the first to mention it, to Rex, who does enough medicine to agree. It takes a couple weeks of reader time for Margie to open up about it. But she’s got third-stage plot complications and expects them to be imminently fatal. Margie panels the people in Rex and June Morgan’s lives about how good they are as parents and the reports are favorable. “Yeah, there was that weird thing where they let a mob widow muscle the Museum into publishing and buying a zillion copies of her book of horse drawings, and I guess June’s pregnancy did get into the tenth trimester before she gave birth, but they’re basically pretty good eggs,” answered person after person, verbatim.

Rex: 'Kids are asleep?' Margie: 'Michael is. Sarah's in bed reading.' 'The girl DOES love her books.' 'GOSH --- I wonder how she came by THAT.' 'So, your friend is all settled in?' 'Yeah, seems to be. You saw she was sick right away didn't you?' 'Pretty much.' 'Took me a while. But when she went into her purse for her car keys, I couldn't help seeing the PRESCRIPTION PAINKILLERS she's packing.' 'Opiates?' 'Uh-huh'.
Terry Beatty’s Rex Morgan, M.D. for the 30th of July, 2017. I realize that this strip and the previous one make it look like Rex has spent this entire storyline staring intently into a book while talking distractedly to his wife, but … uhm … I’m not sure he actually hasn’t.

Margie asks June if she and Rex will adopt Johnny. June, hoping to stall long enough for the writer to change his mind, agrees to consider it if Margie agrees to see some specialists that she and Rex will think up. Margie agrees. While June and Rex take seriously the question of whether to adopt an all-but-certainly-orphaned boy, Margie tells babysitter Kelly that she’s off to run some errands, hugs Johnny, and walks out. She leaves behind a letter to the court asking that the Morgans be named Johnny’s guardian, and a note to not try to find her.

Margie: 'What a nice little park.' June: 'The kids enjoy it. It's one of the things that sold me on this neighborhood.' Margie: 'You've made quite a life for yourself, June.' June: 'I'm sorry things haven't worked out well for you, Margie.' Margie: 'I had Johnny. That's the one good thing. But now ... oh, this is hard to say.' June: 'It's okay, Margie. Take your time. Whatever you need to tell me.' Margie: 'You and Rex know I'm sick, don't you?' 'We could tell, yes.' 'I beat it twice, June --- but this time it looks like three strikes and I'm out.' 'And you're looking for someone to take Johnny when you're gone.' 'There's no family that can take him, on either side.'
Terry Beatty’s Rex Morgan, M.D. for the 13th of August, 2017. This isn’t the important thing, but I like public pavilions with that top panel’s style of brick-clad support pillars. The trash bin lined with vertical wood slats works for me too.

So that’s an exciting development. The police are vague about whether this does count as child abandonment or any other specific crime, which surprises me. I grant the situation’s not common, but it seems like it’s got to be something everyone who does child and family welfare cases has to hear about. I’m also curious what actual real-world case law suggests. My gut says that yeah, it wouldn’t be abandonment to leave a child with someone responsible who’d given you a verbal agreement to an adoption, along with a letter stating your intention to give the child to their custody, and contact information for your attorney (who’s presumably been clearly told the intention). But if I learned anything from watching too much of The People’s Court as a kid, the thing that seems instinctively right is contravened by actual law. (There must be some guide for this for soap opera writers, mustn’t there? So that if they want the story to go in a crazy direction they can do it in ways that don’t sound obviously crazy?)

And that’s where we land in mid-September. I am surprised to have another child airlifted into the Morgan family. For one, in previous months someone else in the comic — I forget who — had mentioned how she wanted a child. It seemed like a solution being set up for a problem. Also having a ready-made new child dropped into their lives feels a little like a return to the gifts-bestowed-on-the-Morgans format that Terry Beatty had drawn back from. There’s important differences, though. Particularly, the Morgans here think early and often about how much responsibility this child is, and how adopting him messes up reasonably made plans. Kids are work, and there’s been no discussion between June and Rex suggesting they’re thinking of how fun a third child could be.

Curious touch: Johnny is mentioned as having been born the same day as June and Rex’s second child, Michael. The adults remarked on the coincidence. It’s a remarkable coincidence. And none at all, of course, since Beatty got to choose when Johnny was born. So I’m left pondering: what is the artistic choice being made in having the adopted child be born the same day as the non-adopted one? It feels meaningful, but I can’t pin down what the meaning is to me. I’m curious if other readers have a similar sense, or thought about what it does mean.

Next Week!

Apparently I’m just that hungry to get back to Neal Rubin and Rod Whigham’s Gil Thorp. You’ll join me, won’t you? Thanks.

Statistics Saturday: Some Things That Yeah, We’ve Tried Already, They Didn’t Work


  • Turning it off and back on again.
  • Going back into the other room and thinking what we wanted to come in here for.
  • Club soda.
  • Writing an apology for losing our temper, at least, since it is true to say we were wrong to do that.
  • Trigonometric substitution.
  • Offering it again, with a raisin as treat.
  • Unplugging and replugging it.
  • Putting “make to-do list” as the first item on the to-do list.
  • Counting the seconds off.
  • Putting a plastic ruler on top of the drawing tablet to make the reference lines.
  • Drop-catching the pinball.
  • Translating the sentence into Latin to see if its meaning is clear.
  • Screaming into the pillow.
  • Keeping a log of every time this happens so you can prove you aren’t imagining it.
  • Dedicating 15 minutes a day to resolving e-mails until there’s only like a couple dozen in there.
  • Jiggling the key.
  • Putting both spellings into Google to see if one’s way more common than the other.
  • Preemptively striking.
  • Having a little tray on the endtable for all keys.
  • Celery. Lots and lots of celery. All the celery.

Oh! But a slant rhyme, I bet that’s exactly what we need!

In Which I Just Have To Suppose Someone’s Being Naughty


So I was looking up the Dennis the Menace comic strip on Wikipedia for some reason and got to this at the top of its Wikipedia page:

This article is about the US newspaper strip Dennis the Menace. For other uses, see Dennis the Menace.
Not to be confused with Dennis the Menace and Gnasher.

Dennis the Menace and Gnasher is the British comic strip that started the same day in March 1951 but five hours earlier owing to time zones. This is very slightly famous in circles where you might talk about the Dennis the Menace comic strip.

Anyway, down in the US comic strip’s page is mentioned:

TV shows and specials

  1. Dennis the Menace (1959, live-action)
  2. Dennis the Menace in Mayday for Mother (1981, animated, TV special)
  3. Dennis the Menace (1986, animated)
  4. All-New Dennis the Menace (1993, animated)
  5. Dennis & Gnasher (1996, animated)
  6. Dennis & Gnasher (2009, animated)
  7. Dennis & Gnasher: Unleashed! (2017-present, animated)

This all brings me to the question: wait, Dennis’s father is an aerospace engineer? Really? I must have known that at some point, there’s no way Young Me could have let something like that go without memorizing. But what the heck?

Oh also, I did talk about some comic strips on my mathematics blog and none of them were Dennis the Menace so don’t worry about that.

What’s Going On In Mark Trail? June – August 2017


Have you been wondering what the current storyline is in James Allen’s Mark Trail? You’re not alone. The past several months have been this story about Mark Trail and a bank robber and a much-delayed census of prairie dogs in North Dakota. It’s possible that this story, which was going on in August of 2017, has ended by the time you read this. I admit, right now, it’s hard to imagine that. But if “prairie dog bank robber rental car” seem like words completely irrelevant to what you’re reading in the comic strip, maybe this essay is just out of date. At or near the top of this page should be my most recent Mark Trail update essay. I hope that helps you out.

If you’re interested in other comic strips, my other blog reviews the comics that touched on mathematical topics. You might find that interesting. I don’t see why you wouldn’t. You know that thing where you write out a long number, grouped in bunches of three? Like, 10,000,000 instead of, say, 10,00,00,00 or 1000,0000? You know how long people have been doing that? I tell you over there.

