Paramount Cartoon Studios gives us today’s 60s Popeye. The producer is, as ever, Seymour Kneitel. He’s credited as director as well. Story is by Joseph Gottlieb. From 1961 here’s Hamburgers Aweigh.
The Popeye Wikia does not say this cartoon was adapted from the comic strip. I do wonder, though. It’s got a curious structure, feeling as though important pieces are missing. For example, we start with Popeye and Olive Oyl setting off on a voyage. To where? For what purpose? The cartoon ends at sea, with all their food eaten, and there’s not a hint of what they’ll do about that. (Granting the comic strip often forgot to resolve whatever the instigating event of the story was.) Popeye is able to call on the magical Whiffle Hen Bird. The Whiffle Hen Bird is an old and important piece of Popeye’s story, older even than spinach. But why is the Whiffle here? Why is Popeye able to call on him for a wish? (Eugene the Jeep hangs around Popeye enough that his presence doesn’t need explaining. But his magic seems defined in a way that the Whiffle Bird’s isn’t, and that would prevent what’s needed here.) Why did the Sea Hag stow away on Popeye’s ship? It can’t be the Whiffle Bird: she never knows this fantastic wish-granting creature is on board. Is it related to the unknown objective of Popeye’s voyage? (She offers to split the hamburger cargo with Wimpy, but that is the thing to bribe Wimpy with.) If this is condensed from a comic strip story, the condensing was done well. None of these questions really matters, apart from why the Whiffle Bird happens to be here.
This is a cartoon with far more mind control than I expect from Popeye. And all about mind control of Wimpy, which also seems unusual. Wimpy is almost one of the magic cast himself, wandering through adventures barely touched. It’s weird when he’s turned into a werewolf or, here, gets the most important element of his personality wished away.
There’s some good plotting here. Particularly, the Sea Hag orders Wimpy to toss all of Popeye’s spinach overboard. Good thinking. It’s dumb ironic luck that the spinach cans land where her vulture drops Popeye. It’s particularly nice as the Sea Hag had just cackled how everything was going according to plan. I’m not clear what the plan was. It involved tying up Olive Oyl, only to have her walk the plank. Also it involved catching Popeye unaware, except also flying her flag so anyone could see she was up to something. I don’t quite follow her reasoning, but children’s cartoon villains sometimes have to cut some story-logic corners.
Popeye, unable to hit the Sea Hag, has no trouble giving Olive Oyl spinach so she can hit her. He’s ethical but he’s not above obvious loopholes. Meanwhile Wimpy’s used the Whiffle Bird to take all the magic spells off of him. Interesting that he’s aware of all the mind control and that nobody wished for him to be content with his new programming. If she had thought of it, the Sea Hag … well, she would have been in the same fix. But Popeye and Olive Oyl wouldn’t be doomed to starve at sea after Wimpy eats all 200 cases of canned hamburger. Live and learn, mm?
It’s all a competent, reasonable done cartoon. Something about it gives me the feeling there’s more to this story. Or it could be Joseph Gottlieb conveyed the tone that there was more going on than they could show. I’ll still be thinking about this one a while.
Fewesi drives his camel hard, reaching an oasis. This made me realize my cartoon-influenced idea of an oasis always has it be, like, the size of a swimming pool. No. This is a land, one to which his (nomadic) people have returned, luckily. Fewesi declares this their great chance. They have only to give him asylum, and they can use Madeka to gain power in Africa.
The leaders of the Idar Uhag shut that down hard. Kidnapping Madeka isn’t going to solve any of their problems. Also it was a mistake to teach Fewesi any mind-control and distant-vision powers, which by the way the Idar Uhag have. Fewesi then remembers, hey, he has mind-control powers. He can just … oh. Yeah, the rest of the tribe has more and better mind-control powers, so they’re not changing their minds. They kick him and his hostage out, in time for Bukota to catch them.
