When Do I Get To Sing _My Way_?


What’s playing at Karaoke Night:

  • Queen’s Bohemian Rhapsody, sung by the first person who got to pick anything, and also everyone else there.
  • R.E.M.’s It’s The End Of The World As We Know It, performed by someone who starts two bars late and has to give up about twenty percent of the words each verse to return to the chorus anywhere near on time.
  • Let It Go, from Frozen, performed by someone who loves the song but doesn’t realize that it’s awesome because it’s an incredibly hard song to perform.
  • Bill Joel’s Piano Man, sung by everybody when the person who had signed up for it is nowhere to be found when it’s their turn.
  • Weird Al’s Yoda, performed by someone horrified there isn’t anything by the Kinks in the catalogue somehow and trying to reconstruct the real words as best as possible in the circumstances, which include nerds crying out to do it “right” with the Weird Al version.
  • P F Sloan and Steve Barri’s Secret Agent Man, done by someone who figures if he’s loud enough about the key phrase “Secret Agent Man” it won’t matter that he sings it in a different, yet still previously unknown to humanity, key every time. This someone, dear reader, is me.
  • Wings’s With A Little Luck, performed by someone who forgets it has an instrumental break about as long as fourth grade in the middle and stands with wide-eyed terror through three-quarters of it before awkwardly trying to dance, and then remembers the fade-out is even longer still.
  • Gerry Rafferty’s Baker Street, performed by someone who has pretty solid voice control and seems out of place in the proceedings.
  • Johnny Cash’s Ring of Fire, unenthusiastically performed by someone who tries to use the close to say he wanted to do the Wall of Voodoo version, although this explanation gets lost underneath the DJ calling the next singer up.
  • Some Kinda Romanticky Gushy Ballad I Guess, from the closing credits to the film Any Given 80s Movie, Which You Could See Any Time, Day Or Night, In The 90s By Turning On Any Cable Channel Including The TV Listings, sung by someone mumbling so you can’t make out the words anyway, but the glurgey music alone brings back great memories.
  • A-Ha’s Take On Me, until it gets to the first “I’ll be gone” and the performer’s voice locks up at the high pitch, and she runs off stage and can’t be coaxed back up however much everyone promises it’s okay. Post-karaoke-night discussion focuses on whether that was a deliberate joke, and never reaches a definitive conclusion.
  • Queen’s Bohemian Rhapsody, sung by someone who came in late and also everyone else there.
  • Somebody or other’s Unintelligible Hip-Hop Song, performed by a most white guy who is neither hip nor hop, who possessed no idea this would require having a strong sense of cadence and rhythm, and also didn’t realize there were three spots where the verse uses the n-word, something he had failed to establish the necessary policy for well ahead of time.
  • Don McLean’s American Pie sung by a guy who realizes twenty minutes in that he’s still not even halfway through, though everyone feels great joining in the chorus.
  • Journey’s Don’t Stop Believing, performed by someone who picked it just to complain about the reference to South Detroit, also everyone else there.
  • Nena’s 99 Luftballoons, sung by someone who just assumed the karaoke machine had the English-language version. Live and learn, huh?
  • Jefferson Airplane’s White Rabbit without any inflection or change in tone, possibly by me because there’s no way of controlling what note my voice has chosen to sing in this time.
  • U2’s With Or Without You performed by Ron Mael of Sparks after he found, to his disappointment but not surprise, there isn’t anything of his in the karaoke catalogue.
  • Sam the Sham and the Pharaohs’ Little Red Riding Hood done about two octaves low so it sounds 226 percent more pervy than normal.
  • Any Given Indie Band’s Song With A Lot Of Whoa-oa-oa-oaaahoos In It, sung by someone using his pretty good voice to do it as if by Fozzie Bear for some terrible reason.
  • The Champs’ Tequila, by someone who figured this would be funny and had no idea everyone was going to groan like that when it was announced and now he’s stuck with it.
  • Let It Go, from Frozen, as sung by someone who either just came in or didn’t learn the lessons from earlier.
  • The Who’s Pinball Wizard, sung by someone snarking about how there hasn’t been pinball since 1982 and can’t be convinced to look over in the alcove where there’s like eight tables and six of them are even turned on. Seriously.
  • Billy Joel’s We Didn’t Start The Fire, by someone who was sure she knew the lyrics, and then saw what the karaoke machine has, which was apparently transcribed by YouTube’s automated-worthless-closed-captioning. So the screen’s giving stuff like “Denny footfall rocky cockerel unsteamed chess team brook lamprey snotty beam” and now she has no idea what to do.
  • Duran Duran’s Hungry Like The Wolf, picked by someone who was thinking of Warren Zevon’s Werewolves of London because he wanted to do the wolf howl part, but recovers pretty well with the DO-do-do-DO-do-do-DO-do-do-DO-do-do-DO-do-doo part and doesn’t look too disappointed by the end of it all.
  • The Animals’ We Gotta Get Out Of This Place, sung by someone who once again just assumed he was the last person performing for the night and who is confident this will be funny when he finally is.
  • Queen’s We Are The Champions, picked by someone making way too big a deal over the Tigers beating the Rays 5-3 this early in the season.
  • George Michael’s Faith, by someone who didn’t realize how tricky the meter could be, but has a friend who jumps on on stage for the last third to guide her through safely.
  • The Theme To M*A*S*H, selected by someone who wanted to show off he knew the words to it, and wasn’t thinking how the karaoke machine was going to give him, and everybody else, the words to it anyway.
  • Queen’s Bohemian Rhapsody, which is just signing itself up to play at this point.
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