Mark Trail.

11 June – 26 August 2017.

It’s been eleven weeks since I last reviewed the action in Mark Trail. Back then I thought we might be drawing near the end of a story that began in mid-March, about Mark Trail held hostage by a bank robber instead of doing a prairie dog census. I misjudged the story length. But now I really, truly, think we’re coming near the end of the story. We’re at the point that every James Allen Mark Trail reaches: the point where Nature tries to kill everybody. The story had promised “bad weather” last time around, but now we’ve got it.

Where we had been: Mark Trail, trying to rent a car in Rapid City, South Dakota, is approached by an armed gunman with a hostage. He’s robbed a bank and wants Trail to drive him to safety. Trail superficially complies but somehow alerts the car rental agency that he’s in distress. Trail drives the bank robber and hostage to the cabin of Johnny Lone Elk, where Trail picks up his friend and they all shift to horseback. Lone Elk knows something’s wrong and he and Trail talk trick riding, while Lone Elk’s wife suspects something’s up.

Trail and Lone Elk tell the Bank Robber (still unnamed, by the way) and Hostage that there’s a major storm coming. The least incredibly unsafe course is to go down the Vulture Creek ridge. The Bank Robber and Hostage go along with this plan, but they’re not near the ghost town they hope to reach before the rain gets heavy. Lightning explodes a tree next to Lone Elk, and his horse panics, leaping over the edge of the ravine.

Meanwhile — just a second here. I do mean “meanwhile”. Something James Allen’s brought to Mark Trail has been a relenting of the stories’ linearity. We can get information on separate threads. It’s not as unsettling as Allen’s choice to have Mark Trail sometimes think a thing instead of saying it aloud at the top of his lungs with random words emphasized. But it’s still a surprise for the long-time reader. That’s just the world we live in anymore.

FBI Agent John Paul: 'Mrs Trail, you seem remarkably calm for someone whose husband has been kidnapped by bank robber!' Cherry Trail: 'Agent JP, have you ever met my husband?'
James Allen’s Mark Trail for the 27th of June, 2017. “The only thing I would worry about is if my husband were kidnapped by bank robbers while being out in a major storm out in the open, trying to get to a ghost town occupied by a provoked grizzly bear! But what are the odds of that?”

Meanwhile, FBI Agent John Paul is on the case, because of the bank robbery. The car rental agent recognized Mark Trail and figured something weird was going on, I think because Trail rented a minivan and not a giant squirrel. He asks Cherry Trail about who Mark Trail expected to meet and where they were. And then why Mark Trail skipped out on his own reservation, instead using one for “Lesley Joyce” at “WaterWorld”. Cherry Trail finds this hilarious, but can explain: Mark surely figured this would be a way to alert people without raising Bank Robber’s suspicions. John Paul is surprised by Cherry Trail’s calm, but she points out she’s been in this strip since like the 40s. Mark’s been through way more serious hostage situations than this.

Lesley Joyce enters the narrative to explain while showing off every pose from How To Draw Realistic Fashion Design Figures ever. Trail and Lone Elk had been hired by Joyce and WaterWorld Theme Park to film a walrus giving birth. The walrus got loose, but Trail and Lone Elk found her. They loaded her into Joyce’s new Escalade, and on the drive back the walrus gave birth to twins. The car technically survived. So if you remember being confused when Cadillac kept running those “pregnant walrus” ads for the Escalade, now you know why they were doing it. And this all ties in to the current story because the car rental contract Trail had with WaterWorld from back then was somehow still open, and he could use that to get Joyce’s attention at least?

Lesley Joyce: 'Thanks to Mark Trail, the pregnant walrus proceeded to deliver twin baby walruses all over the back of my brand-new vehicle!' The strip includes an image of the scene, with the car shattered by its interior walrus.
James Allen’s Mark Trail for the 10th of July, 2017. Words cannot express just how many different poses and how many facial expressions Lesley Joyce took on during this anecdote, which ran in the daily strips from the 29th of June through the 15th of July. The anecdote was all Lesley Joyce striking a pose and FBI Agent John Paul saying this is hilarious, please go on. It almost read like that Futurama episode mocking silent movies. If you find someone who can use this as the storyboard for a live-action scene that reads naturally, hire them: they can film anything.

I admit this all seems like a lot of story time spent on a tiny point. It isn’t as if the FBI wasn’t looking for the Bank Robber or as they didn’t find the Mark Trail connection on their own. But it’s realistic that Mark Trail couldn’t know that, and would send out whatever distress signals he could. And that car rental counters don’t offer a lot of chances.

The FBI works out something about the bank robbery security footage and the car rental counter footage. The female hostage in the second is one of the Bank Robber’s accomplices in the first. Remember what I said about James Allen making the Mark Trail stories less relentlessly linear? The twist took me by surprise, yes. On rereading the story, I have to grant: Bank Robber and Hostage/Accomplice’s interactions make much more sense now. It wasn’t planted by anything overt; it was just interactions.

FBI Agent John Paul(?): 'The woman who helped rob the bank and the female hostage in the airport video ... they are one and the same!' Other FBI Agent: 'WHAT!?' FBI Agent: 'Yep! - She's a willing accomplice ... and she's armed!'
James Allen’s Mark Trail for the 19th of July, 2017. Agent John Paul delivers what is a real, legitimate plot twist in this storyline. Also, I don’t know the name of the guy in the second panel so I don’t know whether to call him Agent George Ringo or Agent Benedict Francis. But I’m going to be ripping that off for Telegram stickers.

The FBI follows Trail’s … trail, into the storm, and they borrow horses from the local town sheriff to get to the ghost town. The storm’s getting worse, with tornadoes in the area.

Meanwhile, Johnny Lone Elk turns out not to have died by falling down the ravine. The plan was to go down a not-as-steep-as-it-looks part of the ravine to fake his death. Then Lone Elk would get help while Mark Trail manages a distraction, by which we mean, while Mark Trail punches somebody.

Mark Trail, punching Bank Robber: 'I have had ENOUGH of you I'm DONE with your attitude!'
James Allen’s Mark Trail for the 9th of August, 2017. Yeah, so me acting like that is why I’m not allowed at my local Congressman’s town hall meetings anymore, but I feel that history and the Free American provisional government will forgive me.

Besides punching the Bank Robber, Trail reveals he saw through the Hostage/Accomplice long ago. Trail explains he knows terror-stricken people when he sees them and she wasn’t it. … Which, is fair enough. But as fun as punching and yelling at people is, the storm’s getting worse and they need to get to the ghost town.

Lone Elk finds the sheriff, and they agree to head over to the caves where a big old grizzly bear named Samson lives. They figure this is the best way to get to the ghost town through the rain and maybe get the Bank Robber eaten by a bear. And that’s where the story stands right now. We’ll see how that all turns out, and see whether we do eventually find out how many prairie dogs live near Rapid City, South Dakota.

Sunday Animals Watch.

Animals or other natural phenomena featured on Sundays recently have included:

  • Tornadoes, 11 June 2017
  • Bees and Wasps, 18 June 2017
  • Giant African Snails, 25 June 2017
  • Egyptian Fruit Bats, 2 July 2017 (we understand their arguments! Weird, huh?)
  • Komodo dragons, 9 July 2017
  • Hoopoe (birds), 16 July 2017
  • Pygmy Dormouse, 23 July 2017
  • Slipper Lobsters, 30 July 2017
  • Roseate Spoonbills, 6 August 2017
  • Cook Pines, 13 August 2017 (wait, they grow at an angle proportionate to the latitude? The heck?)
  • Bay Cats, 20 August 2017
  • Whales as ecological influencers, 27 August 2017

Next Week!

I don’t want everyone out there quivering too hard with anticipation, because it doesn’t have as many cruise ships! as it could have. But still: Karen Moy and June Brigman’s Mary Worth is back!

How I Spent The Day


I ran across this on the BBC News’s Technology page:

Headline: Digital Life After Death? How tech is livening up the funeral industry
Remember when this was the joke we made about tech? And funerals? What are we doing wrong?