Meanwhile, Prince Valiant — whom “sympathetic, if amused nomads chanced upon” and taught how to ride a camel — has made it to the oasis. While he swims, a lioness preys upon his camel. Valiant gets out fast, of course, and protects his ride, but it’s a tough job. The lioness leads him into the grasses, where her pride joins the fight. That’s taking Valiant some time to sort out.
Meanwhile Fewesi, Bukota, and Madeka are having a very parallel fight. Fewesi is able to mind-control Bukota, but it weakens his control of Makeda. Fewesi tries to slit Bukota’s throat — as the lioness hits the camel’s throat — only to lose control of Makeda. She covers him with her dress, giving Bukota the chance to shake off Fewesi’s control. Fewesi flees. Bukota and Makeda team up to pursue.
Do you need to know where we are in Jack Bender and Carole Bender’s Alley Oop? I’m happy to do my best to catch you up on the storyline. I have my limits, though. I’m writing this in mid-October 2017. If you’re reading this much later than that, the story might have got so far advanced that this isn’t useful. In that case, try checking the top of this page. If I’ve written a further update it should be at or near the top there. Meanwhile, story. here.
If you’re interested in comic strips that talk about mathematics stuff, you probably already saw this on my other blog, but what the heck. Never hurts to remind people that a thing exists, until they get tired of it and turn to rioting.
24 July – 15 October 2017.
Last time you’ll recall Jack Bender and Carole Bender’s Alley Oop was still wrestling with a spinoff of the pantsless-alien-frog storyline. The alien plant-frog-guy had left behind a mind-control ray gun that Alley Oop smashed and tossed all the way to the rival kingdom of Lem. There, King Tunk patched the thing together and figured to zap his way into, at last, the conquest of Moo. His attempt backfired, and shooting the thing left himself zapped and in King Guz’s power.
Guz orders Tunk to turn over his lands, his power, and his crown, and Tunk can’t refuse. Oop, fed up with this disrespect for consent, smashes the ray gun to pieces. Tunk comes to his senses, calls “no way” on his cession. He chases Guz, and the last pieces of the pantsless mind-controlling alien-frog storyline, out of the comic.
The new, and current, story started the 1st of August. “Meanwhile” in the 21st century (it’s their convention, run with it or read some other comic strip), Doctor Wonmug faces civilization’s greatest current menace. Rich white guy idiot M T Mentis III is interested in the time laboratory. His objectives are unclear at first. But the Time Lab could always use some more money. How could you make a profit with just the ability to traverse space and time to an exact spot at any exact second? So after a tour of the slick modern computerized time machine Mentis says what he’s up to.
He’s bored of his career of fixing up struggling companies. He wants to do something with meaning, by which he means buying the Time Lab and using the machinery to fix history. Wonmug is aghast at the idea of deliberately altering history. Even trying could force the comic strip to face potentially premise-wrecking consequences. You prove everything is strictly ordained somehow. Or you make the time travellers complicit in all the atrocities of human history. Or you make the time travellers responsible for destroying every living thing in the present timeline. Any of that’s heavy stuff for a comic strip that does better with, like, Alley Oop punching dopes. Yes, I am aware none of those verb tenses withstands any thought but I’m not getting paid enough to give them proper thought.
Since Mentis isn’t getting this, Wonmug sends himself, Mentis, and Mentis’s bodyguard to Moo and says, “see what you can do with this”. What he does is get chased by dinosaurs until he runs into Alley Oop and falls over, knocked out. When he recovers what he uses as his senses Mentis, shaking the idea that this is a movie set or something, works out a plan: he needs to kill the dinosaurs. After all, humans and dinosaurs shouldn’t coexist and they’re drawn kind of off-model and colored all weird. Alley Oop isn’t having any of it.