So I figured I had to go outside and roll down a hill all afternoon.

Oh yeah, did some more comic strip talk on my mathematics blog so thanks for listening to all that.

What’s Going On In Gasoline Alley? May – August 2017


Do you know what time it is? Or what day it is, anyway? Because if it’s later than about December 2017, this isn’t an up-to-date report on the current plots of Jim Scancarelli’s Gasoline Alley. I’m writing this in mid-August 2017 and try to avoid making unfounded guesses about where stuff is going. So if it’s gone far enough that I’ve written a newer story summary, it should be at or near the top of this page. Thanks for reading.

Also thank you for reading my mathematics blog, where I reviewed some comic strips which had mathematical topics about six hours ago. There’ll be more.

Gasoline Alley.

29 May – 20 August 2017.

The Gasoline Alley for the 29th of May, 2017, shows Santa Claus getting tossed in the air by a water wheel. There’s reasons for this. One of Jim Scancarelli’s stock plots is the weepy melodrama, and that was in full swing. Comic-relief dopey characters Joel and Rufus had run across a desperately poor family living in the old mill and decided to bring them Christmas presents as Santa Claus Running Late.

In accord with the Law of Christmas Mysticism, the attempt to play Santa Claus crashes on the shoals of physical comedy. But a mysterious figure dressed as Santa Claus and explaining that of course he didn’t forget about the children delivers a pair of bicycles. But wait, you say, Joel is still dressed as Santa Claus and stuck on the water wheel! Who was that mysterious Santa-y figure giving presents to children? Hmmmmm?

Santa: 'I brought you two bikes! I hope you like them! Ride Safely!' Emma Sue And Scruffy: 'Wow!' (Crashing noise.) Emma Sue: 'What's that?' And Scruffy: 'It's Mr Rufus and some ol' geezer!' (Joel, dressed as Santa, caught on the water wheel) 'Ol' geezer?'
Jim Scancarelli’s Gasoline Alley for the 3rd of June, 2017. This features one of the rare times I don’t think Scancarelli drew the comic very well. From the staging, it seems like Santa must have been visible to Joel and Rufus. The earlier strips suggest that too. But Joel and Rufus go on not knowing who that strange Santa-like figure giving away presents might have been. I’m not sure how to stage the action so that the reader could have been misdirected about which Santa was on-panel while the characters wouldn’t see what was up, I admit. Maybe there’s nothing to be done but this.

Hm. Well, Rufus goes back home to find his cat’s had a litter of kittens. Emma Sue And Scruffy, the poverty-stricken kids he tried to give bikes to, see them too. Rufus’s reasonable answer to whether they could adopt them (“you have to ask your mother”) inspires Joel to ask why he doesn’t try marrying The Widow Emma Sue And Scruffy’s Mom. Rufus tries to dodge this plot by going fishing. Emma Sue And Scruffy do too, biking to the fishing pond.

There they find a codger, drawn realistically enough that when he tells them to scram they scram. Or they do until And Scruffy drives his bike down the embankment and learns it was a mistake not to also ask Santa Claus for bike helmets. Rufus did warn them about biking without protection, and honestly, when Joel and Rufus are the voices of wisdom …

Codger Elam Jackson, talking to camera: 'Many problems will solve themselves if we just forget them and go fishing!' He sees the accident-stricken And Scrffy. 'Hey! What's that up there? A head? It looks like a problem I won't be able to forget!'
Jim Scancarelli’s Gasoline Alley for the 10th of July, 2017. Oh, I don’t know about this problem not being one to forget, Elam. Have you ruled out staying at home and eating sheetcake?

Emma Sue goes seeking help. The codger, bringing his fish back through the fourth wall, finds And Scruffy. This promptly melts his heart, so the codger picks up the crash-victim and moves his spine all around bringing him back to the old mill. The codger — Elam Jackson — introduces himself and offers the fish he’d caught for a meal. Plus he offers to cover the medical bill to call a doctor for And Scruffy.

The Widow Emma Sue And Scruffy's Mom, to Elam, who's working on their water wheel. 'Why are you doing all this work around here, Elam?' Elam: 'The Good Book says we are to look after widows and orphans ... and that's what I intend to do!'
Jim Scancarelli’s Gasoline Alley for the 10th of August, 2017. I don’t try often to project around here where stories are going to go. Usually, if a plot development seems directly to follow, I’m happy to let the writer try and fool me, or choose to do the obvious thing in an entertaining way. A story doesn’t have to surprise me; it has to be interesting. Still, at this point, I became convinced that Elam and The Widow Etc should be expected to set up home-making together. Rufus can try winning the affections of Miss The Widow Etc. But he’s one of the long-standing comic-relief characters. He’s not getting married off, not to someone who’s been in the strip less than three months.

Rufus calls Chipper Wallet in from the Physician’s Assistant public-service storyline. Chipper examines, judging And Scruffy to be basically all right, and leaves without charging. This short-circuits the attempts of both Rufus and Elam to win the heart of The Widow Emma Sue And Scruffy’s Mom by paying her family’s medical bills. Rufus shifts to bringing two of the kittens as gifts to Emma Sue and Scruffy. Elam shifts to fixing the water wheel, offering The Widow Etc the chance to grind cereals as the public needs. I admit I’m not sure whether The Widow Etc and family are actually legit tenants of the old mill or if they’re just squatting.

And that’s where the plot stands at the moment.

Walt at the gates of heaven: 'Excuse me! Am I at the Pearly Gates?' Angel Frank Nelson: 'Oooh, yesss, indeedy! What's your name?' Walt: 'Walter Weatherby Wallet! Are you Saint Peter?' Frank: 'No! He's stepped out for a millennia! I'm filling in for him! Let's see! Waldo ... Walnut ... Ah! Here you are ... Walter Wallet! Now! What's the password?' Walt: 'Password? I didn't know you need one to get in here! Uh! Will my phone, computer, or credit card passwords work?' Frank: 'I'm afraid not!' Walt: 'What can I do?' Devil Frank Nelson: 'Psst, bud! We don't need passwords to get in down here!'
Jim Scancarelli’s Gasoline Alley for the 6th of August, 2017. So, things I like here: That topper panel with the angel dog, cat, and mouse sequence. Angel Frank Nelson’s halo being this head ring. And the heaven-as-a-bureaucracy thing that was kind of popular-ish in movies and industrial shorts and stuff in the 30s through the 50s. What I don’t like: there’s no time for a good Frank Nelson-y put-down of Walt Wallet? ‘He’s stepped out for a millennia [sic]’ could be delivered nasty, but it’s not an insult by itself. What’s got me baffled: with an entry line like “psst, bud!” how is that devil not Sheldon Leonard? I am curious whether Scancarelli started out with the idea of Jack Benny’s Racetrack Tout trying to lure Walt Wallet to a warmer fate, which seems like a good premise. But maybe the setup took too long however he tried to write it, and Scancarelli figured to switch over to a Devil Frank Nelson to avoid muddling the surviving joke? I am not being snarky here; I’m genuinely curious how the idea developed.

The Sunday strips have been mostly the usual grab-bag of spot jokes. The one curious, possible exception: on the 6th of August we see Walt Wallet at the Pearly Gates, being checked out by Angel Frank Nelson. It’s hard to believe that Jim Scancarelli would allow for the death of Walt Wallet, one of the original cast of a comic strip that’s 99 years old, to be done in a single Sunday strip that’s mostly a spot joke. The strip hasn’t got most of the signifiers that something is a dream or a fanciful experience, though. On the other hand, neither did Slim Skinner’s encounter with a genie. And Walt turned up again just today, anyway, talking about the advantages of dying at an early age. So, I guess Sundays really are just a day for merry gags.

Next week: I check in on how nature or car-rental anecdotes will kill us all, in James Allen’s Mark Trail. Call your friends, if your friends know any prairie dogs! Word is that prairie dogs are making a comeback.

Has The Guy Who Draws Beetle Bailey Ever Seen A Squirrel?


Before I get into writing way too much about way too small a point, I want to mention my mathematics blog, where I had some more comic strips to write about yesterday. I’d like to say a little more about that, because I want to include an image of a comic strip with alarming art in it.

And if I pad the text enough before including the image, then WordPress makes it appear below the little block on the left with the dateline and tags and so on, then the image is larger, and that’s better.

And I need like one more line before it works on my computer to come out right.

Maybe one more.

One more, I think.

No, don’t need that one.

Beetle, offering food to some kind of small dog. 'I'm giving this squirrel a taste of cookie's stew.' Plato: 'That's kind.' The 'squirrel' looks dazed. Beetle: 'If he doesn't get sick, it's safe for ME to eat.' Plato: 'That's cruel.'
Mort Walker and Greg Walker’s Beetle Bailey for the 15th of August, 2017. So, in the vintage circa-1960 run of Beetle Bailey also on Comics Kingdom they have this fascinating running joke. General Halftrack frets that he hasn’t gotten any orders from the Pentagon for the last three years or so, and that last order was to just wait for their next order. It’s a good joke. It also feeds into the fan theory — yes, yes, all fan theories are the same fan theory — that Camp Swampy is some dopey military-fantasy camp with no connection to the actual US Army. I don’t care for the fan theory but, must say, an utterly forgotten camp kind of makes sense.

OK, so, yeah, since about 1950 comic strips have relied on this Mid-Century-Modern-influenced styling. Every comic strip develops its own non-representational but, hopefully, expressive design. And trying to fit something very different into that design can be difficult. Charles Schulz never figured out how to put a cat he liked into Peanuts. But this … I mean … what the heck?

I’m not saying I can do better. My own squirrel-drawing abilities are sharply limited. I would probably give you a better squirrel if I handed a canvas and ink brush to a raccoon and asked her to draw something. She would refuse, because it’s really crummy to ask an artist to draw something for free. I would offer the onion we kind of forgot we’ve had in the refrigerator since May as payment. She would insist also on getting the block of year-old cheddar that’s going a bit off because we’re not eating as much cheese as we expected. I would say she could have the parts that are starting to go dry, but not the salvageable part. And there we would reach an impasse. In any case, we wouldn’t get some Apartment 3-G nightmare like that. That’s what I’m saying.

Another Blog, Meanwhile Index

The index rose a starting 23 points over the day to close at 400, a new high number and a nice, round number too. Everybody’s in quite the giddy mood, pondering, what can they possibly do to top this? Someone came in from consoling Lisa with the suggestion of “401”, but was called a mad fool and a dreamer.

400

What’s Going On In Dick Tracy? June – August 2017


Are you trying to work out what’s going on in Joe Staton and Mike Curtis’s Dick Tracy? Welcome, fellow confused reader. I’m doing my best to explain the current storyline myself. I’m writing this in the middle of August 2017. If it’s much past that date for you, the story might have changed radically or even concluded. If I’ve written another summary of plot developments they should be at or near the top of this page. Thanks for trusting in me to spot pop culture references in the venerable story comic about a scientific detective.

For other comic strip talk, my mathematics blog just reviewed some strips with the theme of “Pets Doing Mathematics”. Please consider that, too.

Dick Tracy.

4 June – 12 August 2017.

My last update, in early June, coincided with the conclusion of a storyline. So I have a nearly clean field for this one. The story for June and July focused on the B O Plenty family, hillbillies with one Devo hat and a powerful aroma to them who married into the comic strip decades ago. The Plentys worry about strange sounds suggesting their house is haunted. What they should worry about is Paragon Bank noticing there haven’t been any payments on their mortgage, like, ever. In foreclosure, Plenty points out that he paid for the house in full, and turns over the receipt. The judge goes against precedent and rules the bank may not seize their home and destroy their lives.

Not to worry for justice. The bank skips out on paying court costs. Tracy, at the behest of Gravel Gerty, goes to the bank to keep B O from shooting anyone wealthy. And while he’s there Blackjack and his gang pop in and hold up the bank. Tracy doesn’t get involved, on the grounds that he didn’t want to start a gunfight. Blackjack, a hardcore Dick Tracy fanboy, realizes the detective has been replaced by a pod person, but makes off with the cash. Tracy points out that Blackjack’s taken to robbing banks with notorious reputations for cheating people, so, you know. I’m sure the bank is working its way through to paying court costs like the manager says they were totally planning to do.

Blackjack's Hideout. 'I still can't believe it! I had the chance to meet B.O.Plenty and Gravel Gertie!' Winston: 'Why is that bothering you, Boss?' Blackjack: 'It's something you can't understand, Winston. If I'd met the Plentys, perhaps I could have met their daughter, Sparkle. I have all her toys. This is too much for me! I NEED TO GO ROB A BANK!'
Joe Staton and Mike Curtis’s Dick Tracy for the 25th of June, 2017. So, better or worse: Blackjack going on a series of bank robberies, or Blackjack sliding in to Sparkle Plenty’s Twitter direct messages? Because I gotta say, he has got to have the creepiest come-ons.

Sparkle Plenty goes to the bank. There she hears the haunting strains of Blackjack’s leitmotif, Chumbawamba’s “Tubthumping” (“I get knocked down/But I get up again”), which I am going to go ahead and assume he adopted after falling out of love with Smashmouth’s “All Star”. She appeals to his fanboyishness, offering to sign all his Sparkle Plenty collectible toys if he’ll call off the bank heist. He agrees, dependent on his getting a selfie with her. So that works out great for everybody.

Finance rumbles on. With Fleischer Savings and Loan defaulting on pension obligations Tracy figures he knows Blackjack’s next target. Manager Frank Hickman appreciates Tracy’s warning, but he’s counting on Blackjack robbing the bank to cover a $250,000 shortfall the auditor is days away from discovering. But Blackjack takes his time, as he’s busy building plastic scale models of Dick Tracy. Here the last molecule of plausibility is destroyed. I’ve been a plastic scale model builder since I was like seven and I will not accept the idea of a plastic scale model builder actually putting together a plastic scale model. We just buy kits and paints and glues and gather reference materials and let them sit until a loved one yells at us, then we sell two of the most-duplicated kits at the next yard sale. Building the blasted things goes against the Code.

Anyway, Blackjack wastes so much time that he gets to the bank just after Hickman’s set the place on fire. Tracy and his stakeout team, and Blackjack and his bank-robbery team, turn to rescue operations, hauling people out. Hickman fights Blackjack hard enough everyone knows something’s up. Tracy gets a major clue when all the bank workers say how Hickman set the fire. Blackjack’s arrested too, but he gets to see Tracy’s Wall of Action-Scarred Hats, which is a thing and really thrilling to him. And that, on the 25th of July, wraps up that story.

The Fleischer Savings and Loan is in ruins. Sam Catchem: 'Tracy, all the employees I've talked to say THIS FIRE WAS SET.' Tracy: 'Mr Hickman, we'll have to take you in for questioning.' Hickman: 'I WANT A LAWYER!' Tracy: 'As for you, Blackjack ... ' Backjack: 'I know Tracy. I had to help those people in the bank.' Tracy: 'Thank you, Blackjack.' 'Sure, I rob banks, but I'M NOT ALL BAD.'
Joe Staton and Mike Curtis’s Dick Tracy for the 23rd of July, 2017. What I’ve never been able to work out is whether the name of the Fleischer Savings and Loan is a shout-out to the Fleischer Studios, the animation team that brought us all those great Betty Boop and Popeye cartoons, but also went and made Hunky And Spunky For Some Reason so maybe that’s why they get a rotten bank named for them?

The current story: Silver and Sprocket Nitrate escape from prison. Their liberator: an animate Moai named Public Domain. Domain wants the bogus-film experts to create a phony audio recording. There’s the legend that Édouard-Léon Scott de Martinville had recorded Abraham Lincoln’s voice on his phonautograph in 1863. The Nitrates like this idea, figuring they can make it their one last caper before retiring to a farm upstate. While the Nitrates call everybody they know to ask if they can impersonate Abraham Lincoln, Domain primes his mark. And that’s where we stand now.