Oop does admit that King Tunk of Lem is a problem, what with his invading now and then and being kind of a jerk the rest of the time. Mentis proposes a wall, and Oop rolls his eyes so far back into his head they threaten to come around the other side. Mentis figures, well, how about better defenses than Oop’s ax and his fists? Mentis’s bodyguard Gunther epically failed trying out Oop in hand-to-hand combat. But how about if Mentis shows off his superior strategy? Mentis shows off his plan. It’s “holding enough spears and axes and swords and knives at once that Oop barely has to stop laughing long enough to kick him unconscious”. I’m not saying I’d be much better at uplifting the poor noble cavemen if I figured that was my business. I’m not sure what I’d introduce them to, exactly. Soap, I guess. Clean water. A Lockean concept of the social contract. Potatoes. The categorical imperative. I know I wouldn’t try showing off that I could hold too many weapons at once to be able to hold without the whole pile falling and stabbing my foot.
Here Oop asks a good question: the heck is Mentis’s deal, anyway? Before the rich idiot can mansplain why he figures he can patch up history despite his manifest incompetence some actual plot intrudes. It’s raiders from Farzoon, seeking slaves for some massive project. Mentis wonders if it might be Stonehenge or the Great Wall because I’m going ahead and assuming he thought Chariots of the Gods was nonfiction. Oop and Mentis hide, but the Farzoonian raiders have their scent.
And that’s got us caught up.
So, still not answered: what is Mentis’s deal, anyway? It’s hard to square someone being bright enough to save struggling companies repeatedly with not being able to see any problems whatsoever in meddling with history. So what’s h out for? I guess it would be admirable if he did just want to fix the messy, terrible sides of history. And that would show up Wonmug and Oop for laughing at him. But if he is then he’s done a pretty poor job thinking through what that implies which, yeah, isn’t impossible. Especially given the casual, light tone of the Alley Oop world.
But it’s also baffling story for the Benders to write. As far as I know Alley Oop has avoided setting out the rules about whether, and how, history can be changed in its time-travel view. The storyline seems to threaten to commit them to something. Dr Wonmug says that history can change and time-travellers have to take care not to screw things up. But I don’t know what his evidence for that is. They seem to have a pretty casual attitude about time-travelling if they are afraid of messing up stuff. Alley Oop can activate the time machine to destinations of his choosing. Alley Oop’s an upstanding person, and he gets up to speed in situations quickly. But would you want to count on a caveman dropped into (say) the Battle of Manzikert to not do something off-script?
I suppose it’ll be avoided, or at least left ambiguous. I’m also curious how Wonmug figures that getting his hat stomped by dinosaurs will help Mentis learn about the interconnectedness of events or whatever his vague lesson is. You’d think just “what if you set it so your parents never met?” would get the point across. I suppose a reasonable person might learn from being shoved headfirst into Moo just how complicated and messy and big the world is and so how implausible it is to “fix” the timeline. But I’m not sure a reasonable person would have done more than have fantasies about history-fixing either.
So, I’m curious whether we’ll learn Mentis has some ulterior motive, or whether he simply believes he’s worked out the killer app for time travel.
Thanks for trying to work out what’s going on in Jack Bender and Carole Bender’s Alley Oop. I’m writing this in mid-July 2017. If it’s a lot later than July 2017, the story might have moved on, although I admit right now that’s not looking very likely. There might have been enough story development that this stuff isn’t useful anymore. If I’ve written a fresh follow-up since this essay, it should be at or near the top of this page. Let me know if you don’t see something and if the story has got so baffling you need an update.
The current storyline in Jack Bender and Carole Bender’s Alley Oop started sometime in October of last year. The end of April and my last update of the strip coincided with what looked like the end of the story. Volzon, an alien plant-frog-guy with a mind-control ray gun, had been foiled in his attempts to colonize prehistoric Earth. It turns out dinosaurs, like Dinny the brontosaurus, aren’t subject to alien mind-control rays and don’t see any reason they couldn’t eat invading alien spaceships. Good stuff to know.