The work begins at Public Domain's hideout. Sprocket: 'You've got a package, Silver.' Silver: 'THE CYLINDERS ARE HERE! They're made of canova oil, like the ones Edourd-Leon Scott de Martinville used.' Sprocket: 'Are you going to record on this cylinder?' Silver: 'You got it. Abraham Lincoln was supposed to be a tenor with a Kentucky accent.' Sprocket: 'Public domain is right. You're the tops at scams like this!'
Joe Staton and Mike Curtis’s Dick Tracy for the 6th of August, 2017. I am embarrassed to say how much I’m geeking out about this forged-audio-recording storyline. I mean, creating a plausible phony antique media document like this, which I assume has to come complete with a plausible provenance, presses so many nerd buttons on me.

There’s two major plot threads that have been left unresolved but got refreshes recently. Nothing’s been said about the weird noises that made the Plentys think their house was haunted. Other Detective Lee Ebony continues in deep undercover as Mister Bribery’s bodyguard.

Not given a refresh the past couple months: crime boss Posie Ermine wants his daughter, who’s been brainwashed and surgically altered into the Duplicate Mysta Chimera (“Moon Maid”), back. There was some (apparent) Lunarian in an Antarctic Valley pledging to investigate the mysterious Duplicate Mysta.

Next Week: Since my car has finally passed 100,000 miles I should take it down to Jim Scancarelli’s Gasoline Alley for a check-up. Will there be old-time radio references? You make the call!

Another Blog, Meanwhile Index

The index rose eight points today despite fears among traders that there might be multiple open-air jazz festivals going on in the Eastside that we’re going to have to deal with? The heck is that even possible?

359

What’s Going On In Prince Valiant? May – August 2017


Hi, reader interested in the current plot in Mark Schultz and Thomas Yeates’s Prince Valiant. I’m happy to help. I’m writing this in early August, 2017. If it isn’t still then, the story might have moved on. If it’s been long enough then I’ve likely written another update, at or near the top of this page, which might be more on point. Thanks for reading.

If you’re interested in non-story comic strips with a mathematical focus, you might like my essay over on the mathematics blog. Thanks for reading that, too, I hope.

Prince Valiant.

28 May – 6 August 2017.

Last time in Prince Valiant, large man Numair had got bored of the refugees Prince Valiant and company were helping out and struck out on his own side plot. He met up with Taloon, expert but wounded huntress of the refugees. As they decide to rejoin the main storyline they’re confronted by three brigands. Numair and Taloon win their initiative rolls, shooting two and leaving the last to flee for a later story thread.

They bring five horses, captured from brigands, back to the main plot. There among the refugees, Taloon is shocked by the sight of Prince Valiant. This, combined with Karen asking Numair if he’s noticed she isn’t talking to him, increases the number of tension-fraught relationships in the strip to dangerous levels. Over the course of June we get what’s going on there, though. Turns out Taloon has a history with Val. According to a comments from L W Swint on the strip from the 18th of June, this story really did happen on-screen in a 1961 story arc named The Savage Girl.

It is very clear to Numair that Taloon is troubled by Prince Valiant's presence: 'You are not one easily intimidated, yet I see that our Prince Valiant disturbs you...' Taloon's features remain calm, but she exhales deeply. 'I mean nothing to Valiant, but he means a great deal to me. When I was a young girl, I was driven from my tribe and would have died of loneliness were it not for his kindness. One night I saw the servant Ohmed attack his unsuspecting master. I killed that ingrate and fled in a panic. I was pursused by another servant, who eventually won my favors until I discovered that he was the scoundrel who set the murderous plot in motion. Our relationship did not end well for him, and I had lost all connection to the one man who had shown me ... ' A slight noise at the tent entrance breaks Taloon's reverie. It is Val: 'You! I remember you!' Next: Heartbreak.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 18th of June, 2017. Now, there’s much to be said about trusting the audience to fill in the gaps and not spoon-feeding them everything, and about the need to write concisely so that, for example, you can tell a story without taking too many weeks at it. But I was lost the first time through and it was only in rereading things to write this recap that I quite understood just what did happen between Taloon and Valiant. I think the relationships of all these people could have been done a little more explicitly.

The story, as Taloon tells it: she was saved as a child by Valiant. One night she saw Ohmed attempting to murder Valiant, a man who had freed him from slavery. She killed Ohmed, and fled, eventually falling in with the person who had masterminded Ohmed’s murder plot and killing him. But by then she had lost all contact with Valiant.

The story, as Valiant saw it: “a strange affair”. His bookkeeper tried to murder him. Taloon kills him and flees with his servant, and demands to know, “what game was played at my expense?” Which comes off as harsh, although as I understand it, it’s not like he has the full story.

Nor does he get it. Numair pulls Valiant out of the scene before he can say anything too wrongly accusatory. Karen, Valiant’s daughter, explains how Taloon’s got a hero-crush on Valiant and never got thanked for clearing out Val’s faithless servants. But Valiant gets all huffy about being told he’s wrong for thinking something crazy was going on that night a girl killed his treasonous servant and ran off with another servant.

But Valiant will own up when he says something rash. He tries to apologize to Taloon for … wanting to know what the heck was going on (I admit, I’m not exactly sure myself). He also tells Karen how proud he is that she’s a fine warrior despite getting girl parts all over their wars.

The raiders have finally returned to the camp, but Val has the refugees ready for this attack! The surprised brigands are blocked by a massive gate---young women and children bearing makeshift pikes surround the panicking horses and the defenders are themselves defended by Val's sword-wielding companions. Bukota is particularly happy to again meet the horseman who had trampled him weeks earlier. The confused, frustrated raiders have little stomach for unexpected resistance, and quickly retreat in ungainly disorder, leaving behind their fellow who had catapulted over the gate. Poor bandit --- Val has already started working on him! Next: Val's offer.
Mark Schultz and Thomas Yeates’s Prince Valiant for the 6th of August, 2017. Fortunately, there are never unhappy follow-ups to the band of helpless victims suddenly being able to fend off the raiders, and this has solved the bandit problem so well that Valiant and company will be able to leave with a clear conscience.

With all those emotions successfully deployed the story can return to the bandits. They attack the refugees that Valiant and company had been uplifting to defensibility. That the refugees have sentries waiting and put some kind of trap for the bandit’s horses in the way strikes them as cheating, and they protest to the tournament officials.

Next Week: I continue tinkering with the time-flow of these recaps, and brave my pop-culture reference detection abilities by poking back in on Joe Staton and Mike Curtis’s Dick Tracy. All going well.

Another Blog, Meanwhile Index

The index rose another nineteen points to another record high and now I’m worried about it breaking through the 400 barrier as we don’t have insurance for that barrier getting damaged or destroyed.

384

Thinking About The Mud Supply


I’m not among those outraged by reports that a New Zealand music festival has spent NZ$90,000 importing five tons of mud from South Korea. What do I know from what New Zealand music festivals need? And besides, Juicero. I got to tell a friend who’d missed that all about the Juicero nonsense yesterday and it was great fun. But the people of a planet that produced Juicero investors have no place faulting music festival organizers for being part of the international mud trade.

No, what’s got me is that festival organizers said this purchase would meet their needs for the next five of their concerts. If this is an annual event, that’s five years’ worth of mud they’re buying. Again, I don’t fault them buying in quantity. If you know you need something and it’s nonperishable and you have the storage space, sure, buying in bulk makes sense. What’s got me is having a projection of your mud needs for the next five years. I have no idea what my mud needs are like. I know it’s killing my budget to keep running to the corner convenience-store-that-wants-to-be-a-neighborhood-grocery-but-isn’t-trying-very-hard to get a box every time I run short. I should write the festival and ask for their advice on mud need estimation. But now that they’re being made fun of in public I bet they wouldn’t think I was sincere. Too bad.

Also I had some more comic strip stuff on my mathematics blog. You might like that. I also started a new sequence of explaining mathematics terms, which I always like doing.

Another Blog, Meanwhile Index

Somehow the Another Blog, Meanwhile traders found another 26 points to rise and I don’t know where they all came from. They can’t all be from swiping digits out of the Labor Of Like Index. We got those allegations cleared up by pointing at them and declaring that they were not allegations but crocodiles instead, and this set off a healthy Internet know-it-all intellectual dogpile from people who insist they do too get the joke but there’s a real point here that some other people might be confused about. I’m innocent, is what I’m saying.

368

What’s Going On In The Phantom (Weekdays)? May – July 2017


Hi, readers of Tony DePaul and Mike Manley’s weekday-continuity The Phantom. This is an essay meant to help you catch up on what’s happened in the strip through to late July, 2017. If it’s not close to late July, 2017, for you, the story might have progressed or a new story begun. I’ll try to have more recent essays that bring you up to date at this link. There’s also a separate, independent, Sunday continuity for the comic strip. That one’s written by Tony DePaul also, but is drawn by Terry Beatty. I’ll also have updates on that continuity, sometime soon.

And if you’re interested in comic strips plucked entirely out of continuity, my mathematics blog discusses comics with mathematical themes, and had a fresh post about that mere hours ago. Please read and enjoy, if you think that’s plausible.

The Phantom

8 May – 29 July 2017

Our last check on Tony DePaul and Mike Manley’s The Phantom, weekday continuity, was about six weeks into The Curse Of Old Man Mozz. The Phantom, 21st Ghost Who Walks, had been so busy clobbering low-level thugs that he barely noticed Old Man Mozz was on the brink of death. His wife, Diana Walker Phantom, investigates. Mozz has been in a series of physically and mentally taxing trances, forseeing …

She’s coy about it, but it’s the death of the current Phantom. In a factory that’s by a charming scenic water wheel, a “weak man” with one of the most punchable faces in the comics will “strike from hiding”, killing the 21st Phantom, shooting him from behind. Mozz promises that this is destiny and no one can save The Phantom. Diana figures she can maybe do something about that. If there’s one thing that’s always avertible, after all, it’s destiny, because we don’t know what the word means.

How To Save The Phantom. Mozz: 'Say NOTHING!' Diana: 'Save his life by doing nothing? NO!' Guran: 'Mozz is right! The DEATH Mozz saw may be the RESULT of us warning the Phantom!'
Tony DePaul and Mike Manley’s The Phantom for the 24th of May, 2017. So, my Rosencranz-and-Guildenstern fanfic for this: one of the other villagers has a vision where Mozz, Guran, and Diana Walker get into an irresolvable squabble about whether Mozz’s vision is a result of warning the Phantom or not warning him, and they have to debate whether to tell Mozz what will happen if he lets his vision be known to anybody else. And then they have to go back in time and prevent the vision from ever being assimilated by the Borg.

But Mozz goes along with it. He decrees that maybe the vision of The Phantom being ambushed was caused by some well-meaning member of his support team warning him. So in a critical moment he would be thinking “is this the critical moment” instead of reacting. Diana is unimpressed by whatever the heck the rules of prophecy are in this story, but chickens out of telling him. Nevertheless, she’s plagued with doubts, and goes to the Whispering Grove, home of Bangalla’s largest forest of demon-haunted trees that seem to be crying out the Phantom’s name. There she reflects how much would get screwed up if the 21st Phantom dies: not least, he’s the only person who knows exactly what strange school in the Far East Kit Walker Junior is in.

The Whispering Grove ... where wind through hollow trees makes an eerie sound. The trees, many of them looking like haunted faces, call 'phan ... tom ... phan ... tom ...' as Diana walks between them.
Tony DePaul and Mike Manley’s The Phantom for the 12th of June, 2017. Most of The Phantom’s legend seems like the kind of stuff that would naturally grow if we allow the existence of a long-running small-family project based on heroically saving a patch of what turned out to be Africa. The forest full of jack-o-lantern trees whispering The Phantom, though, that’s hard to explain. Also not explained: are they whispering The Phantom in English or in the Bandar tongue?

She can’t stand it, and fetches The Phantom back from his mission of riding his big white horse around the jungle. And she makes Mozz tell him of the vision and his doom at the Waterwheel Factory. His team encourages him to take a pass for a couple weeks, wait out the current crisis and then get back to his world-saving duties. Mozz paints a solidly egotistical picture of this, arguing that The Phantom ought to be killed by some great monster like Chatu. Not by some drip who wears an orange shirt with green stars on it and a vest that looks like it ought to be a Home Depot apron but somehow isn’t. Walker thinks it over and decides no thinking necessary. Ghosts Who Walk just don’t ditch their job that way.

Mozz narrates his vision: 'Felled by no great enemy! A common COWARD! Your thoughts are of THE NOMAD! Of CHATU THE PYTHON! TRUE EVIL you leave to the 22nd PHANTOM!' Describing The Phantom laying, dead, as the common-coward cries with joy.
Tony DePaul and Mike Manley’s The Phantom for the 6th of July, 2017. The great unasked follow-up question: “wait, so, Mozz, in your visions you can read my mind? Or are you just taking a fair guess based on what you know about me? Because, have to say, there are some serious privacy concerns here, even putting aside the whole death-at-a-coward’s-hand thing. For one, how far before the moment of my death does your mind-reading ability extend? Do you know what I’m thinking of when I think about Jamie?!”

The Phantom rides his horse to Destiny Date Road, where he finds a truck hauling guns to the Waterwheel Factory. He sends his hose off, riderless, to stop the truck. One of the thugs has always wanted a horsey just like this and Phantom Horse is happy to play along enough for The Phantom to clobber them and take the truck. It’ll be a way into the Waterwheel Factory.

Thug, swinging his gun around randomly in the dark, beside The Phantom's horse. 'All right! Hey, uh ... HA! Pretty good TRICK with the HORSE! Who are ya? I'll, uh ... you know! Hey, I'll SHOOT HIM [the horse], man!'
Tony DePaul and Mike Manley’s The Phantom for the 20th of July, 2017. There is something comforting in knowing that however close The Ghost Who Walks might be to his death, low-level minions at the Thug Factory are still going to be in completely over their heads.

The envisioned killer’s scouted out the waterwheel and figured it’d be a great spot to ambush somebody from, just in case. He’s thinking how awesome it will be to kill The Phantom and can’t imagine any way that any of this could go wrong in the slightest, so that’s good for him.

The summary sounds sparse, but that’s because this is a plot summary. Much of what’s gone on has been atmosphere or self-inquiry. Particularly, Diana spent a good while tormented by the question of what she could do to prevent her husband’s getting killed. This included a couple gripping sequences, including her sitting in the Whispering Grove, or enduring nightmares based on her knowledge. That all condenses out of a couple paragraphs about the events of the story, though.

As I’d said recently, I won’t be making guesses about whether The Current Phantom dies this story. Either outcome is properly foreshadowed and set up. Either would be a logical outcome, and it’s doing pretty well to have such a believable ambiguity this far into a story.

Next Week: I change up the order of these strip recaps a bit and return to the time of King Arthur, with a check on Mark Schultz and Thomas Yeates’s Prince Valiant.

Another Blog, Meanwhile Index

The index rose three points today to make its third day out of the last four spent at 331, which is a little weird. Also nobody’s seen Lisa since she said she was putting together that Tiny McMansions pilot episode. These are unrelated problems.

331

What’s Going On In Alley Oop? May 2017 – July 2017


Thanks for trying to work out what’s going on in Jack Bender and Carole Bender’s Alley Oop. I’m writing this in mid-July 2017. If it’s a lot later than July 2017, the story might have moved on, although I admit right now that’s not looking very likely. There might have been enough story development that this stuff isn’t useful anymore. If I’ve written a fresh follow-up since this essay, it should be at or near the top of this page. Let me know if you don’t see something and if the story has got so baffling you need an update.