Alley Oop, knowing a loose end when he sees it, tosses the remains of Volzon’s mind-control gun out of Moo, and rejoins the quest for food and whatnot. King Guz, reasonably annoyed at yet another attempt to overthrow Moo, starts talking crazy about building a dome that will keep invading aliens out. Alley Oop reminds him that just because someone has an idea doesn’t mean that idea isn’t incredibly stupid. And he soothes the mind-control-wary Moovians. Even if Volzon or another Jantrullian return, it’s not like dinosaurs are going to vanish from the face of the Earth.
This fine example of dramatic irony gets a little bit weirder when you remember the premise of the comic strip. Alley Oop is a time traveller. He’s been, repeatedly, to the present day and knows that dinosaurs do vanish. On the other hand, he also knows the Jantrullians don’t manage to conquer the Earth, not before about 2016 anyway. (I don’t know if he’s ever been to our future.) I’m not sure how wry this is all supposed to be.
Meanwhile in the loose end, it turns out Alley Oop threw the remains of Volzon’s mind-control gun all the way into Lem, where King Tunk found it. As he only just got in the story he doesn’t know what it is or what it should do, but he can tell these are a bunch of sparky wires that got ripped apart. He figures he could twist the wires back together, cover them with tar, and wrap the whole remains of the gun in a palm leaf and maybe then it’ll work again. I admire his ingenuity and his success. I mean, I’ve needed the help of the car care place down the street just to take off my license plate holder. Twice. He’s fixing up an alien mind-control gun using sticks and leaves.
At least he’s trying to. He tromps into Moo with the repaired gadget, accusing King Guz of designing a weapon to attack Lem. His attempt to use it backfires, leaving him in a dazed and suggestive state. King Guz sees an opportunity, figuring “I think it’s high time Tunk did something good with his life”. This serves as a reminder that there are people who can’t be trusted with mind-control technology, and that would be pretty much “people who’d use it on the unsuspecting”. And I’m not sure it should be trusted to people who’d volunteer to have it be used on either. I get the idea, but there’s such major issues about consent and the respect of personal autonomy that I can’t see a way around it.
Anyway, this storyline keeps puttering on at the lethargic pace of a strip that makes sure the Sunday strip contains all the plot of the six weekdays around it. I would have bet the mind-control ray story was over with the end of April, so I’m not going to make guesses about when this story will end. There’ve been some teases that King Tunk needs to learn about working with people, and maybe that’s where the mind-control gun is going. We shall see, I assume.
The Another Blog, Meanwhile index rose — wait, this can’t be right. OK, it’s what everybody is saying, anyway. All right. The index rose 36 freaking points during the day, blasting way past the 300 margin and raising questions about whether the whole project is properly ballasted or what. I’m skeptical. Not looking to cause trouble but I’m not one of those people cranky about how they didn’t buy when it was at 80 or that did sell when it was at 256 because whatever this is, it’s not right.
And I’m back around to Jack Bender and Carole Bender’s Alley Oop. While I’m writing about the current storyline, it’s possible you’re reading this while trying to figure out what some other storyline in my future is about. That’s only fair given we’re talking about Alley Oop, isn’t it? Anyway, if you’re reading this much later than about May or June of 2017, you may want to look at whatever essay’s at top of this page. It should have my most current low-daisy review of what’s going on.
Dire? I suppose, although the comic strip — while taking its adventure seriously — never get all that dire. Plus at that point only Alley Oop himself had been taken over. He was joined by Zan, while fellow Moo bit player Bug ran back to his sergeant to report on the alien invasion. Ooola overhears; the soldiers work up a story about how Oop’s just got so much meat to bring home he hasn’t had time to get mind-controlled by an invading pantsless alien plant-frog guy, a story she pretends to believe.
Volzon, warming stuff up for the reinforcements by having Oop and Zan punch trees, spots Bug and the Sarge and takes them over in time for the mind control ray to wear off Alley Oop. And while Oop had been under the ray for like six weeks of reader time, in story time it can’t have been more than a couple hours. It suggests there’s some practical problems in an economy built entirely on mind controlling cavemen. At least it means they’d be spending a lot of time re-zapping Moovians instead of enjoying stealing the fruit of others’ labor.