And before I continue may I point out that on my other blog, I talk about whatever comic strips the past week touched on some mathematics subject. These are almost never story strips, but that’s all right. There’s interesting stuff brought up by them. Also, this week it features bunnies wearing eyeglasses, although not as well as they could.

Alley Oop

1 May – 22 July 2017

The current storyline in Jack Bender and Carole Bender’s Alley Oop started sometime in October of last year. The end of April and my last update of the strip coincided with what looked like the end of the story. Volzon, an alien plant-frog-guy with a mind-control ray gun, had been foiled in his attempts to colonize prehistoric Earth. It turns out dinosaurs, like Dinny the brontosaurus, aren’t subject to alien mind-control rays and don’t see any reason they couldn’t eat invading alien spaceships. Good stuff to know.

Alley Oop, knowing a loose end when he sees it, tosses the remains of Volzon’s mind-control gun out of Moo, and rejoins the quest for food and whatnot. King Guz, reasonably annoyed at yet another attempt to overthrow Moo, starts talking crazy about building a dome that will keep invading aliens out. Alley Oop reminds him that just because someone has an idea doesn’t mean that idea isn’t incredibly stupid. And he soothes the mind-control-wary Moovians. Even if Volzon or another Jantrullian return, it’s not like dinosaurs are going to vanish from the face of the Earth.

Tunk, examining the mind ray: 'There are some strings inside this thing.' Lemmian: 'Whatcha got, King Tunk?' Tunk: 'I'm not sure yet, but once I join these strings back together, I'll be able to tell what this thing is!' He gets zapped. Queen Loola: 'Am I imagining things, or is that my husband I see? It's about time you came home, Tunk!' Tunk: 'Quiet, dear, I'm concentrating!' Loola: 'You're concentrating? On what?' Tunk: 'I found a very delicate piece of equipment that needs to be repaired!' Loola: 'Hmmm... What is it?' Tunk: '(Sigh) I don't know yet!'
Jack Bender and Carole Bender’s Alley Oop for the 21st of May, 2017. A couple notes about the art. First, I like the composition of the first panel, bottom row, close-up on the mind-control ray gun and with the characters receding behind it. It’s the sort of composition I’d use for a dramatic picture. Second: I really like Queen Loola’s ‘Hmmmm’ drifting into smaller and smaller characters. These days the use of computer-typeset letters seems common, and I understand why. But that does seem to discourage cartoonists using varied sizes to emphasize tone and pacing of dialogue and that is a loss. I’m glad to see size used.

This fine example of dramatic irony gets a little bit weirder when you remember the premise of the comic strip. Alley Oop is a time traveller. He’s been, repeatedly, to the present day and knows that dinosaurs do vanish. On the other hand, he also knows the Jantrullians don’t manage to conquer the Earth, not before about 2016 anyway. (I don’t know if he’s ever been to our future.) I’m not sure how wry this is all supposed to be.

Meanwhile in the loose end, it turns out Alley Oop threw the remains of Volzon’s mind-control gun all the way into Lem, where King Tunk found it. As he only just got in the story he doesn’t know what it is or what it should do, but he can tell these are a bunch of sparky wires that got ripped apart. He figures he could twist the wires back together, cover them with tar, and wrap the whole remains of the gun in a palm leaf and maybe then it’ll work again. I admire his ingenuity and his success. I mean, I’ve needed the help of the car care place down the street just to take off my license plate holder. Twice. He’s fixing up an alien mind-control gun using sticks and leaves.

King Tunk, thinking how to repair the ray gun: 'Let's see - I need something sticky t'glue these things together! Hmm ... I've got it! Th'tar pit!' (He runs to the tar pit) 'This should do it! There's nothing stickier than this tar!' (He glues the ray gun together, and wraps it in a leaf.) 'Maybe once those strings are coated with this goo, they won't shock me anymore! I guess I'll just hafta settle for making a skin for this thing to cover up that hole! The tar should keep it secured. Not bad! Now it's time to figure out what this thing can do!'
Jack Bender and Carole Bender’s Alley Oop for the 4th of June, 2017. Seriously, folks, give it up to King Tunk and his hacking skills. This is a great bit of problem-solving and thinking outside of the box by someone who lives tens of thousands of years before boxes were invented. Think what this guy could do at your town’s Maker Faire.

At least he’s trying to. He tromps into Moo with the repaired gadget, accusing King Guz of designing a weapon to attack Lem. His attempt to use it backfires, leaving him in a dazed and suggestive state. King Guz sees an opportunity, figuring “I think it’s high time Tunk did something good with his life”. This serves as a reminder that there are people who can’t be trusted with mind-control technology, and that would be pretty much “people who’d use it on the unsuspecting”. And I’m not sure it should be trusted to people who’d volunteer to have it be used on either. I get the idea, but there’s such major issues about consent and the respect of personal autonomy that I can’t see a way around it.

King Tunk: 'You designed this weapon [ the ray gun ] to attack Lem!' King Guz: 'You're crazy! I didn't make any weapon!' Tunk: 'Let's see what it can do!' Alley Oop: 'Noooo! STOP! Quick, Guz, shield your eyes!' The gun shoots out a fizzly bunch of lines that boomerang back at Tunk. Tunk: 'What's goin' on with this thing? Is this what this thing's supposed t'do? I'm ... ' And he falls over, wide-eyed and staring vacantly.
Jack Bender and Carole Bender’s Alley Oop for the 9th of July, 2017. I didn’t realize until this point that all the plot-representative strips were from King Tunk’s storyline, with nothing about Alley Oop trying to talk King Guz out of building a stupid dome and promising that nothing bad can happen to Earth as long as there are dinosaurs. Well, all right. Again, have to give it up for King Tunk that the mind-control ray gun is working at all he repaired its dinosaur-chewing damage using tar and leaves. Also have to give it up for Jantrullian technology that the thing can be repaired in the field so easily. I bet Volzon would feel the right fool that it ran off so fast.

Anyway, this storyline keeps puttering on at the lethargic pace of a strip that makes sure the Sunday strip contains all the plot of the six weekdays around it. I would have bet the mind-control ray story was over with the end of April, so I’m not going to make guesses about when this story will end. There’ve been some teases that King Tunk needs to learn about working with people, and maybe that’s where the mind-control gun is going. We shall see, I assume.


Next week: News about Tony DePaul and Mike Manley’s The Phantom. The weekdays storyline, not the production of the comic strip.

Another Blog, Meanwhile Index

The Another Blog, Meanwhile index rose — wait, this can’t be right. OK, it’s what everybody is saying, anyway. All right. The index rose 36 freaking points during the day, blasting way past the 300 margin and raising questions about whether the whole project is properly ballasted or what. I’m skeptical. Not looking to cause trouble but I’m not one of those people cranky about how they didn’t buy when it was at 80 or that did sell when it was at 256 because whatever this is, it’s not right.

327

What’s Going On In The Amazing Spider-Man? April – July 2017


Thanks for finding my little attempt to explain the goings-on in Stan Lee, Larry Leiber, and Alex Saviuk’s Amazing Spider-Man comic strip. All this explains what’s been going on through to about the middle of July, 2017. If it isn’t a little bit after the middle of July, 2017, this probably won’t help you much figuring out where we’ve got to. If I’ve written a new update on the stories, they should be at or near the top of this page. Good luck.

The Amazing Spider-Man

24 April – 15 July 2017

I left Spider-Man in Los Angeles, at the end of Rocket Raccoon suggesting that maybe Newspaper Spidey would get to meet the Guardians of the Galaxy sometime. It’s possible. The newspaper Spider-Man is its own continuity, separate from the mainstream Marvel Univers and the Marvel Cinematic Universe. But it is a continuity: guest characters sometimes come back after getting into new fixes that they need Peter Parker to not really do a lot about. The current story is such a case.

At their hotel Peter Parker and Mary Jane run into Aunt May, who’s taking a vacation from her work back home of being over forty thousand years old. Also Mary Jane’s Aunt Anna, who I didn’t know existed. I think she vanishes after the first week or two anyway, to my regrets. I’m going to assume a talent scout spotted her and realized she’s perfect for the lead in the dark, gritty, action-packed Mary Worth Cinematic Universe kickoff movie.

As Mary Jane spins out three anecdotes and two improvised gags on a chat show a mysterious eggplant wearing sunglasses starts hitting studio security with a stick. It’s the Mole Man, familiar to Amazing Spider-Man as the ruler of the subterranean world of … Subterranea. They were caught by surprise when someone asked the name of their land. Mole Man is also, per a story from a couple years back, a would-be suitor to Aunt May. See what I mean about continuity?

Aunt May had rejected his proposal, since as fun a date as he was they lived in separate worlds and barely knew one another and I think he met Aunt May when he was busy kidnapping her. I forget. Anyway, the separate-worlds thing might no longer be an issue because he’s been deposed. Tyrannus the Conquerer, fresh from thinking of the first name he could for who he was and what he would do, has taken over. And now Tyrannus is coming for the surface world.

Mole Man: '1600 years ago the usurper's name was AUGUSTULUS, back when he was the LAST ROMAN EMPEROR.' Petey: 'Assuming that's true - how has he LIVED so long?' 'SUBTERRANEA is home to MANY wonders, Peter Parker, as your WIFE and AUNT could tell you, having actually BEEN there! One of them is what you could call ... the FOUNTAIN OF YOUTH! Having discovered it, he's had many centuries to AMASS POWER. Now he calls himself TYRANNUS and I fear he'll not be CONTENT with ruling the mere INTERIOR of this planet!'
Stan Lee, Larry Lieber, and Alex Saviuk’s Amazing Spider-Man for the 4th of June, 2017. I am trusting this Augustulus thing is from the main comic book history and had no idea. I’ll suppose the Fountain of Youth being in Subterranea is also from the comic books, but that leaves me wondering, like, is the Mole Man also hundreds, maybe thousands of years old? Or was the fountain just hanging around waiting for a spunky young failed Roman Emperor to put it to use? Also, does this mean we should add the newspaper comic to Augustulus’s Wikipedia page as part of his Legacy?

Before anyone can ask serious questions (“Wait, to Tyrannus was the Western Roman Emperor Augustulus, deposed in 476 AD, and kept alive by the Fountain of Youth that’s in Subterranea? Is this a thing in the real comics or … the heck?”) a giant rampaging armadillo-beast breaks through the Los Angeles streets and starts rampaging, giantly. Also Mole Man says the beast’s named Lenny. Mole Man can’t bear to hurt Lenny, but Spider-Man shames him into doing something, since giant rampaging armadillo beasts seem like they’re too hard a problem for Spidey to handle. Mole Man knows how to handle Lenny: chop off some of his scale, then toss the scales down the pit he’d just dug, and Lenny follows. This works because … I’m not sure, exactly. Giant rampaging armadillo monsters can’t resist following their own scent, I guess is what they say.

Mole Man: 'You must SURRENDER me to that underground entity before he LAYS WASTE the entire city!' Spidey: 'My specialty's FIGHTING, not surrendering. Didn't it used to be YOURS as well?'
Stan Lee, Larry Lieber, and Alex Saviuk’s Amazing Spider-Man for the 17th of June, 2017. It’s difficult to explain to someone who doesn’t read the newspaper Spidey regularly just how humiliating it has to be for Newspaper Spider-Man to have to nudge you into action.

Spidey and the Mole Man face a giant ARMADILLOID ... Spider-Man: 'Any idea how we can send that thing PACKING?' Mole Man: 'I thought you had SPIDER-STRENGTH.' Spidey: 'I do. But then, I seem to recall that armadillos are a lot like ANTEATERS ... and anteaters EAT spiders for breakfast!'
Stan Lee, Larry Lieber, and Alex Saviuk’s Amazing Spider-Man for the 19th of June, 2017. Now that’s more the Newspaper Spider-Man we know and love: fobbing off his job on other people and thinking about when he can get back to sitting in a dark room, moping and watching Press Your Luck reruns. Also, while I suppose Spider-Man’s paid more attention to this than I have it seems like if anteaters do eat spiders for breakfast then they’re suffering some mission creep. Just saying.

Mole Man recognizes that Lenny was sent to bring him back to Tyrannus. And while Lenny failed, Tyrannus will send more, possibly harder-to-foil monsters. He resolves to surrender himself to spare the surface world, which underscores how complete a heel-face turn he’s done in the face of Aunt May’s affections. And nothing is going to talk him out of this except if Aunt May asks him to stay and what do you know happens but? She accepts his hastily renewed marriage proposal. The gang retreats to discuss options and how Mole Man can afford to support Aunt May in the style to which she’s become accustomed and maybe next week they’ll talk about stopping Tyrannus or something.

The aftermath of the attack by a huge subterranean monster ... Mary Jane: 'Sounds like every POLICE CAR in LA is headed our way!' Mole Man: 'If they recognize me, they'll IMPRISON me and throw away the key! You see, Spider-Man? It's just as I told you. There's NO PLACE for the MOLE MAN in the outer world! I MUST go below and surrender to Tyrannus!' Spidey: 'WAIT! Maybe we can ---' Mole Man: 'NO! I will NOT stay on the surface - no matter how many times you ASK me!' Aunt May: 'Then, Melvin, what if I asked you?'
Stan Lee, Larry Lieber, and Alex Saviuk’s Amazing Spider-Man for the 2nd of July, 2017. I realize that Mole Man hasn’t got the highest self-esteem, what with his being a pop culture character with the name ‘Melvin’, it seems premature to say there’s no place for him in the Outer World just because the tyrant of the inner world sends monsters out to drag him back. He’s got a lot of drama surrounding himself, yes, but that’s due to other things.

Next week: Jack Binder and Carole Binder’s Alley Oop and the aftermath of the pantsless alien’s mind-control gun. And one final note for this week: if you like more talk about comic strips but would like them to be more about word problems, please consider my mathematics blog, which reviewed the past week’s syndicated comic strips with mathematics themes on Sunday. It also does this most Sundays and sometimes the odd extra day of the week, such as “Thworbsday”.

Another Blog, Meanwhile Index

And now the index jumped up thirty points to what’s got to be an all-time high as traders realized they’re not Belgian and don’t have to eat crickets if they don’t want to. This is just proving my point, guys, and I don’t see why you think this is anything else.

256

In Which I’m Afraid I Just Let You All Down, But Argue It’s The Local News’s Fault


I’m going to get my review of what was popular and why around here in June soon. I’m just thrown off my game yet again, this time by the local noon news. Yesterday during the weather reports they tossed in mentions of the ultraviolet index and then some reports about what to expect for people “going to mid-Michigan beaches” and now I’m stuck pondering that. I mean, there are some right fine beaches, fully equipped with large bodies of water and sand that’s too hot to actually be comfortable on and, in select cases, carousels to ride that are accessible from mid-Michigan. But they’re, like, on Lake Michigan, which is mid-Michigan in about the same way that Ocean City, Maryland, is in South Jersey. At least so it seems to me. But after the multi-part fiasco that was my just talking about Michigan’s Secretary of State offices when I got my license plate tags last year maybe I shouldn’t say anything with too much certainty. I could end up looking quite the fool again.

Here’s some more comic strips talked about on my mathematics blog. That’s the last of that until next week, or should be.

Another Blog, Meanwhile Index

The index rose eleven points despite investor anger at seeing a DVD of Bambi in the store with a note on it that Rotten Tomatoes certifies the movie Fresh. “What the flipping heck,” they would cry out, not in unison. “Bambi gets a Rotten Tomatoes sticker like it’s flipping Monster Trucks or something? What is wrong with the world like this?!” It’s hard to know what to say.

212