While Volzon gloats about preparations for his totally hip log-cabin spaceport being underway Ooola gets tired of not being in the story. She teams up with Dinny, Alley Oop’s pet/friend dinosaur, and go looking for him by the ancient Moovian technique of trying. Volzon’s startled by the big charging dinosaur somehow living at the same time as cavemen, but before he can question the plausibility of this worldbuilding the invading pantsless alien plant-frog guy discovers his mind control ray doesn’t work on dinosaurs. Yes, I enjoyed writing that sentence. I’m going to be cheery about it for days to come.
It gets worse for the invader. Even when Ooola’s separated from any dinosaurs it turns out her boogie board is an effective defense against mind control rays. With Oop coming out of control and Dinny coming close to suppertime, Volzon retreats to his pocket-dimensional spaceship and takes off for some easier invasion target. Possibly, like, the place forty miles down the road but, that would be in a different comic strip.
If this isn’t the end of the story it’s darned close. The past week has been Oop explaining what was going on to Zan, Bug, the Sarge, and someone else who joined the story while I wasn’t looking. There might be another week of transition left in things, but we’re getting onto a new story soon enough. I thank Jack Bender and Carole Bender for organizing stuff that neatly.
Another Blog, Meanwhile Index
The index rose four points today on rumors of investor confidence and a sense that what’s the worst that could happen? The folks shorting the index have their answers, but nobody listens to them until the market crashes and they’re the only ones with money until everyone else gathers around and punches them.
Undersea pirate, used submarine disguised as giant fish.
Adventure Comics Vol. 1 #254
Roy Pinto was an escaped prison convict who decided to keep a low profile. His specialty was electric eels. Constantly handling them mutated him, granting him immumity to electric shocks. Later escaped from prison with five other villains in JLA No.5 to battle the JLA, but was captured by Green Arrow.
Aquaman vol. 2 #21
A villain who uses fishing gimmicks to commit crimes, member of the Terrible Trio
Gustave the Great
Adventure Comics #261 (June 1959)
AKA the Animal-Master; an expert animal trainer, Gustave would perform daring crimes on the side. Since Aquaman stopped him while in action, Gustave swore revenge.
The Human Flying Fish
Adventure Comics Vol. 1 #272 (May 1960)
Vic Bragg was a swimming champion before turning to crime, before he fell in with Dr. Krill, the brilliant medical doctor and marine biologist who had also turned to a life of crime. After several months of recovery and training, Bragg began his career as the Human Flying Fish. One of the few Aquaman villains to appear in the Super Friends comic book.
DC Special Series #6 (November 1977)
Ice creature, caused worldwide cold wave so world would be frozen like himself, convinced by Aquaman, Aqualad and Mera to desist, “melted” and became water creature. [ Editorial note: ahem. ]
The Malignant Amoeba
Adventure Comics #135 (December 1948)
Giant artificial life-form created by scientists, eats everything in its path; the scientists spent ten years containing it until it escaped and encountered Aquaman.
The Octopus Man
Adventure Comics #259 (April 1959)
Roland Peters, conducted illegal experiments on marine life to transfer minds between species, transferred Aquaman’s mind into different fish.
Adventure Comics #203 (August 1954)
Criminal who was magically transformed into a shark.
Aquaman #19 (January 1965)
Unethical showman who enslaved Atlanteans.
Adventure Comics #170 (November 1951)
Used telepathic machine to command fish to commit crimes.
Action Comics vol. 1 No.539 (January 1983)
Current Queen of Xebel a kingdom located in Dimension Aqua, and enemy of Queen Mera.
So, wait, there are laws about developing fish-mind-swap technology? I guess I’m glad there’s some regulatory oversight. I’m just wondering which is the governing body. And are the fish-mind-swap and fish-mind-control technologies independent lines of fish-mind science or do they blend together? Like, what’s the difference between two fish swapping minds and two fish controlling each other’s body? Anyway it’s really just “Dimension Aqua” that gets V’lana on this list.